In the early 1960s, famed crime boss Bumpy Johnson returns from a ten-year jail sentence to find the neighborhood he once commanded in ruins; with the streets controlled by the Italian mafia, Bumpy must take on the Genovese crime family to reclaim control.

G0dFaTher 0F Harlem [2023]

The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #1355

KunTa The BLeU Pepe

I dug deeper to locate my inner Pepe, where I discovered four different variations. 

First, there was "One Pepe," Pepe, who at any one moment was joined with Lord of Kek using only higher frequencies of awareness. 

Lonely Pepe, Risky Pepe, and Hidden Pepe are the other three variations.

KunTa’s Inner Pepe(s)

“Lost BLeU Dreams” encapsulates my dream of a vibrant, free Khartoum City, now a distant memory amidst the prolonged oppression. This futuristic vision, now lost in the saddest shade of blue, symbolises the shattered aspirations for a free and thriving Sudan.

This piece is part of the “Art 4 Sudan” late submission series.

BLeU Lost Dreams

"Don’t die with your art inside of you."

Grand Patron Digital Arts
@CozomoMedici
Jun 23, 2024


DON'T DIE, MAKE ART!

In response to the overwhelming silence surrounding my [100+] artworks depicting my country’s human crisis, I channeled my frustration into a new piece titled “Can You F***** See Us?!”. This artwork builds upon my previous work, “SOLD!”, utilizing a noisy palette of light yellow and blue to convey a sense of urgency.

This piece is part of the “Art 4 Sudan” late submission series.

Can You F***** See Us?!

“BLeU Loneliness” is a musical and visual self-portrait, depicting the darker, more depressed side of BLeU KunTa. This piece contrasts the previous self-portrait that embodied a new freedom activist version of myself. Here, the dominant side is filled with depression, loneliness, and near non-existence, a reflection of my state post the sit-in area massacre during the Sudanese revolution.

This piece is part of the “Art 4 Sudan” late submission series.

BLeU Loneliness

Captions are subject to the preferences of the observer.

X-EARTH

"Rodman vs. Rodman" emerges as a poetic tapestry, an artistic homage to Dennis Rodman— a figure whose unique presence and rebellious spirit have long inspired the creatively inclined. This glitch artwork, a vivid collision of aesthetics and ethos, portrays Rodman in a duel with his own persona, exploring themes of personal mastery and the elusive flow state.
The narrative of "Rodman vs. Rodman" is one of introspective challenge, where the act of self-competition is not merely a choice but a necessity on the solitary path of an artist. In a world where solitude, rejection, and the quest for creative salvation are punctuated by the digital age's organic reach limitations and algorithmic constraints, this artwork stands as a testament to the relentless pursuit of excellence.

Process:

* Inspiration and Research: Drawn from the depths of Rodman’s own dedication to authenticity and the singular, this piece began with a deep dive into the essence of what made him a cultural icon. His distinctive style and attitude fuelled a creative exploration that spans his career highs and personal revelations.
* Digital Generation and AI Integration: Harnessing the power of technology, over 100 AI-generated images were meticulously crafted, each capturing a pivotal moment or aspect of Rodman's multifaceted life. These images serve as digital brushstrokes, painting a broader picture of self-reflection and rivalry.
* Affinity Photo Integration: The digital canvases were then seamlessly woven together using advanced photo manipulation techniques, creating a cohesive narrative that is both visually striking and emotionally resonant.
* Glitch Transformation with Photo Mosh: To mirror the internal conflict and the dynamic between his public personas and private self, the images underwent a transformation into glitch art. This method distorts and reassembles the familiar into something profoundly new, symbolising the internal struggles that define us.
* Reflection and Iteration: Each iteration of the artwork underwent rigorous refinement, shaped by feedback aimed at enhancing its emotional impact. This iterative process ensured that every detail of the artwork resonated with the themes of self-discovery and personal growth.

"Rodman vs. Rodman" is more than an artwork; it's a visual journey into the heart of a cultural phenomenon, challenging viewers to embrace their own paths of self-discovery and greatness amidst the complexities of the modern digital landscape.

RODMAN vs. RODMAN

Harlem's godfather, "Bumpy," secured state agencies support through influencing compromised personnel. 

