"Deconstruction is not a negative operation, but the re-opening of an archive that is not based on the absence of a centre or origin."
Jacques Derrida

We are at a turning point. In this process, we must be patient and calm. Embarking on a journey into the depths of history means completing a period along with the evolution of the language of the process and the effects of the external world. Now is the time to calm down a bit and embark on a simple quest. It is an inevitable result that all this process and its results are demolished and rebuilt again, each part rearranged and reunited.

I embarked on an effort to separate my design language into elements and create new compositions. I truly felt the necessity of this in my physical art. This collection served as a guide for a new search for a language with which I could confidently produce, and push the boundaries of meaning. I cannot help but imagine each iteration in different terrains and mediums. I hope this project will be the starting spark for a long process.

*Save image: press 'W' to save the current image as a PNG.(1500x3000)
*Fullscreen mode: press 'E'
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destructure © 2024 by NUBPLUS is licensed under CC BY-NC-SA 4.0 

d e s t r u c t u r e  #1

nubplus

“Psychoanalysis simplifies life. We achieve a new synthesis after analysis. Psychoanalysis reassorts the maze of stray impulses, and tries to wind them around the spool to which they belong. Or, to change the metaphor, it supplies the thread that leads a man out of the labyrinth of his own unconscious.”
Sigmund Freud

In this collection, I have deal with labyrinths that have taken place in many independent cultures of the world since mythological times. Labyrinths have always fascinated me. As frightening as they are, the symbol of holiness in the individual's search for ways to move forward is just as iconic. Ever since I discovered the effect of the kufic writing style, which affects my artistic life in creating labyrinths, I have included this in most of my designs. While creating black and white compositions from the bird's-eye map images of the labyrinths, I also aimed to give the feeling of being in the labyrinth with the game mode.

[G] Game and Map mode
[W] Forward move
[S] Backward move
[A] Left move
[D] Right move
[Hold Shift] Fast move
[R] Reset to start point
[F] Save the current image as .png

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* 15 percent of the royalty will belong to the minters.

* According to my period, the owners of “Stratification of the Orthogonal”, “Agora of Timeless” and this project will have free mint rights of the next project.

Surely, There is a Exit. #40

 While talking about Socrates,Bonnard gives a general description of the people and life in the agora:
 “On an ordinary day, the local square is full of people. Butchers selling pork sausages, praise the product, the cavalry officer hand to hoop the woman selling kipper fish. In front of the barber house, the money changers, all the Athenian jaws around their table are talking, and Socrates passes from the agora. Everyone knows him".
 Andre Boonard

My starting point in this collection is to make the audience feel a connection with an architectural composition I aimed. That's why firstly I created a composition, has a 360-degree view in the square of an ancient city. There are rules of the physical world; I designed it with elements such as atmosphere and movement, far-near relationship, texture. I aimed to strengthen the depth by using obelisks, stone walls, arches and icons from ancient objects in space composition.

It was published in my detailed article about this collection.

* Each composition has its own unique 360-degree view.
You can activate the 360 ​​view by pressing the “Q” key.

* 2d and 3d images of each composition have rain feature.
You can activate the rain mode by pressing the "E" key.

* Save image: press 'W' to save the current image as png.

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* 15 percent of the royalty will belong to the minters.

* According to my period, the owners of “Stratification of the Orthogonal”, “Agora of Timeless” and incoming project will have free mint rights of the next project.


Agora of Timeless #13

“Imagination is more important than knowledge, because imagination is infinite.” 
Albert Einstein

In this collection, I examined the depth of the sense of simplicity given by the orthogonal image and I tried to approach the perspective view by creating layers. Gelstalt theory, which I see as a group of principles was my main starting point in composition. Depth perception and continuity principle were my main themes. I’m even more interested in machine texturing. The intensity  and emotion added by the organic-feeling textures in the simple architectural compositions obtained were my favourite  effects. 

* Save image: press 's' to save the current image as png.

