A little to the left Auntie..ok turn to your right…nonono u gotta face the moon..tilt your head up.. noo step back a little . Auntie tried to take the classic kiss-the-moon pic but failed.

Niceaunties is an observer of the 'auntie culture' in South East Asia, through positive and endearing spectacles.

Kiss The Moon 03

“Aunties love putting things on their faces! Auntie’s cucumber facial treatments penetrate all dermal layers, they provide all the moisture and nutrients for the skin in an all-natural and organic way”!
This artwork portrays an obsession with youth and beauty in the process of ageing, a glimpse into the absurdity of beauty tips that sometimes have no proven basis.

Niceaunties is a designer and emerging artist based in Singapore. Inspired by the women in her family and the absurdity of ‘auntie culture’, Niceaunties explores the themes of ageing, beauty, personal freedom and everyday life using the mediums of generative and digital art. Niceaunties art is influenced by surrealism, fantasy and kawaii culture.

Auntie's Cucumber Facial

The 4th Prize Winner of Claire Silver AI Contest 6, "I See You(r pink hair) Everywhere" is Niceaunties' interpretation of Claire's brief "How you see me".

Claire's anonymity draws focus to the image of her pink haired avatar, she could be anyone, anything, perhaps even AI itself. The AI video portrays the pink hair appearing in various scales and contexts on multiple living beings and objects, reflecting Niceaunties' view on Claire's reach and impact in the world. 

This competition was held in celebration of Claire's birthday in 2023 and received 1400 entries in a two week open call on X/Twitter.  
The AI video was made in DALLE3 and animated in Runwayml. Sound design by Niceaunties. 

I See You(r pink hair) Everywhere

The Tofu Engineered Sushi Luxury Autos, known as TESLA, is a concept in Auntieverse where vehicles are constructed entirely from biodegradable and edible materials. In this chapter, we find images of a manufacturing plant where groups of aunties assemble vehicles using tofu, sushi ingredients, and legs to create modes of transportation. On the highways of Auntieverse, we see a variety of vehicles resembling coaches, construction cranes, tractors, and smaller automobiles, all driven by cheerful aunties and accompanied by whimsical creatures. The chapter also includes scenes of car washes and a scrapyard, providing a comprehensive view of this unique world. It is worth noting that in the Hokkien dialect, the word for "car" sounds similar to "leg," leading to a common pun among Singaporeans who humorously claim to own "cars," signifying their reliance on their own legs for transportation.

Auntieverse, Chapter No. 7, Tesla #0609

For only the second time, the Christie's Art+Tech Summit has commissioned an artist to create an exclusive new series of AI artworks for the participants of the event. The first artist granted this opportunity was Robbie Barrat, whose work, now known as the "Lost Robbies," has become iconic in the history of AI art. Curated and produced with the help of Fellowship, for this commission, Niceaunties is proposing a project entitled: "Along the River in Auntieverse." The series reimagines Zhang Zeduan's "Along the River during the Qingming Festival," translating the historical narrative into a contemporary commentary on environmental and societal issues. Utilising AI and Niceaunties’ architectural background, this series of interconnected scenes is unified by the motif of water. The work spans idyllic landscapes to depictions of environmental degradation, reflecting humanity's impact on nature. This modern reinterpretation offers a critical lens on current ecological concerns, contrasting sharply with the original's celebration of urban prosperity and imperial order.
Zhang Zeduan's masterpiece, created during the Northern Song dynasty, is celebrated for its meticulous depiction of daily life and social harmony along the Bian River. However, a closer examination reveals its function as a political tool, subtly reinforcing the stability and prosperity of the ruling regime. The painting's idyllic portrayal of urban life masks the socio-economic disparities and political tensions of the time, presenting an idealised vision meant to legitimise the authority of the elite. In contrast, this reinterpretation allows for a candid exploration of contemporary issues.
"Along the River in Auntieverse" explores the complex relationship between humanity and water, a vital yet increasingly threatened resource. The scenes range from tranquil environments where communities interact harmoniously with nature to stark depictions of pollution and environmental destruction. This transition from harmony to degradation serves as a powerful commentary on the consequences of industrialisation and consumerism. By addressing themes such as eutrophication, oil spills, and plastic pollution, the work confronts the environmental crises of our era.
Additionally, this reinterpretation highlights the often-overlooked contributions of women, drawing from personal experiences and the influential women in the artist's life. The Auntieverse serves as a space where suppressed talents and dreams are realised, celebrating the resilience and resourcefulness of women within a traditionally patriarchal society. This focus on female agency and empowerment offers a fresh perspective on the historical narrative, aligning it with contemporary discourses on gender and social justice.
"Along the River in Auntieverse" not only honours the legacy of Zhang Zeduan's original work but also expands its scope to address the pressing issues of our time. By blending traditional elements with modern concerns, it creates a narrative that bridges the past and present, offering commentary on the intersection of history, culture, and contemporary life.

