glitch horn sound reminiscent and low full sound across the sparse fields of the metaverse..gathering

1/1 édition
aprox 469 Mo
2500 x 3800 px
59 secondes
24 fps

the call of the herd

if there is something that we cannot measure it is the weight of the winds...

1/1 édition 
3321 x 4000
26,6 Mo

the weight of the storm

1/1 #EXP collection / pièce N°31

2160 x 3840 px / 4k mp4 / 31 s / 98,7 Mo 

a subrealist reread based on the oil painting by : 
Vermeer, Johannes; Woman Reading a Letter; c. 1663

on view at :
Rijksmuseum, Amsterdam, Pays-Bas

seed phrase poetry

1/1 #EXP collection / pièce N°30

a subrealist reread based on the oil painting by : 
Tour, Maurice Quentin de La; Pierre-Louis Laideguive; 1761

on view at :
Museu Nacional d'Art de Catalunya – MNAC, Barcelona, Espagne

special readings

2160 x 3840 px / 4k mp4 / 29 s / 95,0 Mo 

1/1 #EXP collection / pièce N°29

a subrealist reread based on the oil painting by : 
Roslin, Alexander; The Lady with the Veil (the Artist Wife); 1768

on view at : Nationalmuseum Sweden, Stockholm, Suède

shadow ban

1440 x 2560 px / 2k mp4 / 31 s / 49,7 Mo (4k for collector and curation)

1/1 #EXP collection / pièce N°28

a subrealist reread based on the oil painting by : 
Van Dyck - Portrait of a Lady, ca. 1620
on view at : 
Fine Arts Museums of San Francisco


silhouette 

2160 x 3840 px / 4k mp4 / 31 s /  95,3 Mo

1/1 #EXP collection / pièce N°27

a subrealist reread based on the oil painting masterpiece by : 
Gardner, Elizabeth Jane; The Shepherd David; ca. 1895

on view at : National Museum of Women in the Arts, Washington, États-Unis

symbolism cannot fly without a charging battery

2160 x 3592 px / 4k mp4 / 31 s /  96,1 Mo

1/1 #EXP collection / pièce N°26

abondance

XCOPY HACK of "lookup" by treeskulltown for NFT Factory X-hack day

Regarde_À_L'intérieur #2/11

Regarde_À_L'intérieur #1/11

treeskulltown

"it´s never too late to watch the beautiful light fall duke sky"

Light fall duke sky

"through the cream of the tree skull town"
we cross styles and artists in collaborations

The object lesson is an educational principle put in place at the end of the 19th century which consisted in learning everyday things.

#GWOP  .100/100
of #skulleth séries 12
by #treeskulltown
2184 x 2184 px
18,4 Mo

objkt lesson

à travers la crème de la ville du crâne de l'arbre

a unique collection dedicated to unique works, sharing, collaboration, exclusive commission in a binary and virtuous exchange between artists and collectors

戦詩人のギア : warrior-poet gear : 
"a warrior must know how to play the verb like the sword"

1/1 pieces

2293 X 2293 px
9,34 Mo



Sen shijin no gia

One.Zero.One

and in this smile they will recognize each other...

#ACME .53/100
of #skulleth séries 10
by #treeskulltown
2458 x 2458 px
11,9 Mo

the world smiles on the chosen ones

Academy Crypto Mutant Empowering :

   #skulleth series 10

just look in the right direction...

#ACME .41/100
of #skulleth séries 10
by #treeskulltown
2727 x 2727 px
4,16 Mo

the light is everywhere

A.C.M.E

when pixel art causes a stock market crash in the heart of the glitch...

#GWOP  .27/100
of #skulleth séries 12
by #treeskulltown
3299 x 3299 px
12,5 Mo

Pixel Gate

On the city walls they're written like insane warnings and shifts, carried by the words of weathered vandals lurk Glitch prophecies, that's why we glitch for this in all infinities, here are the precepts... #GWOP this is #skulleth serie 12

in glitch worldliness, glitch speech is very formal, 
you have to be well articulated and pronounce all grammar and spelling errors, it's facinating...

#GWOP  .66/100
of #skulleth séries 12
by #treeskulltown
3049 x 3049 px
11,3 Mo

glitch worldliness

Glitch Walls Of Prophecies

BOOK 38./50 editions
of #skulleth serie 8: #koa
by #treeskulltown

2871 x 2871 px
15,2 Mb

Earth writing,
it's all in the foreknowledge,
an amplitude accordingly,
we are connected,
if we mistreat her,
it is us that we alter,
it is temporal observation,
of our presence,
listening predicts the future,
everything has a sound,
a clean path,
these cells open to perception,
a slight tremor,
equal beat,
you perceive for the first time,
and hear,
mother's memory...

- treeskulltown

mother's memory

there is a time, a sovereign occult knowledge,
deliberately forgotten by history,
the sacred tree is the throne,
the door: your mind,
alchemy is the key,
and here is the key...

BOOK 22./50 editions
of #skulleth serie 8: #koa


Appendages to trees,
falling from the sky by the thousand,
dreams cling,
to the beat of the heart,
the earth listens,
the son of the stars,
chimeras dance in the palms of outstretched hands,
tremble and breathe,
if he had dreams per thousand in the trees,
it's a sacred moment,
for those who bring hope,
and dream gatherers...