The judicial, financial, and ecclesiastical establishments were among these institutions.

Corrupted Institutions [1963]

A mix of collage, landscape, and glitch arT.

Claim "BLeU Safari with Medici & Pepe" at [https://app.manifold.xyz/c/bleu-safari]

Claim "BLEU PEPE ANNIVERSARY" at [https://app.manifold.xyz/c/bleu-pepe]

The artwork is inspired by Godfather of Harlem, an American criminal drama television series that aired on September 29, 2019.

The OE Token, Harlem's Bloody War [1963], will launch a sub-ecosystem under the "PEPE KUNTA Collage Art" Manifold smart contract.

Holders will receive monthly LE free mints, 1/1 raffles, and other benefits.

A conflict is going to erupt on Harlem's EAST side! The Italians on one side versus Bumpy Johnson and El Padrino on the other side!

Harlem's Bloody War [1963]

Collage by KunTa

I see a lot of angels and devils throughout the day.

Do you notice them? 

Is it possible that I'm hallucinating?

Anonymous Ghosts

This one is dedicated to the famous RaTa. Through his artwork "The Degenaissance," the crypto artist opened my heart to become a #WAGMI.

His humility allowed my imagination to flow into a new glitch realm. Now I'm ten feet taller and fit in as a degen.

Super RaTaman

Cx01 - A Glitch By Medici Art

Let us explore my number one enjoyment, PEPEWOOD studios, where the finest Pepe music and movies are created. 

You can find top actors, actresses, directors, and producers.

PEPEWOOD Studios

Pepe cultural memes!
Self-reflective portraits!
New distinguished style!

Pepe KunTa 
Self-Taught Artist 

I decided to look deeper to uncover the Pepe inside myself. So I went directly to the Nile River, which shaped my inner revolutionary hero. 

Can you see me standing there full of pride and dignity?

Nile’s Self-Portrait

PEPE by KunTa

I arrived to the VVD Space Station after a protracted voyage away from my homeland. Many more PEPEs were waiting patiently for their chance to enter a brand-new PEPEEARTH.

VVD Space Station

Series of collage artworks that depicts my evacuation journey from hometown t0 PEPEEARTH.

I had to say goodbye to my hometown (Khartoum City) after it was declared as war zone by bunch of war’s criminals. 

Goodbye Hometown!

Self-Evacuations

Airdrop token to the original ‘ Bullish T0 The M00N’ holders.

Bullish T0 The M00N [B&W Landscape]

Self-reflective art collection that employs AI, collage, cryptography, and glitch arts to portray cultural stories.

The greatest scam artist ScamArt ...
Salute

SCAM SKULL

BLeU Culture by KunTa

Suicidal thoughts are taking over slowly! 

Suicidal Thoughts

Th!s one goes to the be$T crYpT0 art creator$ on ObjKT | We maY givE you TimE | We neva ForgET!

After sending grifters, guzzlers, and skulls to hell, God expresses remorse for a minute or two.

God's Regret

ObjkT Guards

Genuine OG fiend emanating from the WhiTe LexTer Tribe. SOL cares for the residents of WAGMI Town and encourages them to be the best versions of themselves.

SOL LexTer  

Fiends is a glitchy, noisy PFP art collection. The trippy fiend Pepe [King] KunTa creates without a motive. The authentic, self-taught artist is investigating cultural transformation opportunities for a whole new collective intelligence.

Born in the shadows the darkness breeds
Crazy dreams, hustlin' for the needs
Needle marks clutchin', veins rushin' with the poison
Chasin' highs, dodgin' lies, life's a twisted choice, son

Soul's heavy, like the weight of the street code
In the city where the fiends cry, where the weak fold
Crack rocks and gunshots, echo in the night
In the struggle for survival, every choice is a fight

Lost cousins to the demons that the block breeds
Vengeance on the mind, payback for the misdeeds
Paranoia in the air, sirens pierce the night
Under street lights, we pray for a better life

D.A.'s watchin', but we movin' in silence
In the belly of the beast, where the hunger's the wildest
Blackout moments, reality starts to blur
In this concrete jungle, only the strong endure

Faces cut up, scars tell a story of despair
In the belly of the beast, where the fiends share
Automatic shots, a symphony of the streets
Politicians and cops, all corrupted elites

Sleepin' with the infrared, dreams filled with screams
In this urban nightmare, reality teems
What's the meaning when fiends cry?
In this cold world, where only the strong survive.