城市尽成塑 (#116)

niceaunties

“Aunties love putting things on their faces! Auntie’s cucumber facial treatments penetrate all dermal layers, they provide all the moisture and nutrients for the skin in an all-natural and organic way”!
This artwork portrays an obsession with youth and beauty in the process of ageing, a glimpse into the absurdity of beauty tips that sometimes have no proven basis.

Niceaunties is a designer and emerging artist based in Singapore. Inspired by the women in her family and the absurdity of ‘auntie culture’, Niceaunties explores the themes of ageing, beauty, personal freedom and everyday life using the mediums of generative and digital art. Niceaunties art is influenced by surrealism, fantasy and kawaii culture. 

Niceaunties

Claire Silver AI Contest 6

IKEA, in the Auntieverse, stands for "Interstellar Kawaii Environment for Aunties." It represents a unique furniture showroom planet where only customized interior designs and fittings are available, and modular products are nowhere to be found. IKEA offers a wide range of vibrant colors and unconventional interior spaces. Aunties inhabit and interact with spaces that include creatures, wine, ramps, playrooms, indoor gardens, libraries, wardrobes, and everything else typically found in a furniture and interiors showroom, and more.
This chapter is a playful response to the often beige and neutral color palettes offered by the capitalist world, designed to cater to low-risk, mass-market tastes and sales. IKEA in the Auntieverse is an absurd and whimsical dreamland for aunties who seek fun and self-expression. The spaces are customized with a multitude of colors and intricate details, challenging the idea of practicality but igniting imagination about designing one's unique living spaces. It's a chapter that celebrates self-expression and individuality in interior design.

Auntieverse, Chapter No. 8, Ikea #0706

Born in the 1980s, during the nation-building years of Singapore, the artist behind "Niceaunties" experienced a childhood shaped by the influential women in their family. From infancy to the age of nine, they lived with grandparents, aunties, and uncles while their parents worked. 

"Niceaunties" was conceived as a response to these experiences. Utilizing AI, the artist created a surreal world where every suppressed being could exist freely and without judgment. "Niceaunties" represents the collective subconscious of all 'aunties,' celebrating self-love, risk-taking, fun, and freedom through self-expression. It provides a unique perspective on endearing, absurd, and sometimes negative behaviors. It serves as a commentary on societal norms imposed on women and the efforts women make to conform to these expectations. "Niceaunties" is a gentle yet powerful rebellion against these constraints.

Auntieverse by Niceaunties

猫守洪水城 (#27)

[Along the River in Auntieverse ](https://daily.xyz/exhibition/10069) Christie’s Art+Tech Summit commission.

For only the second time, the Christie's Art+Tech Summit has commissioned an artist to create an exclusive new series of AI artworks for the participants of the event. The first artist granted this opportunity was Robbie Barrat, whose work, now known as the "Lost Robbies," has become iconic in the history of AI art. 

Curated and produced with the help of Fellowship, the series reimagines Zhang Zeduan's "Along the River during the Qingming Festival," translating the historical narrative into a contemporary commentary on environmental and societal issues. Utilising AI and Niceaunties’ architectural background, this series of interconnected scenes is unified by the motif of water. The work spans idyllic landscapes to depictions of environmental degradation, reflecting humanity's impact on nature and offering a critical lens on current ecological concerns.

niceaunties

niceaunties

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