Generative Art by Olga Fradina and Igor Sedov  
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F.15 OLGAF27

Generative Art by Olga Fradina  
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MoCr_02

Generative Art by Olga Fradina  
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MoCr_01

Lithography is a printing technique that has been used since the late 18th century, and is considered to be one of the first mechanical means of reproducing an image. 

As an individual who has been captivated by this technique since childhood, my current project aims to explore the use of minimal means to achieve maximum emotional impact through lithography. This approach aligns with the traditional principles of the medium, which prioritize simplicity and elegance in the creation of an image. By limiting the amount of detail, it is believed that the image will be more impactful as the viewer is able to focus on the essentials of the image, rather than being distracted by excess detail. Furthermore, this approach may also contribute to the creation of a sense of universality and timelessness in the image, making it more relatable to a wider audience.

Lithograph #9

The role of the artistic movements of the 20th century in shaping contemporary culture is extraordinary. Visually, practically everything around us has been shaped by the revolutionary shifts in the art and thinking of the modern period. For the vast majority of people today, it is difficult to understand how contemporary culture has been shaped by the artistic revolutions, triumphs and challenges of the 20th century. How brave and revolutionary were these artists?... What courage and strength did their unparalleled experiments require?... Now, in the 21st century, contemporary artists have formed their own aesthetic revolution by combining the legacy of modernist art with machine algorithms. Personally, it was an interesting experience for me to explore the expressiveness and emotional impact of geometric shapes, by using concise volumes and a restrained palette. I aimed to create works which would allow my eyes to rest, to remove the visual noise which constantly surrounds us. This is my homage to the artists of the 20th century who experimented with both geometry and spiritual practices, sending gratitude to their progress with the aid of contemporary technology.



Composition#10

Generative Art by Olga Fradina
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O.B.11

This project continues my research of generative textures.

Sensing an expressive texture to the touch, perceiving a surface as warm or cool, contemplating subtle color combinations... As an interior designer with extensive experience, I have special attention to these ubiquitous sensual adventures. It is somewhat similar to Japanese poetry, when a minimum of words are immersed in a whole universe of sensations. The Textures series, I explore just such subtle states.

*Texture Part II* is part of the group exhibition *Imperfections*. Through a series of long form projects by generative artists, this exhibition explores the role imperfections play in great artworks, and how the pursuit of artistic perfection appears to be a paradoxical endeavour. 


Texture Part II #38

R.s.rch.03

This series is an expression of the inherently digital essence of our era. Through finding and amplifying the errors and imperfections inside GAN models, THX-1 transforms technical failures into redeeming aesthetic opportunities.

I created the works in this series using a glitching algorithm that processes images generated with StyleGAN2 and StyleGAN3 models trained on personal datasets, resulting in unique and unpredictable artworks that reflect the beauty and fragility of our digital world. With its vivid use of digitally intrinsic hues and playful approach to glitches and dithering, the dynamic non-representational compositions evoke a sense of nostalgia for the stylistic and technological hallmarks of my upbringing in the 90s. 

Informed by Andreas Huyssen's concept of *Nostalgia for Ruins*, THX-1 reflects on themes of memory, loss, and the human desire to preserve and hold onto the remnants of our past. A poignant examination of the intersection of art, technology, and culture.
 
–When all is said and done, THX-1 exists because it makes me happy–


⫸ Digital Photography ⫸ StyleGAN2-ADA / SyleGAN3 ⫸ p5.js ⫸  


Copyright (©) 2023 Thomas Noya

◉_◉

*THX–1* is part of the group exhibition *Imperfections*.

THX–1 #163

This project continues my research of generative textures.
Sensing an expressive texture to the touch, perceiving a surface as warm or cool, contemplating subtle color combinations... As an interior designer with extensive experience, I have special attention to these ubiquitous sensual adventures.

Texture Part II

AI Art by Olga Fradina  
3000x3000 px png

R.s.rch.01

R.s.rch.02

Research><

Lithograph #45

Lithography is a printing technique that has been used since the late 18th century, and is considered to be one of the first mechanical means of reproducing an image.

As an individual who has been captivated by this technique since childhood, my current project aims to explore the use of minimal means to achieve maximum emotional impact through lithography. This approach aligns with the traditional principles of the medium, which prioritize simplicity and elegance in the creation of an image. By limiting the amount of detail, it is believed that the image will be more impactful as the viewer is able to focus on the essentials of the image, rather than being distracted by excess detail. Furthermore, this approach may also contribute to the creation of a sense of universality and timelessness in the image, making it more relatable to a wider audience.