When FIENDS cry

Fiends

KunTa's Permissionless Collaboration  
CC0 Musical Production

SUPERARE: Addicted feat. Kehlani [KunTa's Cutouts]

KunTa's Musical Cutouts [SUPERARE - Addicted feat. Kehlani]

CC0 Musical Video Productions Limited Editions

LE-01-KunTa's Musical Cutouts [SUPERARE - Addicted feat. Kehlani]

https://app.manifold.xyz/c/addicted-01

KUNTA's Permissionless Collaborations [Limited Editions]


في قلب ولاية الجزيرة بالسودان، حيث الدمار يتشابك مع تاريخ الأرض، تُظهر هذه اللوحة الفنية الوثائقية تبعات الأحداث المأساوية التي أودت بحياة العديد وأدت إلى نزوح جماعي للسكان. في هذه الأرض، المتحولة إلى ساحة صراع، دارت عدة أيام من الهجمات العنيفة المروعة من قبل قوات الدعم السريع، والتي لا تزال في نزاع دامي مع الجيش لأكثر من عام. العمل يُصور ببصيرة قوات الدعم السريع وهي تتقدم بوحشية، بينما يظهر جندي من القوات المسلحة السودانية وهو يبتعد، مما يعكس التوتر والانقسام الشديد في المشهد

الخلفية مغطاة بأعمدة من الدخان والنيران الملتهبة التي تستعر في السماء، والأرض ملطخة بآثار الدمار والفوضى. نساء بعبايات يقفن في حداد، وهن يشهدن على الأنقاض، مع جثث مغطاة بالأكفان على جانب الطريق، مشهد ينقل بعمق مأساة الحال ويسلط الضوء على الإنسانية المتأزمة. تم دمج وتلوين هذه الأعمال بعناية فائقة باستخدام أدوات الذكاء الاصطناعي لتعزيز البُعد البصري والعاطفي للعمل، مما يعكس الواقع المروع الذي يعيشه المدنيون. هذه اللوحة تعد تجسيدًا فنيًا للمعاناة الإنسانية ورد فعل تعاطفيًا تجاه الهجمات التي استهدفت المدنيين، مقدمة رؤية بصرية صادقة ومؤثرة عن الوضع الإنساني في السودان

In the heart of Sudan's Gezira state, where destruction intertwines with the land's history, this documentary artistic piece reveals the aftermath of tragic events that have claimed many lives and led to the mass displacement of residents. On this land, transformed into a battlefield, several days of brutal and terrifying attacks by the Rapid Support Forces unfolded, continuing their bloody conflict with the army for over a year. The work insightfully depicts the Rapid Support Forces advancing ferociously, while a soldier from the Sudanese Armed Forces is seen retreating, reflecting the intense tension and division in the scene.

The background is filled with columns of smoke and flames that blaze across the sky, and the ground is stained with traces of destruction and chaos. Women in abayas stand in mourning, witnessing the ruins, with bodies covered in shrouds by the roadside, a scene that deeply conveys the tragedy of the situation and highlights the distressed humanity. These works were carefully merged and colored using artificial intelligence tools to enhance the visual and emotional dimension of the piece, reflecting the horrific reality experienced by civilians. This painting serves as an artistic embodiment of human suffering and a compassionate reaction to the recent attacks on civilians, offering a sincere and impactful visual perspective on the humanitarian situation in Sudan.

بيت الحداد - House of Mourning 

"In 'SOLD!,' the dark echoes of a nation's sorrow are translated into a highly textured mixed media collage. A dimly lit storefront, adorned with the stark proclamation 'HUMAN SALES,' becomes the haunting backdrop for four identical vintage nude figures. Each form, devoid of individual identity, bears the poignant insignia 'Sudan' in delicate contrast to the weighty reality it represents.