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*15 percent of the royalty will belong to the minters.
*I will send signed high quality prints of designs in carefully selected frames to people who buy first 10 tokens. 

Stratification Of the Orthogonal  #42

Surely, There is a Exit. #56

The cubes that give the plus shape, which are my modular designs, are an incredible source of inspiration, even if they are geometric, organic image creation with generative art. The sense of depth, closeness-distance relationship, size differences, and contrasting compositions provided by their variability have been protective to my typographic "kufic" designs. The relationship of Gelstalt theories in generative art drew me further into itself. At the maturation stage of my physical art career, I opened the doors of the digital world and left myself to this wind. The feeling of making my surface designs that I have done by hand drawing for years with codes is priceless. This reflex developed me further and open my perspective. This collection will be one of the most valuable to me. Like feeling the future, just like deja vu.

* Save image: press 's' to save the current image as png.

PLUSTIC #5

In this collection, the effect of the organic texture created by the spontaneous movements of geometric objects and the infinity of this cycle are aimed.

* Save image: press 's' to save the current image as png.

Spontaneous Traces #37

Surely, There is a Exit. #70

Surely, There is a Exit.

PLUSTIC #4

PLUSTIC

Spontaneous Traces #31

Spontaneous Traces

Kufic typography was developed to overcome the difficulty of writing in Arabic. Speed ​​has enabled the reproduction and dissemination of scriptures in history. The patterns created by repetitions of this type of writing consisting of straight lines are the focus of this artwork. The meaninglessness of writing in the void gains a new image with generative art.

* Save image: press 's' to save the current image as png.

Kufics #1

Kufics #5

Kufics

Stratification Of the Orthogonal  #91

Stratification Of the Orthogonal 

Agora of Timeless #117

Agora of Timeless

 "Art comes to people from God. Now it is in the will of man to create. therefore, art is the representation of the feelings of the free individual. The old must be erased and the new reigned." 
 Charles Baudelaire

 In this collection, geometric forms created by symbolic individuals are examined.

* You have to be patient for the animations to work properly.
* Save image: press 's' to save the current image as png.

* Owners can get 6 free per person for their support in my previous three collections. 
 Among the new collectors, 5 works will be open to access.
 20 percent of the royalty will belong to the minters.

Egos #88

Egos #134

Egos

"Landscape painting is the contemplation of the earth's features made visible to us in their most perfect moments. It is the record of nature's beauty, which often appears like a momentary revelation; and its effect is to show us how much beauty is around us that we never attend to, and by whose presence we are cheered and elevated in unobserved and unsuspected hours of depression or anxiety.”
John Ruskin

 In this collection, I aimed to design the essence of my utopia. Instead of my usual interactive and animated designs, I created a drawing that gives the impression of lithographic printing on 2D black paper, where textures remain static. I wanted the nature objects to have a slightly dark, somewhat Fauvist style. I sought a balance between their depressive nature and the hopeful tranquility of natural light sources, which evoked the feeling I was searching for.

*Save image: press 'S' to save the current image as png.

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*15 percent of the royalty will belong to the minters.

“Stratification of the Orthogonal”
“Agora of Timeless”
“Surely, There is an Exit”

Everyone who owns the above collections is entitled to a free mint right in this collection. It will be open for a few days specifically for you.

The remaining supply will be reopened as a paid mint for everyone at a later time. !

Gulf Flowers #72

Gulf Flowers #166

Gulf Flowers

 "The artist's ego can be a double-edged sword, driving them to push boundaries and innovate, but also risking the distortion of their true artistic vision in the pursuit of recognition and fame.”
Rosalind Krauss

 In this collection, I aimed to create compositions by combining architecture and nature. In architecture, I diversified forms inspired by textured stone Mayan pyramids and enriched the world of emotions with a wide color palette. While depicting nature, I paid attention to realism, but I also wanted it to have a slightly Fauvist style. Although the colors of nature are generally recognizable, atmospheric and seasonal conditions allow us to witness the entire spectrum of colors in nature. In my collections, I have emphasized the inclusion of animation and interactivity. In this artwork as well, I have worked on atmospheric phenomena to make it animated. Particularly, I find the unsettling feeling and the melancholic impact of simulating a storm fascinating, which is why I chose to incorporate it.

