“CAPPED Discobolus” ~ Dr. Fries 🍟, circa MMXXII

Dr Fries' painting is a metaphor for the human condition. The barren landscape represents emptiness and desolation, while the overflowing trashcan symbolizes the detritus of our lives.

The figure, resembling the famous “Discobolus - Δισκοβόλος” sculpture by Myron (created circa 450 BC), holds the lid of the trashcan aloft, signifying our ability to confront and overcome the challenges of our existence.

The figure's posture and expression convey a sense of resignation and acceptance, yet also a sense of defiance. It challenges us to confront the uncomfortable truths of our modern world and take responsibility for our actions.

The painting challenges us to acknowledge the realities of our lives and strive for greater meaning and purpose. Through the use of powerful symbols and evocative imagery, Dr Fries has, yet again, created a profound work of art that speaks to the human experience. 

This digital work is a reminder that even the symbols of classical art and beauty are not immune to the ravages of modernity. 

It forces us to confront the waste and excess that we accumulate and strive for a more sustainable and just future.

CAPPED Discobolus


Title: Throne of Pulsation

Description: This digital sculpture, titled Throne of Pulsation, encapsulates a surreal, otherworldly scene. At its center, a throne vibrates with life, its surface undulating like a living organism, suggesting an intimate connection between the organic and the mechanical. Seated upon this throne, a pair of humanoid figures, distinctly male and female, engage in a ritualistic copulation, their forms blending the familiar with the bizarre, hinting at an alien biology. Behind the throne looms a colossal hand, a silent overseer or perhaps a symbol of divine or cosmic intervention. Flanking this central tableau are smaller, servile figures, their postures and features reminiscent of ancient court attendants, yet with an eerie, alien twist, suggesting subservience in an other-worldly hierarchy. One of the humanoid's heads reveals a chilling detail: a tear in its facade exposes a glowing red skull beneath, symbolizing perhaps the fragility of life or the presence of death amidst creation. This piece masterfully intertwines themes of power, life, decay, and the enigmatic nature of existence in an alien cosmos.

Throne of Pulsation

"I don't think I'll ever see Carl again. But I saw him. We saw each other. We found each other in the cosmos, and that was wonderful."
— Ann Druyan

SUPERNATURAL

So Wrong ~ A tale as old as time

Recorded and animated in Spain and USA on June 2024

Performed by  
Ambiguous ~ Vocals  
Dr Fries ~ Music

Directed by  
Dr Fries & Ambiguous

Produced by  
Ambiguos & Dr Fries

Presented by  
Happy Corp Enterprises™

Contact us on X 
Ambiguous ~ @ambig_art  
Dr Fries ~ @DrFriesOfficial

So Wrong ~ Feat. Dr Fries & Ambiguous

"You've made what you've made, dreamed your dream, written your name. You may be buried here, you may even walk. But that potential is finished."
— Neil Gaiman

INFINITE LOSS II

So Wrong - Dr Fries & Ambiguous

Digital / Acrylic Painting  
2048 x 2048 px  
Created on August 2022

Stand up politics

Msp4rrows Manifold Contract ERC721

"Because we cannot discover God's throne in the sky with a radiotelescope or establish (for certain) that a beloved father or mother is still about in a more or less corporeal form, people assume that such ideas are "not true." I would rather say that they are not "true" enough, for these are conceptions of a kind that have accompanied human life from prehistoric times, and that still break through into consciousness at any provocation."— C.G. Jung

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