N0638

2022 is almost over, what could possibly go wrong?

For "Ça sent le Crypto-Sapin" at NFT Factory, Paris.

MMXXII #5/12

Interpolating multiple analog VHS video glitch still images and text prompts with AI. Each one is a combination of 2 analog video glitch images and the original text prompt from the DEAD AI series 2560x3840 .PNG

DEAD AI MK-III UNIT 01

SATOSHI NAKAMOTO // WRITTEN AND PERFORMED BY MAXWELL BRUNO // MUSIC COMPOSED BY SCRILLA // VIDEO BY MAX CAPACITY // https://www.youtube.com/watch?v=O_GaMqCBWzU

MAXWELL BRUNO - SATOSHI NAKAMOTO #6/420

PPs are a tribute to WGMIS by DESULTOR  
WGMIS.com

PP 87

DEAD AI MK-II #083

N0644

[GET YOUR FUN TICKETS HERE](https://app.manifold.xyz/c/FUN-TICKET)
--->
[TRADE THEM IN HERE](https://www.curate.page/t/FUN-TICKETS)

FUN TICKETS

MMXXII #4/12

MMXXII V4

Interpolating multiple analog VHS video glitch still images and text prompts with AI. This piece is a combination of two analog video glitch images and the original text prompt from the DEAD AI series.

DEAD AI MK-III UNIT 02

DEAD AI MK-III

MAXWELL BRUNO - SATOSHI NAKAMOTO #1/420

MAXWELL BRUNO - SATOSHI NAKAMOTO

PP 30

AI Pepes by @crimebreakfast

PPs are a tribute to WGMIS by DESULTOR  
WGMIS.com

DEAD AI MK-II #073

DEAD AI MK-II

Analog VHS video glitch with digital post processing. 1280x960 .MP4

N0442x0448

- Video by Max Capacity - http://maxcapa.city 
- Audio by The TV People - https://tvpeople.bandcamp.com 
- 640x480px - 00:00:29 - 39.7mb 

AERODYNAMICS

Foundation

MUSIC: SUNDEVIL BY TENGUSHEE FROM THE DATA DRUG  
VIDEO: MAX CAPACITY

https://open.spotify.com/track/5SrrQgQE0GZPkFHOapnhcy  
https://tengushee.bandcamp.com/album/the-data-drug

APOTHEOSIS

Analog VHS video glitch. Created with analog video hardware and digital post-processing.

N0669X

MAX CAPACITY 721

gripping listlessness or melancholia caused by boredom // 1920x1280 animated .GIF

ENNUI

PP REDUX 24 BY CRIME BREAKFAST AKA MAX CAPACITY

PP REDUX 24

PP REDUX 7 BY CRIME BREAKFAST AKA MAX CAPACITY

PP REDUX 7

PP REDUX

Analog VHS video glitch. Created with analog video hardware and digitally post-processed. 1280x960 animated .GIF

N0808

MAX CAPACITY ///// 
THE GLITCH/AI/PIXEL/GIF/TEXT/SOUND/ANALOG/VIDEO ARTIST ///// 
HIGH-TECH LOWLIFE LIVING THE LOW-TECH HIGHLIFE /////
MAXCAPA.CITY + MXCPCTY@GMAIL.COM

Analog VHS video glitch. Created with analog and digital hardware and digitally post-processed. 1680x1260 .PNG

N0867

MAX CAPACITY

POLITICAL SCIENCE

ANALOG VIDEO + AI + ZX SPECTRUM. 960x1280 .PNG

DEAD AI ZX STUDY

Hic et Nunc

N0651

Fundamental Principles of Equilibrium and Movement

N0624

ENTROPY

Piece that takes us back to a time when television was a source of laughter and happiness.

Inspired by the whimsical humor of Urdapilleta's & Tortonese's live TV antics in the argentinian 90s, it captures the essence of a bygone era before television took a darker turn with themes of war, zombies, and the end of the world, as propagated by today's mass media movie platforms.

The vintage setup, featuring 90s obsolete video hardware, serves as a reminder of the ephemeral nature of video arts, representing fleeting moments of time. 

Components of the setup include:

Recorded VHS from local TV in the mid-90s.
JVC GR-AX777 VHS Camera.
Modified for glitch Panasonic WJ-AVE5 mixer.
Sima Screenwriter titler.

Smile now before you're dead.

Smile now before you're dead

it's lost, then found, then lost again, just to be found.
pure analog generated forever looping glitch figure by video artist INA VARE.
720x576px, GIF, 2024

LOST AND FOUND

Analog Video Union

DEEP STYLE + VHS + $TRSH

Prepared video loop glitched with analog video hardware, captured with analog capture card, and post-processed. 

SCRADAM 01

Rarible

MUSIC BY MAX CAPACITY from ANCIENT ENEMY https://foundation.app/@maxcapacity/max-db8d/19

FEEL BETTER MURDER

Music by The TV People. Video by Max Capacity and Neonphome. 1440x1080 .MP4

DON'T COME BACK ALIVE

THE TV PEOPLE

DOS Punk #996

Migrate your DOS Punks from OS Shared Storefront contract to our own 721 contract! https://dospunksmigration.vercel.app/

DOS Punk #850

DOS Punks 721

This project interrogates the liminal space between lived experience and algorithmic anticipation, exploring the potential of artificial intelligence to pre-empt and ultimately rewrite the narrative of memory. My journey to Miami Art Basel transcended a mere physical excursion; it became a gateway to a future woven from digital threads. Through the lens of generative AI, I crafted a series of mnemonic artifacts – 4x6" glossy photographs depicting imagined encounters in a yet-to-be-visited Miami Beach. These were not souvenirs of a bygone trip, but rather testaments to a future shared, materialized through the magic of silicon and code.

The chosen format, a nostalgic echo of vacation slides, serves a multifaceted purpose. Firstly, it playfully subverts the performative nature of memory-sharing, inviting the viewer into a fabricated yet intimately personal experience. Secondly, by physically dispersing these "pre-memories" amongst newfound and longstanding companions in Miami, I sought to blur the boundaries between anticipation and lived experience, collapsing the temporal distance between dream and reality.

The subjects of these premonitions are not the sun-drenched sands or the art deco facades, but the very individuals with whom I embarked on this shared adventure. Their visages, rendered with hyperreal detail by the AI, stand in stark contrast to my own intentionally distorted image. This dissonance serves as a poignant metaphor for the ever-evolving tapestry of memory, hinting at the potential for fabricated moments to morph into lived truths.

As the sands of time inevitably shift, and my own recollections succumb to the inevitable distortions of experience, I hope these premonitory glimpses will transcend their initial artifice. I yearn for them to become the preferred narrative, a testament to the transformative power of human connection and the shared stories that weave the fabric of our lives.

MIAMI BEACH MEMORIES 1

MIAMI BEACH MEMORIES 3

MIAMI BEACH MEMORIES

This piece blends analog glitch art with found footage horror. A scene of violence against a woman is bathed in a vibrant rainbow, soundtracked by AI-generated synthpop. This clash highlights the dissonance between digital utopian ideals and online realities. The glitched aesthetic embodies the instability of digital reality, while the cheerful music adds an unsettling contrast. It questions whether technology amplifies empathy and exploitation, prompting ethical reflection on our rapid progress

MAXCAPACITY

MAXCAPACITY

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