*Start and stop animation: press ‘A’
*Save image: press 'S' to save the current image as png.

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*15 percent of the royalty will belong to the minters.

Ego's Land #43

Ego's Land #30

Ego's Land

 Post vandalism art is a thought-provoking genre that transforms the aftermath of destruction into a canvas for creativity, challenging traditional notions of art and beauty. It uses damaged or abandoned materials to convey messages about the consequences of destructive actions and to initiate discussions on social, political, or environmental issues. 

 In this collection, I wanted to return to my roots. As someone deeply in love with street art, I aimed to create a composition using street art methods like graffiti, stenciling, and tagging that we can encounter outdoors at any moment. The aesthetic formed by the continuous and spontaneous application of these methods, resulting in weathered images, has always fascinated me. One of my sources of inspiration was the post vandalism art movement, which I chose as the main theme for this collection.

*Save image: press 'S' to save the current image as png.
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Street Soul #47

Street Soul #30

Street Soul

 Art is an intricate tapestry woven into the very fabric of society, reflecting and shaping the ethos of its time. As an art theorist, I believe that art is not a mere reflection of society but an active participant in its evolution. It serves as a mirror that captures the collective consciousness, shedding light on societal values, aspirations, and even its struggles. Through the strokes of a painter's brush, the words of a poet's pen, or the notes of a composer's melody, artists channel their perceptions and emotions, offering a unique lens through which we can interpret the world around us. Moreover, art has the power to challenge conventions, question norms, and provoke dialogue, thereby influencing the course of societal progress. In essence, art and society are inextricably linked, each influencing and being influenced by the other, in a dynamic dance that enriches our cultural heritage and shapes the very essence of human experience.
 In this collection of mine, I have finally realized the superficial design compositions I have wanted to create for a long time. To be honest, there's no need for many words; I aimed to make compositions aesthetically pleasing as they came to me naturally. I always applied the Gestalt theories I consider as rules in composition creation, and sometimes, I even went beyond these rules. Actually, one of my main goals in this composition was to create a different awareness. I know that artists should see the value of their efforts. It's important not only in terms of material aspects but also to receive appreciation. However, I am aware that in the NFT space, it is evident that everything is quite self-centered, there is indifference towards society, and personal gains are in the foreground. FxHash opened a new door for me in my art career. I think I didn't get the recognition I deserved in my physical art life because I strived to be original and avoid insincere relationships. But this place has given me a new excitement. I also want to reciprocate that. To the best of my ability, I have established a mint mechanism for the community. I have tried to keep the prices reasonable and avoid Dutch auctions to make my works accessible to everyone. In this collection, I will use the Dutch auction mechanism and distribute the primary and royalty splits to various institutions in different proportions.

*Save image: press 'S' to save the current image as png. (2000x1000) 
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Primary Splits

Artist.............................%60
Girls Who Code.....................%10
Tezos for Iran.....................%10
Cure Parkinson’s...................%10
Committee to Protect Journalists...%10


Royalties Splits

Artist.............................%50
Minter.............................%10
Girls Who Code.....................%10
Tezos for Iran.....................%10
Cure Parkinson’s...................%10
Committee to Protect Journalists...%10


Ikigai "reason to get up in the morning”  #8

Ikigai "reason to get up in the morning”  #22

Ikigai "reason to get up in the morning” 

…[O]ne of the earliest [applications] of dither came in World War II. Airplane bombers used mechanical computers to perform navigation and bomb trajectory calculations. Curiously, these computers (boxes filled with hundreds of gears and cogs) performed more accurately when flying on board the aircraft, and less well on ground. Engineers realized that the vibration from the aircraft reduced the error from sticky moving parts. Instead of moving in short jerks, they moved more continuously. Small vibrating motors were built into the computers, and their vibration was called dither from the Middle English verb "didderen," meaning "to tremble." Today, when you tap a mechanical meter to increase its accuracy, you are applying dither, and modern dictionaries define dither as a highly nervous, confused, or agitated state. In minute quantities, dither successfully makes a digitization system a little more analog in the good sense of the word.