Lithograph #50

Lithograph 2023

The role of the artistic movements of the 20th century in shaping contemporary culture is extraordinary. Visually, practically everything around us has been shaped by the revolutionary shifts in the art and thinking of the modern period. For the vast majority of people today, it is difficult to understand how contemporary culture has been shaped by the artistic revolutions, triumphs and challenges of the 20th century. How brave and revolutionary were these artists?... What courage and strength did their unparalleled experiments require?... Now, in the 21st century, contemporary artists have formed their own aesthetic revolution by combining the legacy of modern art with machine algorithms. It was an interesting experience for me to explore the expressiveness and emotional impact of geometric shapes, by using concise volumes and a restrained palette. I aimed to create works which would allow my eyes to rest, to remove the visual noise which constantly surrounds us. This is my homage to the artists of the 20th century who experimented with both geometry and spiritual practices; here I am sending gratitude to their progress with the aid of machine algorithms.

Composition#03

This collection presents Olga F.'s artworks included in Unit London's online exhibition 'Building Blocks'

Composition#01

Olga F ex Unit London

As I immerse myself more deeply into working with code, the structural mathematical approach becomes increasingly valuable to me, and the minimalist vision grows more attractive. However, I prefer solutions that are not purely formal, but rather filled with nervous energy and sensuality. By adding layer after layer, I discover living emotional textures that soften the strict geometry of my structures. Nevertheless, I deliberately keep my choice of palette limited and concise.


Press 1 or "s" to download a 2250x2250 picture.
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Press 3 to download a 3750x3750 picture
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Please note that some browsers may have difficulty working with large resolutions.

Made with p5.js.
April 2023.

Living Structures #65

Living Structures #27

Living Structures

LANDv001

Substance.Deformation.07

Hic et Nunc

Sub..03..1

Can we create beauty from the chaos around us

Sub..01..10

SUB#02

Generative Art by Olga Fradina
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O.B.02

O.B.07

Organic.Blue

Generative Art by Olga Fradina  
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Bloom_02

Bloom_06

Bloom

Generative Art by Olga Fradina  
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T.Blue_14

Generative Art by Olga Fradina  
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T.Red_01

TEXTURE

Generative Art by Olga Fradina and Igor Sedov 
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F.04

Generative art by Olga Fradina and Igor Sedov

F.18 FOREST

Generative Art by Olga Fradina
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RB.G.06

Generative Art by Olga Fradina
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RB.G.01

RB.G

Generative Art by Olga Fradina 
1920*1080 | mp4

MoCr_04

Monochrom

Dance_02

About the beauty of movement.
About the beauty of color.

Dance_07

Dance

Dig.N.16

Dig.N.20

DigitalNature

Analog Art by Olga Fradina
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BR_09

BR_08

Blue Red

Generative Art by Olga Fradina  
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LandT#09

LandT#11

Land

Analog/Digital Art by Olga Fradina
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SKTCH.04

It's hard for me to choose one thing. I draw a lot, take pictures and love 3D graphics. In order not to make a choice, I combine it into one piece

SKTCH.06

Experimental

The appeal of abstract art lies in the fact that, despite the intentions and emotions of the artist, each viewer is free to interpret the work in their own way, to have their personal associations and allusions.

The sleek silhouettes of buildings, the glimmer of light in windows, the facade embellished with tiles – these are the outlines of a futuristic city that grew out of the initial idea, the blueprint, and the drafts. And even earlier, from a collection of experiences and impressions that the architect had at the time of the project's conception.

In my childhood, on the way to visit relatives, my parents and I passed by a building covered in ceramic tiles. I was fascinated by the rhythm, and I loved looking at it!

Everything big is made up of smaller blocks - step by step, brick by brick. The harmonious interaction of all elements creates a harmonious structure as a whole – our relationships, our buildings, and even our lives. Even Web3 is built by people, and every action we take, every manifestation, is a building block of this unity.

The foundation of architecture is a mathematical and structural approach. This makes architecture akin to generative art and makes Gen.Art an organic tool for exploring new dimensions of harmony.

How does the program code work? By stacking up to form a new structure. Like a building that grows from blocks, with a room at its core.