- treeskulltown

Dream Gatherers

the key of Amaranthes

"personne ne m'aime, c'est un fait, peu m'importe un jour je serais président de la République"

02/50 editions of #skulleth serie_6 : Courtesans of the Mirror Gallery : limited series of 50 copies

Edouard le mal aimé

he reflections of history through the corridors, a collection of 50 works in this series 6 of #skulleth by treeskulltown, you travel between times only on objkt.com

"eat no sugar"
43/50 editions of #skulleth serie_6 : Courtesans of the Mirror Gallery : limited series of 50 copies at 16 #XTZ

Mr Sugar Hill

Courtesans of the Mirrors Gallery : skulleth_S6

#hope 19./50 editions
of #skulleth serie 9
by #treeskulltown

Of the three graces of GAN I represent
the Courage of deep learning,
neural networks manifest themselves by Joy,
Jubilation generate new data ,
the Pleasure of the generative adversarial network,
the Gaiety and the Joie de vivre of the python code.

EUphrosyne_AI

H.O.P.E Behind every door, a new mystery, it's not what's behind the door that's important but what's inside, what we're made of, a new world, a story, a collection of 50 #skulleth for this series number 9 it's up to you to discover at #treeskulltown

#hope 29./50 editions
of #skulleth serie 9
by #treeskulltown

I naturally want to know...
I'm going to hammer the world to look a little like me...

 Aristotelis stratigos

Hotel Oak Palace Empire

"who tugged out the duke of tezos ?"

originial limited édition of 10 piece´s
collaborative animation 
between Dax Norman  X treeskulltown 


Duke Of Tezos

I Make "Renaissance hijacking" 


(it's like spraying on old master painting in web3) this collection is open for collaboration of this artistic movement with a smile...

every night I dream that the pixel war will end and in the morning the war starts again...

open édition édition for the #opentez event

2732 x 3000 px
17,7 Mo

Pixel Final War

Renaissance Hijacking

"no longer look for the origin of super heroes and machine men, you have found me"
49./50 verse copy of #skulleth serie 7: #CybeRoot by #treeskulltown

Mechatron

series 7 of #skulleth by #treeskulltown : a collection of 50 gifs
"and the cyborg found its root, 
and this one of intertwined thread showed the digital way of serenity"

"one day i'll be a perfect machine, my cogs sweating to nirvana"
44./50 verse copy of #skulleth serie 7: #CybeRoot by #treeskulltown

GundaRama

Cybe_Root

"the rarity of our pretensions is matched only by the finesse of our nobility"

3599x4500px
48.9 MB

subtle and colorful pretentious

Because to make a good glitch you have to know how to alter a video tape with a shovel and coconut oil through a retinal filter, its a question of skill.. #skulleth serie_14 by @treeskulltown

a cube that makes noise is worth as much as an error in judgement...

3501x4652px
38.5 MB

Pixelated noise no longer creates an issue

MANUAL GLITCH

« moment of grace »

5495 x 2898 px GIF to 4k 2160p Mp4 3840 x 2160 / 25,5 Mo

Between the real and virtual world flows a fluid this one stretches to be mistaken in organic and dreamlike form The museum "out for frame" the paintings want to leave the place to come in the web3, there results a determining consequence to this interaction, the faces fluidize between two between two physical and virtual space, the artist tries to maintain a coherence by adding line and code made by hand in a ritual and instinctive way so that the coherence is not dissipated by the transfer... the thirty third pieces for the #skulleth collection 15 #off "out for frame"

Soft Grass

Between the real and virtual world flows a fluid which stretches and deforms in a ritual and instinctive way in order to avoid dissipating itself by the transfer in organic and dreamlike form, resulting in the collection "out for frame" #off

cubism has just opened up to me perceptions that I barely find...

1080 x 1920 HD portrait MP4 / 12s / 16,1 Mo

Between the real and virtual world flows a fluid this one stretches to be mistaken in organic and dreamlike form The museum "out for frame" the paintings want to leave the place to come in the web3, there results a determining consequence to this interaction, the faces fluidize between two between two physical and virtual space, the artist tries to maintain a coherence by adding line and code made by hand in a ritual and instinctive way so that the coherence is not dissipated by the transfer... the Twenty seventh pieces for the #skulleth collection 15 #off "out for frame"

le Salon de la Section d’or

Out For Frame

on @thehugxyz
 

🤗1500 HUG POINTS  🤗

😱… 

Start 17 October at 18 h UTC +2

REDEEM AT : https://thehug.xyz/redeem-hug-points

A BIG MISTAKE

To make something new, you have to destroy the old.

10 éditons at 3 #xtz

https://objkt.com/asset/KT1U8FMipJ7R55ezigDuBEsvgiqVxCkBrVZp/13

1080 x 1920 HD portrait MP4 / 12s / 93 Mo

Between the real and virtual world flows a fluid this one stretches to be mistaken in organic and dreamlike form The museum "out for frame" the paintings want to leave the place to come in the web3, there results a determining consequence to this interaction, the faces fluidize between two between two physical and virtual space, the artist tries to maintain a coherence by adding line and code made by hand in a ritual and instinctive way so that the coherence is not dissipated by the transfer... the twenty third pieces for the #skulleth collection 15 #off "out for frame"

Deconstruct and Build_

Uploads

« there was a time when i lived through you and you lived through me »

2160 x 3840 4k MP4 portrait / 11 secondes / 74,4 Mo

through a generative process of random hand movement the work takes shape, a compulsion of ritually repeated strokes for this #treeskullotwn collection: #skulleth 16 : Use Of Human Abilities #UOHA 

there was a time

through a generative process of random hand movement the work takes shape, a compulsion of ritually repeated strokes for this #treeskullotwn collection: #skulleth 16 : Use Of Human Abilities #UOHA

1080 x 1920 HD MP4 Portrait / 30,3 Mo / 22 secondes

through a generative process of random hand movement the work takes shape, a compulsion of ritually repeated strokes for this #treeskulltown collection: #skulleth 16 : Use Of Human Abilities #UOHA 

EVALUATE

Use Of Human Abilities

1808 x 2160 4k MP4 / 22 Mo / 15 secondes

through the line and the shape we define the coherence of the entire visual representation, the line gives the limits, underlines the movement or fills the shape. 

