The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #35136

Sadık Aksu

xnmtrc's pfp

“…the box was a fascist symbol and the architecture of freedom/democracy needed something besides the box.” - Frank Lloyd Wright.    Freeplan explores the early 20th-century modernist architectural concept “open plan” which indicates the dissolution of rooms and the visual building boundaries. Instead of conventional boxes, freely placed partitions, floors, structures, and other elements create a feeling of space. The transaction hash determines the overall architectural composition, context, existence of components, and representation style. Each iteration is scaled, oriented, and numbered like a proper architectural project.

Freeplan #40

Brushstroke is an algorithm to form a minimal, modern, artistic paint on a canvas. It mimics a painter's hand gesture to apply different types of strokes. Those strokes may vary from thin straight lines to fat curvy arcs. The direction of the strokes may change for each stroke or not. There may be an excessive amount of them as there may be just several. Strokes may intersect and form a group. It generates color palettes as an artist does. There are more than twenty parameters that give variety to pieces. 

Brushstroke is built on the p5.js library. As a way of saying thanks, you will contribute to the Processing Foundation by collecting this work. 

brushstroke #74

You never notice, it is passthrough. It is familiar but unfamiliar. It is everywhere and nowhere at the same time. It can contain anything, but it doesn't. Being here is lonely, even surrounded. It is the debris of modern architecture. It is the uncanny valley of the places. It is the Junkspace.

Junkspace is an algorithm inspired by the well-known namesake article of Rem Koolhaas (October, Vol. 100, Obsolescence. (Spring, 2002), pp. 175-190). The work is a generative approach to visualize it in the plan view. There are several paper types, partitions, floorings, and color palettes to achieve the residue of modernization.

This work exists thanks to the p5js library. To give some back to the community, you will contribute to the Processing Foundation by collecting this work.

Press "s" to save the image.


Junkspace #18

To-do is a project as a part of genuary32nd. It is a modified version of the piece i made for genuary14 "aesemic".

Made with p5js.

Press "s" to save the image.

To-do for Genuary32nd #8

an interactive piping algorithm by xnmtrc

every click on the canvas is a new iteration

for the details:
https://www.xnmtrc.com/post/artpiping-an-interactive-piping-algorithm

the first version:
https://www.hicetnunc.xyz/objkt/288808

artPiping()

A translucency trial

Permitting the light, but diffusing it too

It is like a glass, but it isn't

Glassy

Freeplan #1

Freeplan by xnmtrc

brushstroke #45

brushstroke

Junkspace #58

Junkspace

To-do for Genuary32nd #31

To-do for Genuary32nd

an interactive epigraph generator by xnmtrc

every click on the canvas is a new iteration

for the details:
https://www.xnmtrc.com/post/epigraphy-an-interactive-epigraph-generator

the previous duct() version:
https://www.hicetnunc.xyz/objkt/323738

epigraphy()

Hic et Nunc

Places of Existence weaves a narrative of society through an interplay of geometric forms. Each box within the composition symbolizes an individual, collectively contributing to an overarching entity that mirrors the complexities of real-world societies. The key elements, namely chaos, harmony, connectivity, impact, resilience, and diversity, serve as the building blocks for this digital representation.

Chaos disrupts harmony, introducing an element of disarray, while harmony, as the cornerstone, cultivates a sense of unity among the entities. Connectivity measures the proximity of individuals, shaping the scale of their togetherness. Impact determines the society's reach, influenced by its inherent properties and the entity's size. Resilience acts as a counterforce to chaos, tempering its effects and preserving order. Finally, diversity introduces physical variations among individuals, adding a layer of complexity to the overall composition.

Places of Existence invites viewers to contemplate the nuanced dynamics of societal structures, encapsulating the balance of order and disorder within the digital realm crafted using the language of Three.js.

Places of Existence

anaver.se

covau niry genheavtuor parsandmer

Places of Existence weaves a narrative of society through an interplay of geometric forms. Each box within the composition symbolizes an individual, collectively contributing to an overarching entity that mirrors the complexities of real-world societies. The key elements, namely chaos, harmony, connectivity, impact, resilience, and diversity, serve as the building blocks for this digital representation.

Chaos disrupts harmony, introducing an element of disarray, while harmony, as the cornerstone, cultivates a sense of unity among the entities. Connectivity measures the proximity of individuals, shaping the scale of their togetherness. Impact determines the society's reach, influenced by its inherent properties and the entity's size. Resilience acts as a counterforce to chaos, tempering its effects and preserving order. Finally, diversity introduces physical variations among individuals, adding a layer of complexity to the overall composition.

Places of Existence invites viewers to contemplate the nuanced dynamics of societal structures, encapsulating the balance of order and disorder within the digital realm crafted using the language of Three.js.

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You can discover the work and the minted pieces within the 3D environment of anaver.se. It is strongly recommended to explore them in a point-of-view (POV) format on anaver.se, where they are crafted as architectural entities.

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Controls:
You can use your mouse to zoom and orbit around. Additionally, on the keyboard:
- a: axonometric view
- s: start/stop turning
- d: default view
- g: god(plan) view

Sadık Aksu (xnmtrc)

Sadık Aksu (xnmtrc)

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