ATC, a generative art piece inspired by indigenous art in museums, explores line possibilities using algorithms like quadtree, flow field, and FBM. Aiming to create vibrant, dynamic, and playful brushstrokes, this work pays homage to artist Paul Klee.

After The Cave #31

The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #5895

*Mapping is not a mere simulation; it is the transformation of reality.*

*In Asian culture, the equinox symbolizes rebirth and renewal, akin to the significance of Easter in the West. For me, this festival holds special meaning as it is an integral part of my rural upbringing and a vessel for my childhood memories and emotions.*

*Throughout my artistic journey, I have been exploring invisible pathways and overarching systems. From my audiovisual work* Dynamized Center *a decade ago to last year’s* Automatic Messages, *each piece delves into the essence of generative systems. I firmly believe that the heart of generative art lies not only in the visual output but also in the comprehensive systems driving these outputs.*

*In* Equinox, *I designed several interacting systems whose interplay results in unpredictable outcomes, embodying seasonal transitions and natural cycles whilst aiming to capture subtle emotions that are easily overlooked in our fast-paced world. Rather than serving as an imitation of reality,* Equinox *is a reinterpretation and creation of it.*

Aluan Wang

春分 ｜ Equinox #33

春分 ｜ Equinox #10

*Automatic Message* is a painting machine finely tuned by precise algorithms, capturing the spirit of Eastern ink wash painting. Its abstract brushwork, seemingly an unconscious ink splashing style, actually employs a deliberate technique that blurs clarity, merging the vibrancy of life with digital precision. 

This work explores concepts and seeks a balance between tradition and modernity, nature and artifice, a philosophical quest embodied within its structure. The algorithmic control, specifically the iterative use of L_SYSTEM and recursive functions, reflects the artwork's philosophical core - the quest for balance in chaos.

Echoing the artist's other works, *Chaos Series* and *After the Cave*, it juxtaposes chaos with order, organic with inorganic, striving for harmony.


Automatic Messages #21

No feature, no attribute, believe what you see.

*mouseClick in live mode to save in png.

ileivoivm (AluanWang) - @IOivm, Dec 2021

Chaos Research #204

Good Vibrations is a kind of philosophy from our culture. It's not just a graphic, or melody. It mentions our journey through all of our lives. Inspired by Minimalism and some works of Ligeti György Sándor and Steve Reich, Good Vibrations creates unique geometries by each unique transaction hash. "Everything in Life is Vibration" Albert Einstein's states. The universal law of nature states that everything has its vibration, and all vibrations will make their voice audible or inaudible. It’s all of our events in the totality of our life, from every dimension—and we cannot determine if they are good or bad, dark, or light.

Good Vibrations #708

Ｉ Ｌ Ｅ Ｉ Ｖ
Ｌ Ｅ Ｉ Ｖ Ｉ
Ｅ Ｉ Ｖ Ｉ Ｌ
Ｉ Ｖ Ｉ Ｌ Ｅ
Ｖ Ｉ Ｌ Ｅ Ｉ

Ｏ Ｉ Ｖ Ｍ  
Ｉ Ｖ Ｍ Ｏ  
Ｖ Ｍ Ｏ Ｉ  
Ｍ Ｏ Ｉ Ｖ

Ｔｈｅ ｃａｕｓｅ ｃｏｍｅｓ ｂｅｆｏｒｅ ｔｈｅ ｅｆｆｅｃｔ。
Ｔｈａｔ’ｓ ｊｕｓｔ ｔｈｅ ｗａｙ ｗｅ ｓａｗ ｔｈｅ ｔｉｍｅ。

chaos memory #268

There is no dominant between the sound and the graphic in Good Vibrations. They are all driven by logic and algorithms. It's a record of times in B-side, it's like a music sheet of Good Vibration. Just read those records. The past, the present and the future, all happened at the same time. You must listen to the vibration, write down the sheet in the time. It's about coincidence, circulation and the way how we count time. It’s all about Good Vibrations. https://artblocks.io/token/140001015/

B-side #1015

AVLab is an audiovisual experiment by artist Aluan Wang. When triggered by an algorithm, two different media, audio and visual, create a fascinating combination that allows the viewer to develop more exciting perceptions.

There is no dominant between the sound and the graphic in Good Vibrations. They are all driven by logic and algorithms. It's a record of times in B-side, it's like a music sheet of Good Vibration. Just read those records. The past, the present and the future, all happened at the same time. You must listen to the vibration, write down the sheet in the time. It's about coincidence, circulation and the way how we count time. It’s all about Good Vibrations. https://artblocks.io/token/140000262/

B-side #262

AVLab B-side

Good Vibrations #183

Good Vibrations #7

Good Vibrations by Aluan Wang

Paths to The Past

Foundation

This token has no intrinsic value, but it can be used to gain early access to mint Aluan's ATC TOKEN on FDN during the presale.  
https://foundation.app/collection/atc-2762

ATC MINT PASS

ATCPass

Automatic Messages #54

Automatic Message is a painting machine finely tuned by precise algorithms, capturing the spirit of Eastern ink wash painting. Its abstract brushwork, seemingly an unconscious ink splashing style, actually employs a deliberate technique that blurs clarity, merging the vibrancy of life with digital precision.

