At the age of eleven my parents went through a very violent divorce (escalating with my dad hitting my mother on the head with a hammer). I think this divorce; and more so the aftermath of it; has probably shaped my entire outlook on life. For a very long time I felt like I didn’t belong. A bad family situation, being bullied at school, etc. It made me very strongly revolt against society. At the time it was very black and white for me: society bad – alternative lifestyle good. This made me always look at life in a different light and look for other ways of doing things. I performed in bars with my poetry, did odd jobs, worked on my own projects and mostly traveled whenever I could. Growing older, I realized my travels were a form of escapism and however beautiful they were I wanted to build something lasting. This is when I started to full on focus on my projects, which eventually leads us here to me creating 256ART.
For me art has always been a way to scream very publicly, without being looked at as an insane person. When I started with my poetry way back when, it surprised me how many people felt a connection with my writings. It made me realize a key point, art has to be pure. Someone enjoying any form of art, will nearly always look at what it represents in their own life rather than that of its creator. I think my art often times combines a fairly mathematical / analytical side of me with a darker side that has always been a part of me. Whilst I want to be clear, my life right now is great, at times I feel that darkness coming up and inside I feel the heart and head clash so intensely, I just shut down. I’m in a stage in my life now, where I have a strong internal framework to get myself past these moments. One way to do so is by letting it out in the form of art. From very non-abstract poetry in the past, to more abstract generative art now.
Over the last few months I've been working pretty much day and night in order to launch the revamped 256ART platform for generative artists. This artwork is called "It's (a)live" as not only is it celebrating the launch of 256ART, but the art itself is alive. The goal of “It’s (a)live is to represent the possibilities of fully on chain generative art, where there is a lot of room left for experimentation. If you check the live view of your piece, you will quite literally see the art come alive. The feeling I wanted to re-create is that of an old movie, but one where the movie is an forever-evolving piece of art. It’s my strong belief that generative art has an unlimited amount of experimentation ahead of it. With 256ART, we want to create a space where artists are free to do just that whilst at the same time telling the stories that led them to create their art.
It’s late August 2021, I’m sitting outside on top of a hilltop in the country of Georgia, where my brother has opened his glamping earlier this year. What was supposed to be a one month stay; quite literally spending the last of my fiat savings; had turned into 5-month hiatus. The last year and a half or so, I had been feeling lost. The three years before that, I had been working on a social media application for travelers. Then Covid hit. Investors pulled out, finances dwindled, the project ran a slow death to the point where I could barely keep it in maintenance mode. Spending a few months in nature, meeting incredible people day after day that would visit the glamping, starts to invigorate something inside of me again. A few of my side projects in the blockchain space are keeping me afloat and NFTs are starting to get wider acceptance, well, at least in the crypto space.
I decide to learn more. I’ve always been a very curious individual and the more I learn the giddier I’m becoming. At the time I have around 0.4 ETH in my wallet with no real money coming in. To learn is to do in my opinion, so first thing I did was scout through OpenSea to find some cheap (think 0.01 ETH) NFT projects where I think the concept is unique or interesting. I dive into Twitter Spaces and soak up all the information I can like a sponge. Then I stumble upon generative art. What was just a small side interest had quickly become a major focus in my life. Creating art with code.
It Was Always The Eyes is a series conveying the message of silent understanding. When you meet a person who’s been through a lot, I think quite often you can see the sentiment of their past in their eyes. Most of us protect ourselves by wearing a “mask” (some do so more strongly than others), but the eyes of a person barely ever deceive. It Was Always The Eyes, strips away that mask and focuses fully on just the eyes. Even in a deceptively simple art piece, the result is quite powerful. Somehow allowing a lot of emotions to come crashing through.
My generative art journey started with the 256ART genesis series. It was me experimenting with the possibilities of generative art and blockchain technology. This was most definitely one of my way more mathematical focused pieces. And you guessed it, the focus lies on the number 256. It’s a number you will stumble upon time and time again in computer science. The underlining cryptographic hash function for Bitcoin is SHA256, for me Bitcoin especially in its inception was a big “fuck you” to the way our society runs. Bitcoin in itself represents what I stand for in multiple ways, freedom and an alternative way of doing things.
This gradual insanity, my latest work (launching soon), is definitely a darker piece. It’s very personal for me, as at times I do feel like I’m descending into insanity. My brain will go in overdrive, I can’t sleep and I question everything. But at a larger scale, it also represents society as a whole for me. Wars in the world, technological addiction, opportunity inequality etc. It’s not something that happened all at once, it’s been very gradual which made it become normalized. It’s a series that I hope can let you question the status quo and see where we can improve or find an alternative way altogether.
Building out 256ART has been incredibly fulfilling for me and I hope it can give other upcoming generative artists a platform to share their story and the art that flowed out of that story. Even right now as I’m writing this in the middle of rebuilding the project, I can easily say it’s been an amazing journey so far. And I can’t wait to see what it will grow into over the years to come.
I want to end on a realistic note, as it may sound like I’ve always been in an upward trajectory ever since my messy childhood, this hasn’t been the case. There have been moments where I felt it was all going to go downhill again. During the last decade of my life, I’ve been at the verge of self-destructing after failed relationships and failed projects. Even when everything was seemingly going perfectly, there have been moments I’ve severely struggled with my mental health. That said, I do believe that if you keep working on yourself and keep improving a bit each day, in the long run, you end up where you want to be. And I’m incredibly blessed to be able to say, that I do feel I’m pretty much exactly where I want to be in life.
Purely to experiment in the space, I decided to launch my own project, 256ART. Not expecting a sell-out for months at least. A fairly simple generative artwork in itself, but one that could represent the values I stand for whilst putting that in relation to blockchain technology. Freedom, an alternative way of doing things. Two values that Bitcoin represent as well. That’s where my mind went in overdrive. Bitcoin uses the SHA256 cryptographic hash function. What if we create an artwork where 256 is the theme, as an ode to those values? What if you could than use said artwork to unlock other generative art, using that series as an input, as a key? I went to work.
Two months I was coding and learning near every day. Even though I think I am a fairly experienced dev, I had to overcome a big learning curve as I had never created generative art, never coded in Solidity and had never created a minting front-end. And then, as if by magic, 256ART was finished, all that was left was deploy the contract. At the time, quite literally all my savings had run out and I found myself forced to return to Belgium. The cost of deploying the contract, 0.35 ETH. My total ETH, a little under 0.4. I vaguely remember myself thinking something along the lines of “Ah fuck it, will have to look for a job anyways, might as well.” I deployed the smart contract. Somehow the project got approved for Ape Tank shortly after, a weekly Twitter Spaces with a big audience at the time. I talked about the project, I talked about my journey, much like I am doing here. Before I had even finished the conversation, the pieces started minting out. I was not prepared. At all.
I still feel an insane amount of gratitude to all collectors, to everyone who believed and still believes in this crazy vision I have. The 256ART you see today would not have been possible without you.