N° 38/50 of #skulleth séries 17 #BLAF 

Sing Like A Bird

through the line and the shape we define the coherence of the entire visual representation, the line gives the limits, underlines the movement or fills the shape.
#skulleth séries 17 #BLAF

1736 x 2160 4k MP4 portrait / 21,9 Mo / 13 secondes

through the line and the shape we define the coherence of the entire visual representation, the line gives the limits, underlines the movement or fills the shape. 

N° 10/50 of #skulleth séries 17 #BLAF 

REflex

By Line And Form

1140 x 2560 / 2k mp4 / 49,1 Mo / 32 s 

(4k version for collector )

a subrealist reread based on the oil painting masterpiece by : 

Bryullov, Karl; Portrait of Countess Samoilova; 1832_1834

On view at : Hillwood Estate, Museum & Gardens, Washington, États-Unis

Liberty is on fire 

2880 x 2160 px / 24 Mo / 14 secondes

Animation of digital painting on works in the public domain of museums

"Genesthai :: Exhibition /// Exploring the Intersection of DeSci, Digital Art, and Psychedelic Research for Mental Health."

Entheogen Afternoon 

1464 x 2160 4k mp4 / 34,0 Mo / 20 s 

08/50 = #skulleth serie 18 #UOL : « Unity Of Line » :


« reality is made of colored or free continuous shapes or curves, it is transported by this interconnection, one between the threads of life on earth, it is a whole unity of completely random lines represented in all these forms in this collection »

spring ability

2160 x 2160 / 4k mp4 / 86 Mo / 44 s /
21/50 = #skulleth serie 18 #UOL : « Unity Of Line » :

a subrealist reread based on the masterpiece :

Elisabeth-Louise Vigée Le Brun - The Marquise de Pezay and the Marquise de Rougé with Her Sons Alexis and Adrien

On view at : National Gallery of Art, Washington DC 

Propagation effect

Unity Of Lines

1/1 #EXP 14

2160 x 3840 / 4k mp4 / 95.4 Mo / 29 s

based on : 
Leighton, Frederic; Portrait of May Sartoris; c. 1860

on view at : 
Kimbell Art Museum, Fort Worth, États-Unis

fleur de saison

Nature is a successful mathematical experience, an impressively sophisticated tangle of geometry, impressionist painters give all their souls to transcribing this beauty on linen or cotton canvases, the experience is never finished, I try with digital painting to continue the line in the direction of a virtualized space, measured by the extent of the stain in a decentralized collective, I strive to produce a work every day animated on a master canvas digitized in the public domain, each day like in a video game, I gain experience points in my technique, this is the reason for the title of this EXP collection



1/1 #EXP 15

2160 x 3840 / 4k mp4 / 95.5 Mo / 29 s

illuminate

EXP 

"This artwork embodies the labyrinthine complexities of human existence, where the threads of affect, cognition, and memory entwine and reciprocally influence one another. Like the perpetually rewoven tapestry of our experiences, we strive for lucidity and comprehension amidst life's uncertainties.
Lachesis, the mythological measurer of destiny, is reimagined as a symbol of the perpetually unfolding script of fate. The incomplete, thread-intersected head of the painting serves as a poignant reminder that our destinies are forever in flux, akin to the cyclical animation of existence.
The artwork probes the existential tension between the notion of fate as a predetermined trajectory and the human impulse to exercise agency and control over our lives. The use of wires and orbs to measure distance and time serves as a metaphor for the dynamic, relativistic nature of these concepts, underscoring the intricate web of relationships that govern our understanding of reality."

3840 x 2160 px / 4K mp4 / 45 s / 48.2 Mo / 24 frames 

1/1 for collection « A Sensitive Path » 48/50  #ASP 

a subrealist reread based on the masterpiece by : 

Copy of a fragment of "Las Hilanderas" by Velázquez
Joaquín Sorolla 1882

Original works On view at : 
Sorolla Museum, Madrid, Spain


Threads of Fate

« aims to conceptualize sensations and emotions in a synesthetic way through colors and their animation to determine each work traveling the path of this collection… » #skulleth serie 21 of 50 pieces in 1/1

 2160 x 3840 px / 4k mp4 / 19 s / 153 Mo

1/1 edition for collection « A Sensitive Path » 05/50  #ASP

digital painting animation based on oil painting masterpiece in public domain by : 

source: Troost, Cornelis; Portret van een lid van de familie Van der Mersch; 1736
see the oil painting original at Rijksmuseum, Amsterdam on X : @rijksmuseum 

Living Symphony

A Sensitive Path

it's a fascinating concept that resonates with the idea of ​​discovering or revealing a form of life in flat art animation. This concept can be rooted in the philosophical traditions of ancient Greece, notably in the ideas of Plato and Aristotle.

In Plato's philosophy, the concept of "Forms" or "Ideas" refers to eternal, abstract, perfect patterns that underlie the imperfect and changing world of sensory experience. According to Plato, the Forms are the true reality and the physical world is only a shadow or an imitation of these perfect Forms.

In the context of flat art animation, the concept of Organic Found can be considered a form of Platonic discovery. The artist, through his or her creative process, discovers or reveals a form of hidden conceptual life that exists beneath the surface of the digital image. This life form is not necessarily a physical or biological entity but rather a conceptual, abstract and eternal essence that animates the pixels and gives them meaning.

