"For our own good, we knew not what stood before us, nor behind us "

Utopias of the Damned —

Digital: 5000w x 7070h px | High Resolution PNG.
Plot: On request you will receive an A2 (420mm x 594) plot of this artwork (1 of 1).
Generative art using JS.

Utopias of the Damned 008

The Tumulus Series places itself atop the foundations of Brutalist architecture, graphic design and generative art. Melding these disciplines, the artist's aim is to playfully break structure and perspective through random intervention.

4000 x 4000px JPG

Tumulus 08

Utopian Plains expands on the Utopias of the Damned series. This new series aims to explore the role of the individual, as an influential force on social structures, and in turn how this moulds the individual.
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Artwork specifications: 4000 x 2828px | MP4 | 30 second loop
Edition: 1/1
Generative | Abstraction | Creative coding | Motion | Graphic design
Created using JavaScript.
Artist: Andrew Strauss
www.studiostrauss.com.au


Utopian Plains - Special Edition 0001

Invocation 01 - Sigil 06

Generative | Flexible Algorithm
JS | SVG | JPG | Ink on paper

As a designer, we are trained to master our tools, taking control over our relationship with technology.

Generative methods and random variables introduced into the design process tends to replace mastery with dialogue. This series depicts the outcomes of that dialogue.

Digital: 4000x 4000h px | High Resolution JPG.

Plot: On request you will receive a 420mm x 420mm plot of this artwork (1 of 1).
Generative art using JS.

Sigil II - 06

Meta Mechanics 1/40 -  My intention with these pieces is to portray the many modalities in which humans and machines co-exist and create, aiming to represent the complexities of these relationships with brutal simplicity.

You receive:
1. High resolution JPG (3509 x 4962px) of 00070_001_iteration 001
2. Animated GIF of all 40 iterations 
3. A physical print created using the code through a Axidraw V3/A3 plotter.

view more info at > https://www.studiostrauss.com.au/project/techno-mechanic

Meta Mechanics — 1 of 40

Three lines. Three Colours #86

"Alas we saw nothing. It was only when our gaze fell on our shadows did we begin to see."

Utopias of the Damned —

Digital: 5000w x 7070h px | High Resolution JPEG.
Plot: On request you will receive an A2 plot of this artwork (1 of 1).
Generative art using Processing.

Utopias of the Damned 002

Utopias of the Damned

Tumulus 07

Tumulus Series

Utopian Plains expands on the Utopias of the Damned series. This new series aims to explore the role of the individual, as an influential force on social structures, and in turn how this moulds the individual.
__

Artwork specifications: 2000 x 2000px | MP4 | 30 second loop
Edition: 1/1
Generative | Abstraction | Creative coding | Motion | Graphic design
Created using JavaScript.
Artist: Andrew Strauss
www.studiostrauss.com.au

Utopian Plains 0001

Utopian Plains

Invocation 03 - Sigil 12

Generative | Flexible Algorithm
JS | SVG | JPG | Ink on paper

As a designer, we are trained to master our tools, taking control over our relationship with technology.

Generative methods and random variables introduced into the design process tends to replace mastery with dialogue. This series depicts the outcomes of that dialogue.

Digital: 4000x 4000h px | High Resolution JPG.

Plot: On request you will receive a 420mm x 420mm plot of this artwork (1 of 1).
Generative art using JS.

Sigil II - 12

Sigils Series II

Constructed with just two single lines, this generative piece aims to portray complexities explored in physics and mathematics with brutal simplicity in its design.

"Intentionally trying to tame interference patterns, its resistance to control seems to alter time and space."

30sec (loop) / 2000x2000p / 30fps/ mp4

Meta Dimension 003

Foundation

Three lines. Three Colours #8

Three lines. Three Colours

The Generative Design Studies series draws inspiration from the foundations of geometric abstraction and op art, paying homage to renowned artists like Bridget Riley, Victor Vasarely, and Richard Anuszkiewicz.

The aim is to examine how basic, static shapes and different perspectives can create the impression of warped space, captivating the viewer and directing their gaze. This process blurs the distinction between three-dimensional and two-dimensional spaces within the artwork.

Building on this is the introduction of an autonomous generative system, through a self-coded algorithm that can randomly rearrange shapes within a grid, including lines, circles, squares, and triangles, while also varying their points of origin, adding dimensions to the work whilst also creating an infinite number of artworks.

From these outputs, the artist has carefully curated a selection, to then offer a meticulous rendering on paper by using a pen plotter.

Digital: 5658x8000px PNG
Plot: A2

Generative Design Studies 13

Generative Design Studies 07

Generative Design Studies

Meditations : Pessimism #37

Meditations : Pessimism #4

Meditations : Pessimism

NORNS #8

NORNS #22

NORNS

Why Don't You Just Print It? #3

Generative system created using P5js. 
Developed by Andrew Strauss. 2024

Digital
5658x8000px / JPG

Physical Plot (available to first collector): 
42 x 59.4cm pen plot
rOtring Isogragh and ink
Paper, Fabriano Aquarelle 200gsm 
Signed

Why Don't You Just Print It? #1

WHY DON'T YOU JUST PRINT IT?

Generative system created using P5js. Developed by Andrew Strauss. 2024

Digital 5658x8000px / JPG
Physical Plot (available to first collector):
 42 x 59.4cm pen plot rOtring Isogragh and ink Paper, Fabriano Aquarelle 200gsm Signed


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