The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #18968

Pegah

Horse Rider

Mother 

The young woman is walking in a garden full of blossoms and  colorful flowers.
The young woman seems to be from a aristocratic family. She is wearing a costly dresses and adorned herself for the dinner banquet.

Lady in Garden

The brown hair, the dress and the way this lady stands, with the flower basket in her hand and the dog in front of her feet, are all reminiscent of the photos of Persian women at the end of the last century and the beginning of this century.

All the parts of the woman's face are chosen from a kind of simple beauty, and in general, it has an aristocratic look along with the decency and innocence of an Iranian woman.

The captivating eyes of the woman staring at a vague point captivate the viewer. The woman is surrounded by flowers and birds that remind of the spring weather, and two parrots on both sides are another sign of life, and the two trees on the sides of the woman cover her like a "protective arch". 

Dimension: 4470px x 7410px

Aristocratic Look

"Rostam" was one of the noble Persian warriors who lived in the Sassanid period.. Ferdowsi's Shahnameh, one of the most enduring literatures of Iran and the world, describes the historical events of Iran, especially Rostam's battles.

Iranian artists have been inspired by the Shahnameh because of their interest in literary works. Iranian carpet weavers have also depicted Rostam in their works.


Rostam

Shapur I  was the second Sasanian King of Kings of Iran. The dating of his reign is disputed, but it is generally agreed that he ruled from 240 to 270, with his father Ardashir I as co-regent until the death of the latter in 242. 

Shapur I

One of the most powerful kings in Iranian history is "Nader Shah". The purpose of depicting kings on carpets is to respect them and show their glory and power. 

Born:	6 August 1698 or 22 November 1688
Died:	20 June 1747 (aged 48, or 58)



Persian King

The Macrocosm

Portrait - PAq4q56zA6

The frame of this design is a porch or doorway on either side of which two cypress trees are placed and opened into a garden - a garden full of flowers and blossoms whose various colorful flowers have all grown from one stem and from inside a vase.
The corners of the upper part of the draps hang from the door, which is opened and folded on both sides.

Tag
#contemporaryart #color #persian #rug

A garden full of flowers

Foundation

The idea of this design is inspired from Persian pictorial carpets.

King's attendants

Bad Girls

Hic et Nunc

Life #1  consists of one frame who we introduce with different situations of birds and deer in the nature. Each frame has a different color that represents one of the seasons.

#tezos4nature

Life #1

The collection of life shows everything that exists in nature.

Nature always inspires artists, and the tree is one of its most significant elements. it holds an important place in Iranian art, especially in Persian rugs.

Life #3

Life

"Lion Rug" is a collection consist of 9 NFT of different shapes, compositions, and subject matters. among them lions  as the king of beasts, ferocious lions, lions inspired by the stone lions, tiger-like and leopard-like lions, the lion-and-sun motif.

Lion Rug #3

"Lion Rug" is a collection consist of 9 NFT of different shapes, compositions, and subject matters. among them lions  as the king of beasts, ferocious lions, lions inspired by the stone lions, tiger-like and leopard-like lions, the lion-and-sun motif

lion rug is a collection consist of 9 NFT of different shapes, compositions, and subject matters. among them lions  as the king of beasts, ferocious lions, lions inspired by the stone lions, tiger-like and leopard-like lions, the lion-and-sun motif.

Lion Rug #1

Lion Rug

The motifs are an important part of the rug. They describe the stories of Persian handmade carpets.

Motif #1

Motif #3

Motif

A magnificent ‘Hushang Shah’ rug design (also spelled Hōshang)  , depicting Hushang, which according to Ferdowsi’s Shahnameh was the second King (Shāh) to rule the world. The figure of Hushang is based upon the legendary Haošiiaŋha, in the ancient Zoroastrian scripture of the Avesta. The piece features Hushang (in the middle) with his soldiers on an amazing ivory field.

Hushang Shāh

Sheikh San'Aan, an old man, is highly devout and the leader of his people. He has lived in Kaaba for about fifty years, accepting disciples and praying and fasting continuously.He has performed the Hajj fifty times and discovered many spiritual secrets.
One day, he has a dream that he is settled in Rûm and bowing to an idol. This dream repeats over several consecutive nights. He travels to Rûm with his disciples, where he meets a Christian woman and falls in love with her, spending over a month begging for her acceptance. The woman comes up with four conditions for the sheikh:bow to the idol, burn the Quran, start drinking wine and abandon the faith.

In the center of the rug design, the old man's powerlessness and helplessness can be seen, begging the beautiful girl to accept his love. The companions of this disciple who see his disability are very sad and is depicted in the left part of the picture.

This story is a romantic narrative written by Iranian poet Attar.

Sheikh San'Aan

Persian Pictorial Rug

A magnificent ‘Hushang Shah’ rug design (also spelled Hōshang) , depicting Hushang, which according to Ferdowsi’s Shahnameh was the second King (Shāh) to rule the world. The figure of Hushang is based upon the legendary Haošiiaŋha, in the ancient Zoroastrian scripture of the Avesta. The piece features Hushang (in the middle) with his soldiers on an amazing ivory field.

Pegah

Pegah

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