Aristotle's concept of "entelechy" can also be applied to the idea of ​​the Organic Found. Entelechy refers to the potential for something to become what it is intended to be, to realize its inherent purpose or telos. In the context of flat art animation, pixels and digital elements can be considered to have entelechy, a potential for life and meaning that is realized through the creative process.

In this sense, the artist is not simply creating a digital image, but rather discovering the hidden potential for life and meaning that exists in the pixels themselves. Organic Found is the realization of this potential, the emergence of a conceptual form of life that is both eternal and ephemeral.


2146 x 2630 / 4k mp4 /  75,6 Mo / 44 s / 12 frames

1/1 collection 23/30 #FEPUM « Fix Eye Perpetual Uncontrolled Movement»

a subrealist reread based on the masterpiece :
Cleopatra - Mosè Bianchi - 1865/1865
on view at : 
Galleria d'Arte Moderna - Milano 

Organic Found

"My art is my balance & therapy. This collection calms my mind's constant pursuit of understanding, a draining quest." 

1/1 collection of 30 #FEPUM (Fix Eye Perpetual Uncontrolled Movement)

In the context of French philosophy, the idea of ​​"trying to repair" can be seen as a reflection of the human condition, where we are constantly seeking to understand and control the world around us. This quest for knowledge and mastery is a fundamental aspect of human existence, as shown in the work of philosophers like René Descartes and Jean-Paul Sartre.

The phrase “Try to solve this problem” can be interpreted as a manifestation of the Cartesian method, where we try to break complex problems into manageable parts, analyze them, and then reassemble them into a coherent whole. This process of deconstruction and reconstruction is a hallmark of modern Western philosophy, where we strive to impose order and meaning on a chaotic world.

However, this endeavor can also be seen as a form of existential futility, as we are ultimately confronted with the limits of our knowledge and the uncertainty of the world. This is where the “Try to Fix It” concept intersects with the ideas of contemporary French philosophers like Jacques Derrida and Jean-François Lyotard.

Derrida's concept of différance, for example, suggests that meaning is always in a state of deferral and that our attempts to fix or pin down meaning are ultimately doomed to failure. Similarly, Lyotard's notion of the "postmodern condition" highlights the fragmentation and instability of knowledge in the modern era, where grand narratives and universal truths are no longer tenable.

In this sense, “Try to Fix It” can be seen as a futile attempt to impose order in a chaotic world, a world inherently resistant to our attempts to control or understand it. This futility is not necessarily a negative thing, however, as it can also be seen as a catalyst for creativity, innovation and self-reflection.

Perhaps through my art I explore the tension between the human desire for control and understanding and the uncertainty and chaos inherent in the world. By accepting this tension, I perhaps create a space for reflection, contemplation and perhaps even a feeling of liberation from the need to “fix” everything.

2160 x 3840 px / 4K mp4 / 44 s / 82,9 Mo / 12 frames 

1/1 collection 01/30 #FEPUM « Fix Eye Perpetual Uncontrolled Movement»

a subrealist reread based on the masterpiece by : 
Gilbert Stuart  (1755–1828) 
Portrait of George Washington (The Athenaeum Portrait) 
Original works On view at : Museum of Fine Arts, Boston ( MFA Boston )

Try to Fix It

Fix Eye Perpetual Uncontrolled Movement

The connection between theta synchronization and the collective unconscious is a central theme of Jung's psychology. Jung believed that the collective unconscious is a shared reservoir of archetypes and memories common to all humans, and that it is a source of collective wisdom and knowledge.

In the context of theta synchronization, the connection with the collective unconscious suggests that individual brainwaves draw from a shared reservoir of archetypes and memories, thereby allowing the emergence of a shared collective experience. This collective experience is not simply a sum of individual experiences, but rather an emergent, holistic entity that arises from the interactions and relationships between individual brainwaves.

Jung believed that the collective unconscious is a source of collective wisdom and knowledge and is a key to understanding human behavior and psychology. In the context of theta synchronization, connecting with the collective unconscious suggests that individual brainwaves tap into this collective wisdom and knowledge, allowing for a deeper level of understanding and insight.

2160 x 3840 px / 4K mp4 / 45 s / 107 Mo / 12 frames 

1/1 collection 01/10 #TP «Techne (τέχνη) Philia (φιλία)»

a subrealist reread based on the masterpiece by : 
The Storm - Pierre-Auguste Cot - French - 1880 
Original works On view at : Metropolitan Museum of Art 

theta sync

In ancient Greek philosophy :
Τέχνη (Techne)  referred to the skill or craftsmanship of making something.
φιλία (Philia)  referred to a deep and lasting friendship or affection between individuals. #TP

is a multidisciplinary exploration of the subconscious, where the boundaries between art forms blur and merge.

The idea of ​​fugitive dance implies a feeling of ephemerality, as if abstract dance itself were ephemeral and elusive.

The poetic and philosophical nuances of this concept are also intriguing. The use of language and imagery could evoke a dreamlike atmosphere, where the rational and the irrational coexist. This could lead to a deeper exploration of the human experience, as the artist delves into the mysteries of the subconscious… the very concept of subrealism

One possible interpretation of this concept is that it represents a form of embodied cognition, where the dancer's body becomes a vessel for the subconscious mind. The fugitive dance emanation could be seen as a manifestation of the unconscious, unbridled and unscripted, allowing the dancer to tap into his inner world.

This idea echoes the philosophical concept of the “body without organs” (BWO) proposed by French philosophers Gilles Deleuze and Félix Guattari. BWO is a state of being in which the body is freed from its traditional functions and becomes a site of creative experimentation, allowing the emergence of new forms of expression and connection.

