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Skulptuur by Piter Pasma: An exploration in generating forms in 3-dimensional space. This exclusive set of sculptures has been carved from a sea of infinite possibilities, much like a sculptor creates a singular reality from the potential in a block of stone. The shapes are illuminated by a variety of complex virtual lighting environments and yet the piece retains algorithmic minimalism with the code reduced to its pure essence -- 6370 bytes. Skulptuurs render in real time. In live view, the image keeps improving in quality. (Note: Gallery has yet to use high resolution rendered images)
Edifice by Ben Kovach: "Edifice" is a series of 976 massive, deteriorating structures built on strange terrain. It is an exploration of buildings being conceptualized, constructed, and eroded away under a wide variety of conditions. Edifice's outputs run the gamut between minimal and maximal, with some showing few large, static blocks of color, and others many small, highly textured and warped shapes. Each image is progressively constructed in front of the viewer's eyes. (below) "Malibu Salt" has a sensational "squish" displacement from the algorithm, ocean sea waves dancing with the ocean salt
"Salty Inception" truly mind bending expression of an inverse multidimensional space exploring the algorithm's "weird" dimension
"Salty Rockefeller" constructs and echoes the imagination of midtown concrete chaos with this "Manhattan" fill style
444(4) by Shvembldr: Attention! Extremely Experimental Project! This is the quintessential generative art. Each instance of this project is an infinite deterministic ratio and resolution agnostic art generator. Every click = new art.
Spotlight by Joshua Bagley: Inspired by observing projections of light through a glass cup, Spotlight is an abstract exploration of how light interacts with various shapes and forms in 2D space. It has a strong focus on texture and the use of real world physics as generative rules.
Cosmodesias by Santiago: Cosmodesias imagines a region not subjected to orthodox physical space-time conventions. Light trails navigate a multi-dimensional space warped and bent by mathematical formulas, producing imaginary volumes which become a humble reminder of the vast unknown surrounding us and our existence.
Dead Ringers by Dmitri Cherniak:
Transitions by Jason Ting x Matt Bilfield: A collaborative project that transitions the visual aesthetic of a Matt Bilfield peg piece to the generative art world. “Pixels” from the physical world take on new life as the limitations of reality are removed and they are free to assemble and morph without the rigidity or permanence of wood, paint and glue. Round and square variants incorporate multiple color palettes into four unique styles, each with their own distinct attributes. Additional variety in dimensions, depth, color placement, animation, and light modes ensure no two are alike. Impressionist pixels playing.
Water Lilies
Wheat Fields
Above the Fields
Olive Trees in the Countryside
Irises in the Sun
Orchards Blossom
Sunflower Orchard
Flowering Orchards
Sunrise over Irises
Ocean Sand and Sun (Sunrise)
Ocean Sand and Sun (Sunset)
Coral Reef Ocean
Coral Reef Blossoms
Lava Ocean
Ocean Glow
Forest
Pixar Pixel Pegs
Confetti!
RBG Confetti
Confetti Crayons
Confetti Nights
Confetti!
micro confetti
confetti confetti
Friendship Bracelets by MacTuitui and Snowfro:
Fake Internet Money by Steve Pikelny: Fake Internet Money is not legal tender, and may not be redeemable or exchangeable with other parties or markets following its initial offering. The Artist is not a licensed or registered money transmitter in any district, state, or country. The Money is not a financial security. The Artist makes no claims of adding any further value to the project. Owners of The Money have no reasonable expectation of profit. Any marketing statements made by The Artist should not be taken as investment advice. The secondary market value of The Money may be highly volatile, and The Artist makes no guarantees regarding its liquidity or stability relative to any crypto or fiat currency. All value derived from The Money is entirely subjective. All code is licensed under a Creative Commons Attribution-NonCommercial 4.0 License, and is provided without warranty of any kind. In no event shall The Artist be held liable for any damages arising from the code or resulting tokens. The typeface is derived from Shippori Mincho B1, which is licensed under a SIL Open Font License.
