The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #16427

Decagon #17229

Synthetic Noun 1100 claimed by address, shahrokh.eth, is a member of the Synthetic Nouns DAO

Synthetic Noun 1100

I am interested in and pay attention to repeating patterns in nature. Searching for the possibility of depicting this rhythm, texture, and space opens this opportunity as a new experience for me. And how can I convert time to image? In this work, I have depicted the circle of wandering, like the sun that fluctuates in every horizon and climate, sometimes hot and tense and sometimes its rays like the morning breeze caressing our face, calling us to a new beginning. Where is your sun on the horizon, and what time is it in your world?
Made in p5js
Created July 2022
Artist: @ChistaAi

the Horizon #52

According to Kandinsky, painting “can create the same energies in the observer that music can make in the listener. The abstract painter is an echo seeker: just like the relationship between music and the listener, shapes and colors must penetrate the observer's soul. They vibrate the threads of his existence and resonate in the depths of his mind, you can still find references to people, buildings, mountains, etc., but these are more signs than manifestations. They do not evoke objects but abstractly reveal them, like the simplified image we have seen before of objects and elements in nature.
Classical philosophy reinforces the belief that existing, tangible reality is a mask for a deeper reality that can only be reached through imagination. I have tried to combine this with the art of coding and creating canvases of millions of characters and numbers.
Made in p5js
Created July 2022
Artist: @ChistaAi

the Glory of Colours #159

“Gardens are poems where you stroll with your hands in your pockets.”
—Pierre Albert-Birot
a Japanese garden seems incredibly poetic. As we walk around such a garden in the flow of the year’s seasons, you may notice the Beautiful girls and women are combing their hair in endless peace with golden and wooden hairpins, colored kimonos, and their shining hair under the everlasting red sun. Fallen camellia blossom, a blade of grass set to swaying by a passing dragonfly; these details inspire poetry. They often inspire a particular genre of poetry known as haiku in Japan.

Haiku seeks to capture these details, these brief moments of keen perception and intuition, recording them so that the poet and reader might share and celebrate their universal authenticity. 
Haiku is often a poetry of nature, but it is also a poetry of human nature. They are feeling and understanding what the poet deliberately left out of the poem so we can figure it out for ourselves. It is the magic of haiku, and Japanese gardens are ideal places to make the most of this magic.
. Bashō, the great Japanese haiku master, said to “learn of the pine tree from the pine tree and the bamboo from the bamboo.” He meant to ground yourself in the authentic, to be in the present.

In this collection, which consists of 106 layers of PNG, we have tried to achieve a new combination in the form of etching and relief prints by combining it with modern art and combining it with DOS-style and an attempt to represent the original and ancient art of Japan. Let's deal with these works.


the Poetry Garden #3

Simurgh is inherently benevolent and unambiguously female. Being a part mammal, she suckles her young. The Simurgh has teeth. It has enmity toward snakes, and its natural habitat is a place with plenty of water. Its feathers are said to be copper-colored, and though it was initially described as a dog-bird, it was later shown with either the head of a man or a dog.

Iranian legends consider the bird so old that it had seen the world's destruction three times over. The Simurgh learned so much by living so long that it is thought to possess the knowledge of all the ages. In one legend, the Simurgh was said to live 1,700 years before plunging itself into flames (much like the phoenix).
The Simurgh was considered to purify the land and waters and bestow fertility. The creature represented the union between the Earth and the sky, serving as a mediator and messenger between the two. The Simurgh roosted in Gaokerena, the Hōm (Avestan: Haoma) Tree of Life, stands in the middle of the world sea (Vourukasha). 
Simorgh was the inspiration for making this work.
Everything is generated by code written in P5js.