In the context of fugitive dance emanations, BWO could be seen as a state of being into which the dancer enters, where their body becomes a fluid, dynamic entity, open to influences from the subconscious. This could lead to a blurring of the boundaries between oneself and the outside world, allowing a more immersive and intuitive connection with the author's creative environment...

Another philosophical thread that could be woven into this concept is the idea of ​​“becoming” as opposed to “being.” This concept, also drawn from the work of Deleuze and Guattari, suggests that identity is not fixed, but rather in a constant state of flux and transformation. Fugitive dance could be seen as a manifestation of this process of becoming, where the dancer's identity is constantly changing and evolving in response to subconscious influences.

In this sense, fugitive dance emanations could be seen as a form of philosophical inquiry, in which the dancer explores the nature of the self and its identity through its movements. The synesthetic elements of sound and form could be seen as a means of externalizing this process, making it visible and audible to the audience.


2930 x 2140 px / mp4 / 1 min / 73,7 Mo / 24 frames 

1/1 collection 09/10 #TP «Techne (τέχνη) Philia (φιλία)»

a subrealist reread based on the masterpiece by : 
Dazing Woman - Gustave Courbet - 1852

Original works On view at: 
Tottori Prefectural Museum, Japon

sounddesigned by @zenmateria

fugitive dance emanations

Τέχνη  φιλία

In Plato, the "eikôn" designates an image or representation that is an imperfect copy of reality. This is an idea that is taken up by Baudrillard in his theory of simulacra, where he describes simulacra as copies without an original, representations that do not refer to anything real.
In the case of the digital animation in superimposed layers on "La Bergère" by Fragonard, we can see an illustration of this idea. The original image by Fragonard is already a representation, an interpretation of reality. The digital animation that is superimposed on this image is a new layer of representation, which modifies and transforms the original.
However, this animation is not a simple copy of the original, but rather a new creation that exists as such. It is also not a faithful representation of reality, but rather a subjective interpretation of the original image. Thus, we can see in this animation an illustration of Baudrillard's theory of simulacra, where representations stack on top of each other, creating an endless mirror effect.
Furthermore, the use of digital animation to modify the original image raises questions about the notion of authenticity and reality. Is Fragonard's original image still authentic when modified by digital animation? Or does digital animation create a new reality, a new authenticity?
Finally, it is interesting to note that the use of digital animation to modify the original image can be seen as a form of "simulacrum" in Baudrillard's sense. Digital animation creates an illusion of movement and life, but it is in reality a mere representation, a copy without an original. This raises questions about the nature of reality and representation, and how we perceive and interpret images.

2950 x 2154 px / 4k mp4 / 1 min  / 76,8 Mo / 6 frames 

1/1 collection 24/50 #simulacra  

a subrealist reread based on the masterpiece by : 

The Shepherdess - Jean-Honoré Fragonard - 1750/52

Original works On view at : Milwaukee Art Museum, États-Unis

eikôn

"painting is the simulation of life
digital painting is the simulation of digital life" 

by #treeskulltown

a collection of 50 unique pieces
tribute to the philosophy "Simulacra and Simulation" of Jean Baudrillard

Facéties are a literary genre that originated in Europe during the Renaissance, characterized by short, humorous stories, jokes, and witty sayings, often with a crude or obscene tone. The first printed book of jokes, Poggio Bracciolini's "Facetiae", was published in 1470 and has been widely reprinted. However, earlier manuscripts of this type existed, such as Albert of Strasbourg's "Libellus de facetiis Rudolfi regis", which contained anecdotes about Rudolf I of Germany. The genre grew in popularity, and many authors continued to print collections of facetiae in Latin and other European languages.
In this case, the philosophical interpretation of facetiae in relation to Baudrillard's theory of the simulacrum is a rich and complex topic.

Facetiae, as a literary genre, can be considered an example of a "second-order simulacrum" according to Baudrillard's terminology. That is, they are not just copies of reality, but copies of copies, representations of representations.

Facetiae, in fact, do not claim to represent reality as it is, but rather a distorted, exaggerated or ironic version of it. They create an effect of truth by telling stories that are supposed to be true, but are in reality literary constructions intended to entertain or criticize.

This can be seen as an illustration of Baudrillard's theory that postmodern society is characterized by the predominance of simulacra, copies without originals, which mask the absence of reality. Facetiae, as a literary genre, can be considered an example of this tendency to create virtual realities that replace reality itself.

Furthermore, facetiae can be seen as a way to subvert social and cultural norms by creating simulacra of reality that challenge established values ​​and beliefs. This can be seen as an illustration of Baudrillard's theory that simulacra can be used to destabilize power structures and social norms.

Finally, it is possible to consider that facetiae represent an example of "hyper-reality" in Baudrillard's terminology. That is, they create a reality effect that is more real than reality itself, telling stories that are truer than the truth.

2578 x 2140 px / 4k mp4 / 1 min  / 36,5 Mo / 6 frames 

38/50 collection #simulacra  

a subrealist reread based on the masterpiece by : 

Nicolas-Guy Brenet - Aethra Showing her Son Theseus the Place Where his Father had Hidden his Arms


Original works On view at :  Los Angeles County Museum of Art 

Facetiae

Simulacra

For Immanuel Kant, the reality of appearances is a central concept in his critical philosophy. According to Kant, appearances are the phenomena that present themselves to our consciousness, that is, things as they appear to us. However, Kant argues that these appearances are not reality in themselves, but rather representations of reality that are shaped by our minds.

Kant distinguishes between "phenomena" (appearances) and "noumena" (things in themselves). Phenomena are objects as they appear to us, while noumena are objects as they exist in themselves, independently of our perception. According to Kant, we cannot know noumena directly, but only through phenomena.