— Ken Pohlmann, Principles of Digital Audio

In this collection of mine, I focused on textures created repeatedly by dither, ASCII, and glitch effects in a random flow. The random pauses in the flow and the subsequent motion wiping each texture and recreating it result in a unique animation.

*Dither Texture: Mouse Move
*Horizontal Stretch: Left Click
*Vertical Stretch: Right Click
*Start and stop animation: press ‘P’
*Save image: press 'S' to save the current image as a PNG.

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diT͟Hər(ism) © 2023 by NUBPLUS is licensed under CC BY-NC-SA 4.0.


diT͟Hər(ism) #45

diT͟Hər(ism) #3

diT͟Hər(ism)

"ASCII is a fundamental encoding standard that assigns a unique numeric value to each character, allowing computers to exchange text-based information by representing characters as binary data."

In this collection, I took ASCII as the main theme, which is my favorite image in computer art. The random and repetitive animation is based on patterns that it erases and recreates each time. The random pauses in the flow and the subsequent motion wiping each texture and recreating it result in a unique animation.


*Start and stop animation: press ‘Q’
*Save image: press 'W' to save the current image as a PNG.

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*pl[ASCii]23 © 2023 by NUBPLUS is licensed under CC BY-NC-SA 4.0

*pl[ASCii]23 #66

*pl[ASCii]23 #42

*pl[ASCii]23

The word voxel originated by analogy to "pixel", with vo representing "volume" (instead of pixel's "picture") and "el" representing "element"; a similar formation with el for "element" is the word "texel".The term hypervoxel is a generalization of voxel for higher-dimensional spaces.

In this collection, I focused on the smallest element of digital imaging, the pixel, and created movements through different animation scenarios. Random and repetitive animations are based on patterns that are erased and recreated each time. The movement, which pauses randomly in the flow and then erases and recreates every texture, culminates in a unique animation.

*Start and stop animation: press ‘Q’
*Save image: press 'W' to save the current image as a PNG.
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V0X3I\IA © 2023 by NUBPLUS is licensed under CC BY-NC-SA 4.0 

V0X3I\IA #12

V0X3I\IA #148

V0X3I\IA

I wish everyone a happy new year. This year, I experienced the beautiful effects of generative art in a new phase of my life. I hope everyone has experienced something similar. I wish a wonderful time with Fxhash 2.0. Please don't forget your gift :)

SIMPLE #123

SIMPLE #39

SIMPLE

"Rare art, like a hidden constellation, beckons the curious eye, inviting us to unravel the mysteries woven within its unique tapestry, whispering secrets that transcend time and rarity."

I'm excited to present my first 1/1 artwork on the Tezos network to you. I struggled a lot to generate iterations from this algorithm, but I loved it just as much. It was saddening for me not to publish it. I even find it hard to write a description. Sometimes aesthetics surpass everything else.

*360 Rotation: Hold Left Mouse Click
*Start and stop animation: press 'Q'
*Fullscreen mode: press 'E' 
*Save image: press 'W' to save the current image as a PNG.
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ONExONE © 2023 by NUBPLUS is licensed under CC BY-NC-SA 4.0 

ONExONE #1

ONExONE

"Core, in art theory, represents the essence or fundamental concept that underlies an artwork's meaning, serving as its intrinsic foundation and driving force."

Primarily in this collection, I attempted to reflect the richness of movement in a simple form, akin to the vibrancy of a living cell. I scrutinized the interactions of another form external to them. Diversifying the textures of forms within the same animation style, my goal was to mirror the mechanism of the universe and life, from micro to macro.