the Simurgh #16

the Glory of Colours #93

the Horizon #29

the Poetry Garden #2

the Poetry Garden

the Simurgh #9

the Simurgh

the Glory of Colours #31

the Glory of Colours

the Horizon #141

the Horizon

The concept of organic, obtained from living systems, is said to be an effect that, like a plant and a living being, has grown in a completely dynamic manner in different degrees, and no factor except vital forces has prevented its growth. Organic creation is an example of this type. Léonard de Vinci believed in nature; he wrote, "Painting is a child of nature" in his opinion, art should be compatible with nature. His public image of creativity was "innovation while maintaining fidelity" to nature. According to Michelangelo, the form the artist gives to the materials is in the artist's mind and the materials themselves. Therefore, the artist is always in a metaphysical struggle with the form and secrets of nature. This is a revelatory process through which the artist discovers the mass of paper already hidden in his mind and the materials. As an architect, I tried to create this work while paying attention to the structuralism of shapes and forms in creation, inspired by the colors in nature and my experience in painting and illustration.

To spread the vibe of my beautiful community, minters will own 50% of royalty on each secondary sale.
Eighteen different color palettes and three different borders are used in this artwork.
Made in p5js
Created August 2022
Artist: @ChistaAi

Abstract Life #162

Abstract Life #127

Abstract Life

I try to explore the unknown nature of objects in an emotional abstraction. Instead of imposing an entirely personal feeling on the canvas, I draw something out of the canvas with the tools of expressive abstraction and color contrast. The content of an abstract painting completely bypasses all those mental filters. Abstract painting is the revelation of the inner life of the human soul; it transforms from words to visual identity. The abstract painting speaks the language of the imaginary world, a language that struggles with complexities.
I have always been interested in laying out patterns on the flat surface of the canvas and deciding how to cut and relate the frame to those elements on my design page. This focus is created through the influence of unpredictable handprints, batik prints, watercolors, and other oriental objects in my works. The desire for this decorative approach led me to cut the three-dimensional environment into a repeating flat pattern so that the rhythm of the shapes emphasizes the strong structure. Also, my attempt to use contrasting colors right next to each other - warm reds and oranges against great neutral greens, blues, and grays - is influenced by the challenging thinking of color and the lightness of impressionism in my work, where pure colors "in a reflection in mind And the contrast makes them even more vivid. They are precisely like the works we enjoy in the real world of reflected light. They can be easily overlooked in the dull colors of a canvas or on a productive work page; these contrasts and complementary color silences side by side. , create a magnificent symphony of colors.
I try to explore the unknown nature of objects in an emotional abstraction. Instead of imposing an entirely personal feeling on the canvas, I draw something out of the canvas with the tools of expressive abstraction and color contrast. The content of an abstract painting completely bypasses all those mental filters. Abstract painting is the revelation of the inner life of the human soul; it transforms from words to visual identity. The abstract painting speaks the language of the imaginary world, a language that struggles with complexities.
These types of art provide humanity with a background voice that profoundly soothes and heals our souls precisely because it is not figurative and, therefore, malleable and defined visually. An abstract painter seeks to depict the world around us in a way that is not what we see, but the message is that "this is what the world feels like." An abstract work puts the viewer in a position to create an interactive experience with the art by giving them the freedom to say, "this is for me."Looking at this work, we see pieces of colors and shapes you might imagine in a moment Gustav Klimt's Kiss, René Magritte's Golconde, etc. The ability of abstraction goes through the history of art and the human mind and remembers each one with hints.

To spread the vibe of my beautiful community, minters will own 50% of the royalty on each secondary sale.
Twenty-two different color palettes and three different borders with random colors are used in this artwork.
Made in p5js
Created September 2022
Artist: @ChistaAi