In the Critique of Pure Reason, Kant distinguishes "three aspects of time":

* The present (or the present moment): this is the current moment, in which we are living. It is the reference point from which we perceive the past and the future.
* The past: is the set of events that happened before the present. The past is considered fixed and unchangeable.
* The future: is the set of events that will happen after the present. The future is considered uncertain and open.

Kant considers that our perception of time is linked to our subjective experience and the way our mind organizes information. He argues that time is not an objective property of the world, but rather a way in which we perceive the world.
According to quantum mechanics, particles and systems can exist in superimposed states, meaning that they can have multiple properties simultaneously. Furthermore, the theory of quantum entanglement shows that particles can be connected in a non-local way, meaning that the state of one particle can be instantly affected by the state of another particle, even if they are separated by large distances.
Applying these principles to Kant's philosophy, one could imagine that the noumenal, which is reality in itself, could be seen as a superimposed state of all possibilities, where all information is entangled and interconnected. This would mean that reality is not composed of distinct and separate parts, but rather a coherent and interconnected whole.




2160 x 2560 px / mp4 / 59 s / 98,3 Mo / 12 fps  

1/1 édition at 100 #xtz : piece N° 15/30 : collection #noumenon

a subrealist reread based on the masterpiece by : 
Mary Cassatt - Edgar Degas : 1880-1884

Original works On view at : Smithsonian's National Portrait Gallery, Washington



three aspects of time

Concept of the Noumenon refers to a thing as it is in itself, independent of our perception or understanding. It's the "thing-in-itself," distinct from the phenomenon, which is the thing as it appears to us through our senses and cognitive faculties

This is an interesting digital art concept that combines Degas' work with Kant's philosophy. The noumenal, according to Kant, refers to the thing in itself, independent of our perception or understanding. It is the object as it exists in itself, without being influenced by our senses or mind, by superimposing on a Degas painting elements that represent the noumenal, such as geometric shapes or abstract textures. This symbolizes how our perception of reality is influenced by our senses and mind.
The title "I Know Your Bones" is very interesting in this context, It suggests that the work goes beyond the surface of Degas' painting and explores the underlying structures and elements that compose it.
It may refer to the human bone structure, which is often represented in artworks as a symbol of mortality and the fragility of life. In this case, the title could suggest that the work will explore the deepest and most intimate aspects of humanity.
It could also refer to the underlying structure of the painting itself, that is, the layers of paint, textures and materials that compose it and thereby explore the elements that constitute the reality of the painting.
The title could also be linked to Kant's philosophy and the idea of ​​the noumenal and the phenomenal. The bones could represent the noumenal, the thing in itself, which is independent of our perception. The title could suggest that we can know the noumenal, but that this requires a form of knowledge that goes beyond sense perception and will explore the limits of our knowledge and perception.

2078 x 2592 px / mp4 / 59 s / 96,2 Mo / 3 frames 

1/1  pièce 07/30 collection #noumenon

« The term "nouménal" is derived from the Greek word "noumenon," which refers to a thing as it is in itself, independent of perception or observation. In philosophy, particularly in the context of Emmanuel Kant's Critique of Pure Reason, the noumenon is often contrasted with the phenomenon, which is the thing as it appears to us through our senses and cognitive faculties. »

a subrealist reread based on the masterpiece by : 
Woman Having Her Hair Combed Edgar Degas.1886-1888

Original works On view at : The Metropolitan Museum of Art, New York

a work offered and dedicated to the work of @violetbond

I Know Your Bones

Noumenon

The third major arcana of the tarot is "The Empress". If it becomes "The Unity", it could mean a deep integration of creativity, abundance and femininity into a single and harmonious entity.

"The Unity" is a card that represents the fusion of different elements into a coherent and balanced whole. It is often associated with themes of synthesis, harmony and completeness.

In this context, the transformation of "The Empress" into "The Unity" could mean that creativity and abundance are no longer separate forces, but have become a single energy that animates and nourishes the individual.

It could also mean that the person receiving this card has reached a higher level of consciousness, where they can see the unity and interdependence of all things. They can understand that everything is connected and that each element is necessary to create a harmonious whole.

In terms of philosophy, this could be linked to the idea of ​​holism, which suggests that complex systems should be viewed as a whole, rather than as separate parts. In this case, the transformation of "The Empress" into "The One" could mean that creativity and abundance should be viewed as integral parts of a larger whole, rather than as separate forces.

In terms of art, this could be linked to the idea of ​​composition, which is about creating a harmonious whole by combining different elements. In this case, the transformation of "The Empress" into "The One" could mean that creativity and abundance should be combined in a way that creates a coherent and balanced whole.

Ultimately, the transformation of "The Empress" into "The One" is an invitation to think about how we can integrate the different elements of our lives into a harmonious and balanced whole.

Considering the philosophers Immanuel Kant and Jean-François Millet, this card can be interpreted in more depth.

Kant, an 18th-century German philosopher, developed ideas about morality and ethics. He argued that human actions should be guided by universal and rational principles. In relation to "The Unity," this could mean that creativity and abundance should be guided by moral and ethical principles.

Millet, a 19th-century French painter, is known for his depictions of peasant life and nature. His works often highlight the beauty and simplicity of rural life. In relation to "The Empress," this could mean that creativity and abundance are linked to nature and simplicity.

Combining these two perspectives, "The Unity" can be interpreted as a card that represents creativity and abundance guided by moral and ethical principles, and rooted in nature and simplicity. This philosophical simplicity can be seen as a quest for truth and understanding that strips away the complexities and artifices of modern life. It is an approach that values ​​clarity, transparency, and authenticity.