TILE #4

TILE #11

TILE by Olga Fradina

Generative Art by Olga Fradina  
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Generative Art by Olga Fradina 1920*1080 | mp4
Sound  Mykola Ignatov

Over#00

--OE--

There is a place in a remote village with only forest and huge meadows and hills around it. I used to spend a few days there in the summer. This year it has become my retreat for the whole summer. There is silence around and no persistent explosions from the bombing. I wanted to use this time to relax and reflect.

When I began working on the project, I had no specific goals in my mind. I didn't set myself any tasks, didn't commit to any deadlines. Suddenly, I found something that reminded me of blooming meadows, it was in tune with my state at that moment. So I started to develop this theme. I did not aim to turn it into a realistic picture. The images were supposed to remain abstract, just to convey the general mood and impressions I was feeling.
 
Initially, it was a story about summer meadows and grasses. But in the process, I had memories of impressions that arose in different seasons, which I observed in nature here. Colour became the main conductor of the story about various states of nature. It is common to see a lot of black soil in spring through which fresh shoots break through, creating bright splashes on a dark background. During the early summer, the area is covered in lush grasses and wildflowers, as well as butterflies. The world blooms and life is reborn. Eventually, the grasses wither due to the hot sun. Sun-burnt straw sheaves take on a special beauty and texture.  As autumn approaches, we turn to the terracotta range, which offers a variety of ripe mature flowers. Winter is all about graphics. During this period, I usually like to take black and white pictures. Every time, every state of nature has its own beauty. As well as every period of our life.


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Please pay attention: for rendering the project you might need a rather powerful CPU. Depending on your equipment, it may take several seconds to several minutes for the process to complete. 

The project was tested on different browsers; it works best in Chrome. Please make sure the project works on your device.

Please be aware, if you are minting with Safari or Firefox for Mac, a live preview image may differ slightly from a captured image.

The final resolution of the saved output depends on the size of your browser window. 

To save a high resolution image add &scale=(and then a number from 4 to 12) to the end of the URL when in live mode. For example, &scale=6. 

Press ’s’ to save the image.

To save an output with a density higher than 9 (or resolution more than 4319x7680) use Firefox for PC or Safari for Mac. Please be aware that it might take more time to generate a higher density output even on a powerful computer, so please be patient.


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Olga Fradina (Live Minting Experience at Unit London), 2023
Made with p5.js and GLSL.




Sadok #127

Sadok #48

Sadok

Drawn from the intuitive nature of creativity, "Naïve" is a tribute to innate artistry. With inspiration from with the vibrant hues and raw forms of renowned Ukrainian primitivists, particularly Maria Prymachenko, whose work inspires in me the purity, simplicity, and fearlessness of a child's worldview. 

Venturing into generative art, I identify deeply with the naive artist's journey—entering uncharted territories with raw emotion and curiosity. Embracing this naïveté, I have merged the mathematical rigidity of coding with curiosity and play to form unexpected shapes, colors, and solutions. This work celebrates those delightful intersections of intuition with technical precision of generative art. 

Interestingly, the tumultuous events in Ukraine played a pivotal role in guiding me back to the arts. Generative art became that voice, a medium where I could channel my research, discoveries, and inspirations.

Naïve #207

Naïve #112

Naïve by Olga Fradina

This project is a continuation of my research on particle systems. I like this process: using an algorithm to tame the chaos that particles create when they are impacted. And turn them into a finished work of art. It reminds us of our life: unlike chaos, we are constantly striving to build some kind of system, to gain a sense of balance and structure.
The emergence of the concept was, in a certain sense, spontaneous, like much in the work with generative art. While experimenting with the code, I found an image that strongly reminded me of the abstract expressionist aesthetic. Many associations have emerged. Apart from abstract expressionism, it reminded me of the work of the Gutai group. Their work, often emerging from spontaneous meditation, has always been close to my heart. While working on the project, I delved deeper into their philosophy, which became even closer and clearer to me. After all, Gutai was founded in post-war Japan, and the artists of the group developed freedom of expression.
While engaging with the enigmatic realm of chaotic phenomena, I find myself immersed in a meditative state, gently guiding the unruly currents of my thoughts. It is a graceful endeavor, seeking to imbue them with serenity and hush their ceaseless gallop.
I explore different states of chaos and our emotions. From barely manageable to gradually gathering into a coherent system.

Chaos Control #9

Chaos Control #29

Chaos Control by Olga Fradina

156 editions, 0.035ETH

This project is a continuation of my research on particle systems. I like this process: using an algorithm to tame the chaos that particles create when they are impacted. And turn them into a finished work of art. 



OLGAF27 (OlgaF)

OLGAF27 (OlgaF)

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