Abstract Memories #82

Abstract Memories #14

Abstract Memories

Piet Mondrian's abstract paintings and Jackson Pollock's art are widely recognized as opposite ends of the modern art visual spectrum.
We all know that Piet Mondrian (1872-1944) and Jackson Pollock (1912-1956) had very different and opposing lives.
Mondrian's genius is found in the combination of patterned elements, resulting in a profound aesthetic that triumphantly emerges from absolute simplicity. Pollock's paintings are chaotically fractal and complex, whereas Mondrian's are simple, clean, and straight lines.
Although Mondrian has always supported Pollock, their perspectives on abstract art are diametrically opposed.
Unlike Mondrian, who spent weeks organizing his works, Pollock painted his canvases on the floor quickly and spontaneously.
Despite significant differences in the creative process and method of execution, both artists saw their ultimate goal as reaching a level beyond life, which is only possible through the direct and profound aesthetic expression of nature.
The art world viewed both abstract forms at their peak with skepticism, unable to find a link between those works and the world he dealt with on a daily basis. 
 Both forms of abstract art are considered modern masterpieces fifty years later.
Pollock's work demonstrates that the visual complexity of his paintings is founded on fractal patterns, which can be found in a wide range of natural objects.
Furthermore, visual perception experiments conducted in collaboration with psychologists have revealed that fractal patterns have an aesthetic quality. 
For the last fifty years, his work's precise concept of color rotation has been debated in art.
Although Pollack always avoided commenting on his works, he mentioned somewhere that: My interest goes back to the rhythm of nature.
The visual complexity of fractal patterns necessitates the use of descriptive perspectives that are fundamentally at odds with traditional Euclidean geometry.
The fractal dimension is an important parameter in this category because it numerically represents the ascending fractal relationship between patterns observed in different unfolding trends.
Pollock's style can be described as fractal expressionism rather than computer-generated, emotionless art. Pollock drew complex patterns in nature 25 years before the scientific discovery of fractals and demonstrated the ability to directly create and manipulate fractal patterns.
In the "Auroria" collection, I presented a two-way view of modern art in opposition to classical art, using dark points, crossed lines, and fractal shapes that I drew in monochrome in the background in the works of artists such as Kandinsky, Miro, and Pollock, and I used them in the foreground in the works of artists such as Mondrian, Gerrit Rietveld in the Neo-plasticism movement.
In the background, I've discussed another aspect of this point of view, Mondrian, and so on, using geometrical forms and pre-determined and conventional graphic structures and compositions.
The point here is that foreground colors and lines take their identity from the background, fade into it, and colors sometimes find identity by passing through background spots, and their nature is determined by the same spots.
This means that throughout the history of art, all of these theories and deconstructions have evolved into modern art by following different art schools before them and developing a distinct identity, and they are now regarded as the sparks and examples of modern art. The birth certificate of art is a chain that connects each node.
And this is an undeniable ratio that places the history of modern art behind the type of view and opinion that is either in favor of or against classical art. 

 "Auroria" implies a focus on the beauty and complexity of light and color. The name is inspired by the natural light displays in the sky known as auroras, which are often associated with mystery and wonder. 
This project uses 27 different color palettes and five different background colors with varying rarities for form and colors. 
Made in p5js
Created March 2023
Artist: @ChistaAi

Auroria #8

Auroria #11

Auroria

"Euphoria" embodies my pleasurable exploration and playfulness in geometry to produce a whole unit of an image that reminds me of my old cubist painting exercises. "Euphoria" ends from diagonal lines to different levels of flat color, surfaces, and shapes. The scene of this work in forms creates small boxes with fragile perspectives; this performance challenges the root concept that art should copy nature. A theme that is evident in all my works. Therefore, the unusual geometrical divisions generate outstanding space in the flat forms.
Angles are generated that may simultaneously form a two-way perspective. It is a sensory experience imposed by the "external sense" and time similarly by the "internal sense." It is the experience of a visual world that combines the visual aura of space and time. According to Kant, such a combination is the foundation of self-awareness.
According to him, intuitions should "move through each other and be held together." That is, they should be placed in time and some of them in place (the spatial component appears as a position outside intuition). Second, the previous intuitions must be placed next to the current intuitions to form a single body.
This process constitutes the initial formalist. Such a method is undoubtedly an attempt to abandon all resemblance to natural form and to create a completely abstract language of form, including a visual symphony. "Euphoria" strives to achieve abstract minimalism by exploring new geometric structures, using algorithms, and building them into code structures.