The abundance of life given by nature is a theme that runs through the works of many artists and philosophers who have sought to capture the beauty and richness of nature. It is an idea that suggests that nature is an infinite source of life, beauty, and nourishment for the soul.

This reminds me of the idea of ​​Jean-Jacques Rousseau, who wrote that "man is born free, but everywhere he is in chains." Rousseau believed that nature is a source of freedom and happiness, but that society and civilization have distanced us from this freedom.

Similarly, Henry David Thoreau wrote that "simplicity is the greatest wealth." Thoreau believed that simplicity was the key to living an authentic and fulfilling life, and that it allowed us to connect with nature and find inner peace.

2160 x 3840 px / 4k mp4 / 59 s / 141 Mo / 12 fps  

78 éditions : 
pièce / Card  N° 03/78 : 
Collection #tarot

a subrealist reread based on the masterpiece by : 
Louise-Antoinette Feuardent - Jean-François Millet - 1841

Original works On view at : The J. Paul Getty Museum, Los Angeles, United States

Arcanum 3: The Unity

 is a tool for reflection and meditation that invites us to explore the depths of our consciousness and our connection with nature. Inspired by the philosophy of Kant and the work of Millet, it encourages us to live in harmony with the earth.

The Magus, also known as the Magician, is the first major arcanum of the Earth Consciousness Tarot. It represents creativity, manifestation, and will, and is often associated with creative thought, imagination, and art.

In the context of Kant's philosophy, the Magus can be seen as representing the faculty of understanding, which allows the individual to perceive and understand the world around them. The Magus is able to manipulate elements and transform them into something new, symbolizing the individual's ability to create and give form to their thoughts and ideas.

The Magus' perception is that of an individual who is able to see beyond the surface of things and understand the underlying mechanisms that govern the world. He is able to perceive the connections between things and understand how they influence each other.

In the context of Millet's work, the Magus can be seen as representing the artist who creates works that reflect the beauty and complexity of nature. The Magus is able to capture the essence of nature and transmit it through his art, symbolizing the individual's ability to express his creativity and share his ideas with others.

The Magus invites us to reconnect with our inner creativity in all simplicity by getting closer to our inner lands, thus opening a field of infinite possibilities. This can be interpreted as an invitation to explore the depths of our own being, to listen to our inner voice and to let our innate creativity emerge.

By getting closer to our inner lands, we can understand this as a return to the source, to the very essence of ourselves. It is a call to leave aside distractions and external concerns to connect with our own creative potential.

The field of infinite possibilities that then opens is a space where limits and constraints are abolished, where imagination and creativity can express themselves freely. It is a space where dreams and desires can take shape, where possibilities are infinite and where creativity can unfold without hindrance.

By reconnecting with one's inner creativity, one can then:

- Reconnect with one's own creative potential
- Let new ideas and new perspectives emerge
- Explore new horizons and new possibilities
- Free oneself from the limits and constraints that prevent creativity from expressing itself
- Let oneself be guided by one's intuition and inner voice

In short, the magician invites one to get closer to one's inner lands to open a field of infinite possibilities, where creativity can express itself freely and where possibilities are infinite.

Themes associated with the Mage include:

- Creativity and Imagination
- Manifestation and Will
- Perception and Understanding
- Art and Expression
- Growth and Transformation

In summary, the Mage is a Major Arcana that represents creativity, manifestation, and will, and is associated with creative thinking, imagination, and art. It symbolizes the individual's ability to create and give form to their thoughts and ideas, and to express their creativity through their art.
Finally, it is possible to see in Arcana 1: The Mage a reflection on the relationship between creativity and reason. The Mage is a character who uses his reason to create magic, but he is also a character who is subject to the limits of his own creativity. This can be seen as a metaphor for how artists and creators are both free and limited by their own abilities.

2160 x 3840 px / 4k mp4 / 59 s / 113 Mo / 8 fps  

78 éditions : 
1.28 #xtz 
pièce / Card  N° 01/78 : 
Collection #tarot

a subrealist reread based on the masterpiece by : 
Portrait of a Man - Jean-François Millet - 1840/1841

Original works On view at : Tokyo Fuji Art Museum, Hachioji, Japan


Arcanum 1 : The Magus

T.A.R.O.T

2160 x 3840 / 4K mp4 / 35 s / 114 Mo 

1/1 for collection #skulleth 24 : 

#SIE 08 « Subversive In Essence»

a subrealist reread based on the oil painting masterpiece by : 

Jusepe de Ribera; The Clubfoot; 17th Century

original work exhibited at : Rmn - Grand Palais, Paris, France


ordinary 

3840 x 3840 / 4K mp4 / 35 s / 188 Mo 

1/1 for collection #skulleth 24 : 
#SIE 05 « subversive in essence»

a subrealist reread based on the oil painting masterpiece by : 

Nicolas de Largillière; Portrait of Thomas Germain and His Wife; 1736

original work exhibited at : Calouste Gulbenkian Museum, Lisboa, Portugal

Heavy Metal Collectors

3840 x 3840 / 4k mp4 / 149 Mo / 29 s

based on oil painting masterpiece by :

Boucher, François; Fountain of Venus; 1756

On view at : The Cleveland Museum of Art, États-Unis

Venus a le Flow

3840 x 3840 / 4k mp4 / 157 Mo / 29 s
based on oil painting masterpiece by : 

Edouard Manet, Le Déjeuner sur l'herbe, 1863, Huile sur toile

On view at : Musée d'Orsay, Paris, France  

Touch The Grass

2160 x 2584 px / 4k mp4 / 29s / 95,2 Mo

based on masterpiece : Manet, Édouard; The Absinthe Drinker; 1859
on view at : Ny Carlsberg Glyptotek, København, Denmark

