Simple shapes, when strewn broadly and systematically, suggest the presence of infinite creative possibilities and are capable of portraying a visceral excitement felt by mixing the energy of light with the contemplation of dark.

This exercise has been repeated for ages, and its relevance will remain for as long as light may meet dark. The silhouettes of Stonehenge battling against a bright sky, the wabi-sabi placement of rocks in a Japanese garden hugged by methodical raking, the play of shadows in Plato's Allegory of the Cave, and the playfully arranged cut-outs of collage or chemical photogram — these all attest to the unending dynamism of form when imbued with light and the contrast of its absence.

As absence and darkness are made visible, the trail of their path conveys a speed as fast as light, and dark shapes that are no less important than the brightest figures. A symbiotic coexistence of these forces was born with the universe – and a delicate balance remains between the powerful glare of light and the stealthy speed of dark.

Inspired by photograms and a little-known series by documentary photographer William Klein, Speed of Dark references the visual language of the darkroom and the history of photography as an underlying analog for how an emerging art medium can harness simple elements to create evocative expressions.

Choose a resolution by adding "&width=9000" to the URL in live view.
Remove the border by adding "&noborder=1" to the URL.

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TENDER x Laurent Houdard
May 2022


Speed of Dark #26

The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #10260

Galerie Met

Within each of us resides an evolutionary history of primal emotions, yet we often spend our lives dulling and controlling these instincts rather than reveling in them. Art is one of the ways we best express those instincts and intuitions – accessing and visualizing their visceral qualities, and releasing our deepest emotions in a way we can share.

pang reflects emotions that take control of our impulses – anguish, euphoria, obsession. By using crayon-like marks, the artworks convey the catharsis felt while drawing with a childlike abandon. To capture what gives such marks true feeling, the works deliberate the intrinsic movements, pressures, and angles shaped by hands in various moods. These qualities and their frenetic meanderings represent the infinite possibilities of where the crayon could go next – if only we could free ourselves from the layers of control we've built.

The contradictions we struggle with are reflected throughout the works:  in the long, methodical, and mathematical path to creation that yields work that looks fast, free and unrehearsed;  through the randomly-informed computer generation of art that feels human;  and by the depiction of long-standing traditional techniques to help display the conceptual range of a young, innovative art movement still establishing its pivotal place in the canon of art. These tensions parallel the work's underlying concept, accentuating the suspicion that a learned fear of emotional expression might just be the source of our own pang. 

Created in p5.js, pang is inspired by the emotional works and processes of later abstract expressionists such as Cy Twombly and Joan Mitchell – as well as contemporary artists like José Parla.

Functionality: 
Press ‘p’ to save as a png. 
Press ‘b’ to render with (or without) a transparent background.
Press 0-9 to render at varying degrees of quality.  0 (lowest quality) to 9 (highest quality, 15000 pixels lengthwise).
Press ⬆️ (arrow up) to incrementally increase pixel density.
Press ⬇️ (arrow down) to incrementally decrease pixel density.

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TENDER x abstractment
April 2022


Galerie Met (GalerieMet)

Galerie Met (GalerieMet)