In a bold departure from conventional Sudanese art, this piece delves into the realms of discomfort and defiance. The intimate vulnerability of the nude figures serves as a poignant metaphor for the exposed resilience of a people. The small but resolute 'Sudan' text acts as an anchor, grounding the viewer in the harsh reality of a nation fractured by power struggles.

This conceptual work becomes a visual requiem, expressing the artist's profound grief for the loss of a homeland ensnared in the machinations of power. The deliberate use of nudity challenges societal norms, provoking a visceral reaction that transcends cultural barriers and invites the observer to confront the collective pain of a nation silenced by strife. 'Elegy of the Dispossessed' is a lamentation for Sudan, a daring testament to the artist's unwavering commitment to truth and remembrance."

SOLD!

Fractured Heritage: A Eulogy for Sudan

Enlightened City [Decagon #1355 Derivative]

An artwork inspired by 2009Block0 and bonafidehan's tweet!



Pixels in the Wind [DECA]

DECA WORLD

The Punk in Me [Self-Portrait]

Dead 0r Alive [Self-Portrait]

SELF

Everywhere I turn, I witness the emergence of a new intelligence, a profound shift signalling the end of old patterns of thinking. As I navigate through this transformative period, I see myself not just as a bystander, but as an active participant in this evolution of thought. 

In my perspective, digital transformation is not merely a technological advancement, but rather an extension of our own human capabilities and senses. It's a journey that transcends the boundaries of traditional thinking, leading us into uncharted territories where innovation and creativity converge. As I embrace this paradigm shift, I am constantly inspired by the endless possibilities that lie ahead, fuelling my passion to explore and contribute to this ever-evolving landscape of digital intelligence.

B&W Glitvh-002 [Witnessing the End]

My initial attempts at creating a series of 1/1s artworks using black and white images combined with smooth glitch loops.

Fractured lines, broken truths,
A land where shadows warp and twist.
Lost are the echoes of our roots,
In the glitch, the stories resist.

Forged smiles, hollow eyes,
Reality splinters, begins to fade.
What once was true, now only lies,
In the fake, our memories are remade.

Gone the streets of bustling calls,
Sudan, our heart, caught in between.
In whispers, our proud spirit falls,
Lost, in the land we've once seen.

Glitch, Fake, and Lost

B&W Glitvhes

DEGEN COMMUNISM

Memes by KunTa' – where the absurd meets the serious in a unique blend of thought-provoking memes!

Memes by KunTa

AI ART IS SCAM AI ART IS SCAM
AI ART IS SCAM AI ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM AI ART IS SCAM AI ART IS SCAM
AI ART IS SCAM AI ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM AI ART IS SCAM AI ART IS SCAM
AI ART IS SCAM AI ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM AI ART IS SCAM AI ART IS SCAM
AI ART IS SCAM AI ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM 
CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM CRYPT0 ART IS SCAM

AFRICA-AI-001

GLITCH-AI-000

CRYPT0 ART IS SCAM

KunTa The BLeU Pepe's essay argues against the censorship and criminalization of UK drill music through the lens of Australia's OneFour hip-hop group. The essay highlights the similarities between the two countries' approaches to suppressing this genre, which often depicts the realities of violence, poverty, and social alienation in marginalized communities.

Key arguments:

Artistic expression vs. incitement: The essay challenges the notion that drill music directly incites violence, arguing that it's often a form of social commentary or cautionary tale.
Disproportionate targeting: Both the UK and Australia have disproportionately targeted young, Black artists, suggesting racial bias in their approaches.   
Scapegoating art: The essay criticizes authorities for focusing on censorship rather than addressing the root causes of the issues depicted in drill music.
Historical echoes: The censorship of drill music is seen as a continuation of historical efforts to suppress the voices of marginalized communities.

The essay concludes by urging Australia to adopt a more nuanced approach, including open dialogue, addressing root causes, promoting media literacy, and protecting artistic freedom. It emphasizes the importance of avoiding uncritical copying of censorship strategies from other countries without considering the unique context of each nation.