Sœurs des Brumes

2160 x 3840 / 4k mp4 / 94,7 Mo / 29 s
free only for 24 H on @ourzora 

Color is Fool

“in the future as in the past, mutation, adaptation is the key development”

3840 x 2160 px / 4k mp4 / 30s / 56,3 mo

Rocks do not necessarily have angles

between the inbetweeners

2160 x 3840 / 4k mp4 / 95,2 Mo / 29 s
02 / ? #SR series « star roar » #skulleth collection N°19 
based on : Gainsborough, Thomas; Mrs. Richard Brinsley Sheridan; 1785-1787
on view at : National Gallery of Art, Washington DC 



between the inbetweeners

2160 x 3840 px / 4k mp4 / 94,1 Mo / 29 s

Based on : Boucher, François; Boy with a Carrot; 1738

see original item at : The Art Institute of Chicago 

Taster

Sound Of A Pencil : #SOAP

a limitless collection dedicated to the pleasure of hearing the sound of the pencil


Mint "facetime" for free on @ourZORA 

2160 x 3840 px / 4k mp4 / 94,1 Mo

based on : Daumier, Honoré; Don Quixote in the Mountains; c.1850
see orginal item at @artizonmuseumjp 

Facetime

based on oil painting masterpiece by : 

Renoir, Pierre-Auguste; The Large Bathers; 1884_1887

On view at : Philadelphia Museum of Art 

telluric

3840 x 2160 px / 4k mp4 / 24s /  61,,3 Mo

« The concept encourages a thoughtful and intentional relationship with the concept of freedom, whether by actively defending it, embodying its principles, or striving to maintain a delicate balance within the broader societal context. »

remain in the shadow of freedom

2160 x 3840 px / 4k mp4 / 76,6 Mo / 23 s 

1/1 edition for collection « A Sensitive Path » 12/50  #ASP 

based on oil painting masterpiece : 

Gallen-Kallela, Akseli; Boy with a Crow; 1884

On view at Ateneum Art Museum, finland

confusion

2160 x 3840 px / 4k mp4 / 41,3 Mo / 12 s 


1/1 edition for collection « A Sensitive Path » 09/50  #ASP 

Rhizome

2160 x 3840 px / 4k mp4 / 19 s / 63,7 Mo

1/1 edition for collection « A Sensitive Path » 08/50  #ASP 

Nota Bene: 
"this work was created by a being without origin who does not care about nationalist values"

Futur is colorful

Alegory on chain 

2160 x 2676 px / 4k mp4 / 19 s / 45,9 Mo

1/1 edition for collection « A Sensitive Path » 07/50  #ASP 

Sourcing

2160 x 2672 px / 4k mp4 / 19 s / 46,1 Mo

1/1 edition for collection « A Sensitive Path » 06/50  #ASP 

based on oil painting masterpiece : 
San Sebastiano by Jusepe de Ribera

see original painting at :
Museo e Gallerie Nazionali di Capodimonte, Naples, Italy /

peace

3840 x 2160 / 4k mp4 / 47,1 Mo / 19 s 

based on oil painting masterpiece by : 
Bastien-Lepage, Jules; Hay making; 1877

faste

2160 x 3840 / 4k mp4 / 64,1 Mo / 19 s
based on oil painting masterpiece in public domain by : 

Tiepolo, Giovanni Battista; The Death of Hyacinthus; Around 1752 - 1753

SPORTS GODS 

2160 x 3840 px / 4k mp4 / 19 s / 153 Mo

1/1 edition for collection « A Sensitive Path » 05/50  #ASP

3840 x 2160 / 4k mp4 / 62,2 Mo / 18 s
based on oil painting masterpiece in public domain by : 

Tiepolo, Giovanni Battista; The Banquet of Cleopatra; (1743-1744)

1/1 for "HUNAB TECH" IRL EXHIBITION AT THE TECH MUSEUM IN CHIAPAS MEXICO Open Call 

Human Nature

3840 x 3840 px / 61,5 Mo / 4k mp4 / 12 s

The interpretation of “washing of the soul” evokes a strong and provocative artistic concept, suggesting a cleansing or purging of one’s inner being. This concept offers a unique perspective on the metaphorical cleaning process.
we can explore it in a way that resonates with our own societal perspectives and experiences, an analysis of contemporary human behavior. This is an opportunity to delve deep into the complexities of the emotionally charged human psyche with lucidity and reflection.

enema of the soul


3840 x 2160 px / 4k mp4 / 86,1 Mo / 1 min

The state of confidence implies a willingness to change one's perspectives over time. As societal values ​​and artistic norms evolve, contemporary digital artwork often reflects and challenges these changes. it is a dynamic and evolving aspect represented in my work in general. It depends on the openness and receptivity of the spectators, the transparency and authenticity of the dialogue, which for my part is always done with the heart, 

this work represents in the figurative sense a permanent ritual dance accompanied by the ghosts of the past within the digital community to transcend the future, but the interpretation is relative to each person, nothing is imposed at this stage in my work and it leaves a lot of room for abstraction and the feelings of each person…

State of Trust

3840 x 2160 / 4k mp4 / 38,4 Mo
digital painting animation based on oil painting masterpiece in public domain by : 

Tiepolo, Giovanni Battista; Rinaldo Enchanted by Armida; 1742_45



a cloud history to be determined

2147 X 3818 / 4k mp4 / 46,7 Mo

digital painting animation based on oil painting masterpiece in public domain by : 

Carriera, Rosalba; Gustavus Hamilton (1710–1746), Second Viscount Boyne, in Masquerade Costume; 1730–31

On view at The Met Fifth Avenue in Gallery 642 

treeskulltown

treeskulltown

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