*Start and stop animation: press ‘Q’
*Save image: press 'W' to save the current image as a PNG.
*Fullscreen mode: press 'E'
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CORE © 2024 by NUBPLUS is licensed under CC BY-NC-SA 4.0 

CORE #9

CORE #11

CORE

*Start and stop animation: press 'Q'
*Fullscreen mode: press 'E'
*Save image: press 'W' to save the current image as a PNG.

O=(o)_+ by nubplus.2024

O=(o)_+

#/N=(x.2(y.x/2+N)+N)/(y(x.y+#/2.N)

*Start and stop animation: press 'Q'
*Fullscreen mode: press 'E'
*Save image: press 'W' to save the current image as a PNG.

#/N=(x.2y+N)/(y/2.N) by nubplus.2024

#/N=(x.2y+N)/(y/2.N)

"The essence of art is hidden within its structure; to understand its nature, one must examine the form it embodies."
Theodor Adorno

Within this collection, I focused on the random, dynamic textures created by the Kufic typographic patterns that I enjoy using. The repetition of textures and their layering creates effects that reveal the beauty of randomness. The structure formed by the consecutive repetitions and layering effects highlights the beauty of randomness. Random and repeated animations are based on patterns that are erased and recreated each time. The movement that pauses within the flow and then erases and recreates each texture results in a unique animation. I feel that I have defined myself as an artist in this field now. I sense that I've reached a correct point stylistically. This will be the final work of this year, and it's a turning point for me that it will exist on-chain.

*Start and stop animation: press ‘Q’
*Save image: press 'W' to save the current image as a PNG.
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5ovrcé © 2023 by NUBPLUS is licensed under CC BY-NC-SA 4.0

5ovrcé #67

5ovrcé #70

5ovrcé

Dazzling lights on a dark night..

Thank you so much for your all support <3

*Fullscreen mode: press 'E'
*Save image: press 'W' to save the current image as a PNG.
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City in Night © 2024 by NUBPLUS is licensed under CC BY-NC-SA 4.0 

City in Night #25

City in Night #62

City in Night


"Polako" means "slowly" in Montenegrin. When I first came here, the word I heard most often when I wanted to do something with someone or ask them for something was "Polako." In the culture I grew up in, everything happened very quickly and was results-oriented. In my new city, it's the opposite. Things may move slowly, requiring patience, but the aim is for better results. Perhaps they're right; the longevity of quickly done things is debatable. Our contemporary culture is like that too, everything is based on consumption. Art fields are also affected by this trend. Many artists or works without a past become popular with instant attention and then disappear after a while. This is sad in the long run. But when artists who don't get the recognition they deserve face these situations, they question themselves and their art, feeling inadequate and unsuccessful. As someone who has experienced this a lot, I am a keen observer. But speed is not necessary. What's important is to be lasting. Yes, this is very difficult. It's really hard to endure life and make your production sustainable. I must be patient. I need to mature my ideas. Slower, more polako. Surely, our art will be appreciated. There is a hidden connection between slowness and faith.

In this collection, I have returned to my architectural world once again. I have designed new compositions for depth. I moved away from colors and focused on textures. I tried to draw attention to changing animations in the background and spontaneously formed pixel layouts in the foreground.

*Start and stop animation: press 'Q'
*Save image: press 'W' to save the current image as a PNG.
*Fullscreen mode: press 'E'
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Polako © 2024 by NUBPLUS is licensed under CC BY-NC-SA 4.0 

Polako #62

Polako #117

Polako

#objkt4objkt

*Camera: Hold 'Left click'
*Start and stop animation: press 'Q'
*Fullscreen mode: press 'E'
*Save image: press 'W' to save the current image as a PNG.
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by nubplus.2025

Lined

*Start and stop animation: press 'Q'
*Fullscreen mode: press 'E'
*Save image: press 'W' to save the current image as a PNG.