This work explores concepts and seeks a balance between tradition and modernity, nature and artifice, a philosophical quest embodied within its structure. The algorithmic control, specifically the iterative use of L_SYSTEM and recursive functions, reflects the artwork's philosophical core - the quest for balance in chaos.

Echoing the artist's other works, Chaos Series and After the Cave, it juxtaposes chaos with order, organic with inorganic, striving for harmony.

Automatic Messages #51

Automatic Messages by Aluan Wang

chaos memory #196

chaos memory #22

chaos memory

"Chaos Culture" is part of the fxhash interactive minting experience at The Ever-Evolving World of Art, Art Basel Hong-Kong, 2022.

《西遊記》第一回:「混沌未分天地亂，茫茫渺渺無人見。」

Chaos Culture is the final chapter of this series. There is a legend in the East that before Pan Gu opened up the sky and created the earth, the world was a chaotic place, and no one knew its appearance. And I have always been fascinated by this mythical story since he was a child.

These three works have a father-son relationship, Research > Memory > Culture, with each work re-growing through the remnants of the previous work, depending on its image. From the beginning of the creative coding, I like the concept of recursion the most. Here I experiment with my central thinking through this iterative relationship so that the work is not only the shadow of the artist but also the pulling force of repetition.

"混沌" Chaos in Eastern culture represents the initial state of things. This state is consistent with what we believe in generative art: Anything can happen if different forces are applied. Letting chaos grow out of order and then destroying it, the iterative process, is like my usual dialogue with myself, and maybe it's all just a diary.

Through these three series of works, whether I can eventually find everything in my childhood fantasy, I am not sure yet. The only thing I can be sure of is that I will continue to explore.

- Click the mouse to save an artwork.
- Collectors who own this NFT have the right to print the work.

Artist: Aluan Wang (ileivoivm).
Made with p5js and glsl.

Chaos Culture #873

Chaos Culture #971

Chaos Culture

'Light is therefore colour' - J.M.W Turner

The shadows of the future are the light I emit now, and
I can only keep moving forward towards the core of the planet.

Turner Light #22

Turner Light #235

Turner Light

Chaos Research #4

Chaos Research #1

Chaos Research

tezos is the interstellar currency, H=N is our spacecraft, fill up the fuel and set off now!

Warp drive

Neural network image created by ileivoivm (tz1cbhmVZuFTKHcACSFpg5ER1bGVGkanhrbW) from the given title 'Blade Runner'  on the pixray genesis tool at https://pixray.gob.io/genesis/

Blade Runner (pixray_genesis)

Hic et Nunc

test

geoPunk #core

Ｉ Ｌ Ｅ Ｉ Ｖ
Ｌ Ｅ Ｉ Ｖ Ｉ              Ｏ Ｉ Ｖ Ｍ 
Ｅ Ｉ Ｖ Ｉ Ｌ              Ｉ Ｖ Ｍ Ｏ
Ｉ Ｖ Ｉ Ｌ Ｅ              Ｖ Ｍ Ｏ Ｉ
Ｖ Ｉ Ｌ Ｅ Ｉ              Ｍ Ｏ Ｉ Ｖ

Ｉ Ｌ Ｅ Ｉ Ｖ
Ｌ Ｅ Ｉ Ｖ Ｉ ...

Typed

Between 2013 and 2014, I plan to produce approximately 30 audiovisual experiments demonstrating different relations between sound and image. 

https://vimeo.com/channels/avlab

I sincerely believe that the essence of good art is the same. Is it possible that an excellent visual layout can also produce a good sound melody? Let's see.



AVLab 23 #14

AVLab 23 #16

AVLab 23

*In nature, every plant emerges like a finely tuned set of parameters in motion.*

*Phyllotaxy may appear as opposite, alternate, or whorled. Internode length adjusts in response to light. Leaf margins range from entire to serrated or undulate. The angles of branching and the density of nodes together compose the posture and rhythm of a plant’s body.*

*These seemingly incidental traits are, in fact, the result of a deep and intricate logic shaped by time, adaptation, and systemic interaction. To me, nature is the earliest and most profound generative artist.*
*Generative art, in this sense, becomes a way of reading its original language.* Polypaths *is a system I have cultivated since 2023.*

*In truth, its foundations were laid even before* Equinox *was completed. It does not aim to imitate plants but to understand them — to explore how they branch, how they negotiate limits, and how they thrive in the tension between order and chaos.*
*Each version of the work begins with the same initial conditions, yet diverges through subtle shifts to form an outcome that is entirely unique. This uncertainty is not mere randomness but a structured openness, a reverent acknowledgment of the world’s inherent multiplicity.*

*In programming, a “fork” refers to version control — a split in the timeline where new possibilities emerge. In life, a fork is a decision, a turning point, the shape of a fate. And in* Polypaths, *it becomes the aesthetic core. Each of us is shaped through countless bifurcations, continuously generated by the choices we make.*

Aluan Wang


AluanWang

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