Essay 03 | UK Drill: A Case of Censorship Through Criminalisation

This essay delves into the evolving nature of censorship in the digital era, focusing on how corporate platforms, under pressure from authorities, are increasingly controlling artistic expression. The essay uses the case of the Australian rap group ONEFOUR and their battle with NSW Police as an example of how modern censorship operates in less visible ways. Unlike the direct bans of the past, this new form of censorship subtly manipulates digital platforms, making it seem like it's for public safety rather than suppressing voices critical of those in power. Artists like ONEFOUR, especially marginalized ones, face limitations on their digital reach, ultimately silencing their voices without the overt visibility of state suppression.

Globally, this phenomenon is not limited to authoritarian regimes. Even in democracies, authorities are weaponizing digital platforms to suppress voices that challenge their authority. Tactics include content removal, harassment via government-backed trolls, and exploiting vague platform terms of service, disproportionately impacting marginalized creators. This creates a "chilling effect," where artists may self-censor to avoid being entirely silenced.

The essay warns that the global reach and opacity of the internet allow censorship to transcend borders. Corporate platforms become the ultimate gatekeepers, often with no clear guidelines on what constitutes "acceptable" content. This dangerous trend stifles the free flow of information and limits the democratic potential of the digital space.

To counter this, global advocacy groups, coalitions, and decentralized networks are vital. Organizations like Freemuse and PEN International help fight back by raising awareness and offering legal support to affected artists. The essay emphasizes the importance of platform transparency, clear guidelines, artist education, and coalition building to safeguard artistic freedom in the digital age. Moreover, decentralization is proposed as a solution to prevent censorship at scale, where no single entity holds the power to silence artists, ensuring that voices critical of authority are not erased from the digital world.

Essay 04 | Censorship 2.0: The Weaponisation of the Digital Space

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"قواد" – عمل فني جريء يصوّر محمد حمدان دقلو (حميدتي) وفلاديمير بوتين مدمجين مع صورة امرأة سودانية عارية، في إشارة إلى جرائم الإتجار بالبشر التي ترتكبها قوات الدعم السريع. يبرز هذا العمل العلاقة القاسية بين القوة الذكورية واستغلال أجساد النساء، حيث يرمز إلى الاستغلال الجنسي والتجاري الذي تتعرض له النساء في سياق الصراعات والنزاعات. يجسد العمل استغلال النفوذ والقوة على حساب الكرامة الإنسانية، مع تسليط الضوء على الوجه المظلم للإتجار بالبشر في ظل المصالح السياسية.

قواد ٣

قواد ٢

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Ancient Name: Velkoroth, The Fractured Knight

Velkor was once a mighty warrior, said to be invincible on the battlefield. However, when the glitch took hold, his entire body was shattered, and now he exists in an eternal state of half-brokenness. His mind, too, is fractured, endlessly fighting battles that loop in corrupted code.

VELKOR

Long before time was tracked in bits, seven devils ruled the darkness between realities. Erased by the first glitch, their essence was trapped in the ether. Now, through glitch art, their fragmented forms reappear.

Ancient Name: Ashgael, The Cosmic Harbinger

Once a cosmic deity, Ashgael was responsible for manipulating time and the stars. The glitch rendered her god-like abilities meaningless as her form became warped, turning her into an unrecognizable horror. She now manipulates not the stars but the static signals that travel between them.

ASHGAEL

Fiends in the Glitch

I decided to create only glitch artworks, probably until the end of the year.

glitvh fever season

The DADASCAPES series documents a change in both my personal and artistic style. The series delves into my inner thoughts as I was forced to leave my homeland due to the war two months ago. 

 I use Dadaism, Photomontage, Glitch, and Landscape in the DADASCAPES art series to create sincere self-reflective sentiments. By using the photomontage technique, I hope to question accepted ideas of reality and spark interesting discussions about perception, identity, and the human experience. It enables viewers to enter a fantastical realm where the lines between fantasy and reality are hazy, engaging them in fantastical dialogue that serves to inspire the collective subconscious to heal and develop.  

There will be several glitch artworks created in various editions for each 1/1 collage artwork. The original artwork used to create the 1/1 collage is used to create the glitches. The glitch artworks also aid in illuminating other connotations, contexts, and/or meanings related to the 1/1 art.

KunTa The BLeU Pepe (KunTa)

KunTa The BLeU Pepe (KunTa)

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