..I s4+ by nubplus.2024

..I s4+

Human Echoes is a generative art collection that explores the resonating patterns and forms of human existence through the lens of isometric and geometric abstraction. Each piece reflects the idea that every human experience, thought, and action reverberates like an echo, leaving a trace that blends into the greater structure of reality. By using precise geometric shapes and isometric perspectives, the collection draws parallels between the complex yet ordered patterns in both human nature and the mathematical world. "Human Echoes" invites viewers to reflect on the harmony between individuality and the collective, as well as the cyclical nature of human impact over time.

*Save 3D model: press ’S’ to save the current printable 3D as a OBJ.
*Save image: press 'W' to save the current image as a PNG.
*Fullscreen mode: press 'E'
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Human Echoes © 2024 by NubPlus is licensed under CC BY-NC-SA 4.0 

Human Echoes #17

Human Echoes #7

Human Echoes

While designing this font, I focused on working with angular and maze-like shapes, aiming to create something modern inspired by the past. Architectural forms and traditional patterns guided me, but I also wanted this design to fit seamlessly into today’s design world.

I’m sharing this font under a CC0 license, meaning it’s completely free for anyone to use. It makes me happy to think that creative communities might take this font and transform it into new stories with their own touches.

I also created a generative art collection. In this collection, the forms of the font are reshaped with digital patterns and algorithms. The letters go beyond just being text and become part of art.

This project is my way of showing how powerful sharing and unlocking creativity can be. I hope it inspires you too.

You can download the font from the link below.
https://drive.google.com/file/d/1cgYAYw09emVVLd9SaqlIouBJC0rNC5ej/view?usp=drive_link

*Save image: press 'W' to save the current image as a PNG.
*Fullscreen mode: press 'E'
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Metafontic © 2024 by NubPlus is licensed under CC BY-NC-SA 4.0 


Metafontic  #5

Metafontic  #27

Metafontic 

“In the end, every system that follows definite rules can be thought of as a cellular automaton.”
Stephen Wolfram

Our thoughts and our universe consist of systems that may seem chaotic but fundamentally operate according to specific rules. Cellular automata are a model where these rules come to life in a simple yet profound way. Each cell evolves solely based on its neighboring cells, following a deterministic process. This evolutionary progression transforms an initially simple order into complex and mesmerizing patterns over time. Just like in nature, every small interaction is part of a grand transformation. The universe of cellular automata is a dynamic structure that follows rules yet remains full of surprises.  

This collection was created to explore the aesthetic and mathematical beauty of cellular automata. Each piece visualizes how a complex order emerges from simple rules. The interactions between colors, forms, and structures reveal the depth and power of the system's rules. Inspired by iconic collections such as "RGB Elementary Cellular Automaton," my goal with this project is to bring together the evolutionary beauty of fundamental rules in both natural and artificial systems and to open a window into the essence of these models through an interactive approach.

[R] Cam mode / Reset to start point
[W] Forward move
[S] Backward move
[A] Left move
[D] Right move
[Hold Shift] Fast move
[ESC] Disable pointer lock
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[Q] Start and stop animation
[E] Fullscreen mode
[Z] Save image as a PNG
* Interactive mode works best on a new window.
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Automata Monads © 2025 by NubPLus is licensed under CC BY-NC-SA 4.0 

Automata Monads #65

Automata Monads #15

Automata Monads

Synthetic Flora is a generative series inspired by the deep-rooted connection between nature and digital art. Natural landscapes have long echoed the emotional intensity of Fauvism for me, with surreal colors, grounded forms, and a dreamlike clarity.

In this collection, code draws organic forms while procedural textures bring them to life. 111 unique outputs emerge from an algorithm that balances structure with spontaneity.

Fauvist color theory and expressionist techniques meet digital materiality, not as nostalgia but as a step forward. Synthetic Flora is a system dreaming in the language of nature. A signal of what’s still to come.

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