Made in p5js
Created January 2023
Artist: @ChistaAi

Euphoria #211

Euphoria #212

Euphoria

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THE PIXEL GARDEN


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Typed

my first profile picture on the blockchain

ChistAi Pfp

this is my first Profile picture on blockchain

The Whispering Colors is an experimental collection to give meaning to space and praise abstract architecture about abstract concepts displayed in the form of colors and shapes.
Trying to create a world beyond the stereotyped and functional form in designing spaces for living and representing thinking that gradually enters the mental image is a calculable and not necessarily practical field.
The beauty of abstract architecture is in the creation of thought and the multitude of different interpretations of it because it can have thoughts and feelings for many viewers.
 This is where the relationship between artist, artwork, and audience changes. Sometimes, in this regard, the audience and even the artist are a part of the overall form of artworks and their meaning.
Abstract architecture can be seen as the simultaneous embodiment of complexity and abstraction. Architecture is the primary tool of approaches that create a contrasting combination of sophistication and abstraction into a single whole.
It is an abstract form that originates from the existing environment and is transmitted from the mind and imagination.
The gradual course of the influence of abstract architecture on me has been associated with a kind of internal conflict between discovery and intuition. It is a place full of architectural metaphors, the negation of history, rejection of the status quo, and belief in individual originality and the strong presence of creativity.
The  Colors whisper collection started with the sparks of a simple idea in my mind. Little by little, it is in the form of designs, images, and geometry of various colors and shapes, and finally, in an orderly space that is consistent with the logic of architecture and aerial pictures of natural landscapes and combining it with a minimal appearance and drowning in fulfill the Whispering of Colors.
Twenty different color palettes are used in this artwork.
Made in p5js
Created September 2022
Artist: @ChistaAi

The Whispering Colors #79

ChistaAi Pfp

In textual art, language is revealed through the design and aesthetic formation of the text. The visual impact of type is sometimes overlooked, yet the text is an incredibly aesthetic form.
Every typographic element that formulates a particular font—the curves of the rounded turns, the addition of formal serifs, and the fixed alignment of the letters—contributes to how the text, which uses the font face, communicates and mediates writing. , visual and perceptual language. Typographic elements add personality to the semiotic language.
There is something about these minimalist, type-focused, graphic-designed images that refer to, speak to, and give meaning to significant groups of different people in powerful ways.
The presence of text-oriented art in visual culture is not fleeting. For centuries, poets and literary artists have experimented with the graphic capabilities of text—working with words to create textual configurations, semiotic images, and visual poetry. Since the early 20th century, modern, conceptual, and contemporary artists have incorporated text into their pictures. In the mid-20th century, artists began to display minimalist artwork with a purely textual theme. Between the 1950s and 1970s, the era of conceptual art became popular. The abstract movement advocated the definition of artworks as ideas rather than objects, so this period supported the "materialization of the art object." This ideological change "is related to the collapse of Clement Greenberg's concept of moderate and specific modernism and the emergence of a new art critical position, which moves away from the idea of a passive spectator who looks at a spare part of a pre-existing work of art. In this collection, An attempt has been made to refer to the artistic expression of textual characters in the form of images, and while using this media in a deconstructive and minimal layout, achieve a new face of the architecture of words in a modern shell.

Texto #3

In text art, language is revealed through the design and aesthetic formation of the text. Elements are made in different rhythms with a structure of symbols from abstract images. Each character freely transforms into a new element.

Texto #1 

Texto

he Whispering Colors #171

the Whispering Colors an experimental collection to give meaning to space and praise abstract architecture about abstract concepts displayed in the form of colors and shapes.
Made in p5js/
Created September 2022/ 
Artist: @ChistAi

The Whispering Colors #78

Whispering Colors

"the Pazyryk"
"In the years 1326 to 1328 of the Solar Hijri calendar (equivalent to 1947–1949 AD), during a time when the Pazyryk carpet, the world's oldest known carpet, was discovered by Sergei Rudenko, a Russian archaeologist, in the Pazyryk Valley. This woolen carpet, adorned with vibrant colors, depicts images of horse riders, grazing deer, and mythical creatures.

