In Take Aim, the basic concept is obfuscation of a familiar image with another. In this case we obfuscate shaped bands with a grid or partial grid. The bands resemble targets, with the grid conversely resembling those things in life which stop us from achieving our goals. Although initially it appears that not achieving one’s target should be seen as a negative, in many ways I see this as a positive piece. I have learned that events which get in the way of our goals are often the very things that make life so rewarding.

Live: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/html_files/1.html
High res: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/1.png
High res (member): https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/1m.png

Take Aim #1

The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #17994

In Take Aim, the basic concept is obfuscation of a familiar image with another. In this case we obfuscate shaped bands with a grid or partial grid. The bands resemble targets, with the grid conversely resembling those things in life which stop us from achieving our goals. Although initially it appears that not achieving one’s target should be seen as a negative, in many ways I see this as a positive piece. I have learned that events which get in the way of our goals are often the very things that make life so rewarding.

Live: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/html_files/37.html
High res: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/37.png


Take Aim #37

In Take Aim, the basic concept is obfuscation of a familiar image with another. In this case we obfuscate shaped bands with a grid or partial grid. The bands resemble targets, with the grid conversely resembling those things in life which stop us from achieving our goals. Although initially it appears that not achieving one’s target should be seen as a negative, in many ways I see this as a positive piece. I have learned that events which get in the way of our goals are often the very things that make life so rewarding.

Live: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/html_files/15.html
High res: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/15.png
High res (member): https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/15m.png

Take Aim #15

This is the genesis piece by Pix3lboy and is the first of the generative tile collection. 

This unique work uses tiles of 6 x 6 rounded squares in a Moroccan palette which gives it a familiar feel. 

Generated in high resolution using modern technology including p5.js, this work is best seen in full screen.

5880 x 5880 px


Generated Tiles #1

Genesis piece by P1x3lboy showing time elapsing. 

Both works depict the movement of the globe and corresponding change of mood as the we move from light to dark, with artificial light and back again. 

Elapsing of Time

Squigmania #5

This work uses a "mutating" Cellular Automata to create more complex structures. I have been in awe of the array of outputs that can be made from this simple rule based model and after reviewing over 1000 outputs, have chosen to curate and mint this output at the genesis. 
It has been selected for display at Beeple studios on 4th May 2024 as part of the Digital Art Deathmatch

Foundry - Genesis Edition

In Take Aim, the basic concept is obfuscation of a familiar image with another. In this case we obfuscate shaped bands with a grid or partial grid. The bands resemble targets, with the grid conversely resembling those things in life which stop us from achieving our goals. Although initially it appears that not achieving one’s target should be seen as a negative, in many ways I see this as a positive piece. I have learned that events which get in the way of our goals are often the very things that make life so rewarding.

Live: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/html_files/22.html
High res: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/22.png
High res (member): https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/22m.png

Take Aim #22

In Take Aim, the basic concept is obfuscation of a familiar image with another. In this case we obfuscate shaped bands with a grid or partial grid. The bands resemble targets, with the grid conversely resembling those things in life which stop us from achieving our goals. Although initially it appears that not achieving one’s target should be seen as a negative, in many ways I see this as a positive piece. I have learned that events which get in the way of our goals are often the very things that make life so rewarding.

Live: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/html_files/11.html
High res: https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/11.png
High res (member): https://256art.s3.eu-central-1.amazonaws.com/mainnet/0xdf0363f679380696343267ecb639c9350b80f06f/max/11m.png

Take Aim #11

In Take Aim, the basic concept is obfuscation of a familiar image with another. In this case we obfuscate shaped bands with a grid or partial grid. The bands represent targets, with the grid conversely resembling those things in life that stop us from achieving our goals. Although it is usually assumed in life that not achieving one’s target could be seen as a negative, in many ways I see this as a positive piece. I have learned that events which get in the way of our goals are often the very things that make life so rewarding. All art is fully on chain

Take Aim 

This is the first piece by Pix3lboy in the generative circles collection.

This unique work uses tiles of 5 x 5 rcircles in a candycake palette which gives it an vibrant fun feel.

Generated in high resolution using modern technology including p5.js, this work is best seen in full screen.

10000 x 10000 px

Generated Circles #1

Foundation

Async Art

Squigmania #60

Squigmania is a celebration of maths meets art and a lifetime's fascination of the subtleties of basic trigonometry.

Inspired by generative art pioneers, P1x3lboy has created an algorithm that makes over 10 million possible outcomes by looping a point through multiple curves and arcs. Ultimately this point weaves through a path to create an intricate mathematical pattern.

P1x3lboy is a multi-disciplined generative artist from England with an MSc in Computer Science and a passion for all things retro. His work, which is usually created using p5.js, has been exhibited in galleries in the USA, Europe and Asia.

These include works curated by Kate Vass & Paris Hilton for NFT Liverpool and voted by collectors for display at Museum Angewandte Kunst, Frankfurt.

Squigmania

KnownOrigin

Squigmania is a celebration of maths meets art and a lifetime's fascination of the subtleties of basic trigonometry.

Inspired by generative art pioneers, P1x3lboy has created an algorithm that makes over 10 million possible outcomes by looping a point through multiple curves and arcs. Ultimately this point weaves through a path to create an intricate mathematical pattern.

P1x3lboy is a multi-disciplined generative artist from England with an MSc in Computer Science and a passion for all things retro. His work, which is usually created using p5.js, has been exhibited in galleries in the USA, Europe and Asia.

p1x3lboy

p1x3lboy

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