Running Moon depicts the nuanced interaction between clouds and moonlight. It is a search for boundaries between structure and fluidity, precision and errors. It is a quest for harmony. The rendering of Running Moon is inspired by stained glass and watercolor. It captures the sharpness of the glass and the softness of light using abstract forms. As organic shapes gradually expand to fill the space, brush-pen-like stripes solder these pieces together to form intricate compositions
The core idea behind Running Moon is expansion. Starting from a focal point, curves gradually spread across the page. As a result of this expansion, groups of versatile curves cut the canvas into shapes. I refer to these shapes as Expansion Shapes.
There are 10 different types of expansion shapes, each producing a wide range of curves with unique characteristics.
Stained glass works often have restrictions on the size and shape of individual glass pieces due to physical properties and production requirements. While Running Moon does not have these physical restrictions, I imposed a set of additional segmenting lines to balance the composition.
There are 8 different types of segmenting lines. Here are examples that demonstrate how the same set of expansion shapes would react to different types of segmenting lines.
The core idea behind Running Moon is expansion. Starting from a focal point, curves gradually spread across the page. As a result of this expansion, groups of versatile curves cut the canvas into shapes. I refer to these shapes as Expansion Shapes.
There are 10 different types of expansion shapes, each producing a wide range of curves with unique characteristics
Running Moon
Running Moon
•
•
•