In 'the Pazyryk' collection, inspired by the Pazyryk carpet and the exquisite artistry of carpets and kilims from the eastern regions, an exceptional display of the essence of color in abstract art has emerged. This collection has transformed into a comprehensive exhibition of timeless historical and artistic endeavors, offering viewers an innovative and profound experience through a wide spectrum of colors and artistic creativity.

The Pazyryk collection has been meticulously designed using 153 different color palettes and three distinct sizes with high resolution suitable for printing. This collection aims to present the colors, essence, and art of the eastern regions to the audience. Each color palette acts as a testimony to the amalgamation of emotions and insights of prominent artists throughout art history. Every color palette has been meticulously derived from the works of these famous artists, representing a fusion of interpretation and personal perspective. These palettes convey an abstract representation of artistic and technological trends, where color and coding techniques blend harmoniously.

By merging historical art with contemporary innovations, The Pazyryk reflects a living connection between the history of art and contemporary artistic currents. In this piece, I have endeavored to provide the audience with an abstract bridge for a deeper understanding of new art and creativity. Just as sunlight rapidly and captivatingly reflects off stained glass windows of eastern palaces, spreading a unique tapestry of light and shadow on the walls and floors, The Pazyryk conveys a distinctive experience of art and history through the rare abstraction of color and light. Each color palette simultaneously encapsulates a visualization of history and contemporary reflections, inviting us to a mesmerizing celebration of colors and forms.


the Pazyryk 

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"the Pazyryk"
"In the years 1326 to 1328 of the Solar Hijri calendar (equivalent to 1947–1949 AD), during a time when the Pazyryk carpet, the world's oldest known carpet, was discovered by Sergei Rudenko, a Russian archaeologist, in the Pazyryk Valley. This woolen carpet, adorned with vibrant colors, depicts images of horse riders, grazing deer, and mythical creatures.

In 'the Pazyryk' collection, inspired by the Pazyryk carpet and the exquisite artistry of carpets and kilims from the eastern regions, an exceptional display of the essence of color in abstract art has emerged. This collection has transformed into a comprehensive exhibition of timeless historical and artistic endeavors, offering viewers an innovative and profound experience through a wide spectrum of colors and artistic creativity.

The Pazyryk collection has been meticulously designed using 153 different color palettes and three distinct sizes with high resolution suitable for printing. This collection aims to present the colors, essence, and art of the eastern regions to the audience. Each color palette acts as a testimony to the amalgamation of emotions and insights of prominent artists throughout art history. Every color palette has been meticulously derived from the works of these famous artists, representing a fusion of interpretation and personal perspective. These palettes convey an abstract representation of artistic and technological trends, where color and coding techniques blend harmoniously.

By merging historical art with contemporary innovations, The Pazyryk reflects a living connection between the history of art and contemporary artistic currents. In this piece, I have endeavored to provide the audience with an abstract bridge for a deeper understanding of new art and creativity. Just as sunlight rapidly and captivatingly reflects off stained glass windows of eastern palaces, spreading a unique tapestry of light and shadow on the walls and floors, The Pazyryk conveys a distinctive experience of art and history through the rare abstraction of color and light. Each color palette simultaneously encapsulates a visualization of history and contemporary reflections, inviting us to a mesmerizing celebration of colors and forms.

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Created with p5.js in August 2023 by @ChistAi.💙

the Pazyryk #37

the Pazyryk #43

the Pazyryk

"The Pazyryk" collection draws inspiration from the ancient Pazyryk carpet and Eastern textile artistry, epitomizing color's abstract essence. Evolving into a comprehensive representation of history and creativity, it offers an innovative experience through diverse color palettes and creative expression. With meticulously designed sizes and print resolution, the collection presents Eastern hues and cultural marvels. Each palette echoes artists' emotions and insights, merging interpretation and perspective, resulting in abstract representations of artistic trends. By merging historical and contemporary art, "The Pazyryk" creates a bridge between the past and present, inviting viewers to explore new dimensions of creativity. Just as sunlight through stained glass, it presents a unique encounter with color and light abstraction, inviting immersion in a captivating celebration of forms.

ChistaAi

ChistaAi

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