Grand papa told me that mama doesn’t need to know 
about what happened that day.

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DIgital artwork, drawn by hand. The colours and textures were derived from processed paper ephemera.

Original size: 6000×6000 px, jpeg.

Blame It On the Wind

The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #42689

Anton Marrast

GM #37

Her father’s boat were moored at the Moody Vicar’s. 
The next morning she set out. 
The skies were cold and unclear.

This XCLPD special 1/10 edition was created to mark the upcoming 10th episode of Ex Cyclopedia.

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Hand drawn digital artwork. The colours and textures were derived from processed paper ephemera.        Original size: 6310×6310 px, jpeg

Ex Cyclopedia: Departure #3/10

Digitally hand drawn using Photoshop CS4 + Wacom Intuos 4. Colors derived from scanned and processed paper ephemera.

6500×6500 pixels, Jpeg

Hammer Time

He will have to get back alone. It was always like that. Going back over the Wash is going to take unbearably long.

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Digital artwork, drawn by hand. The colours and textures were derived from processed paper ephemera.        Original size: 6000×6000 px, jpeg.

Over The Wash

You do this. Everyday. 

Frame-by-frame animation, 113 frames, 1000×1000 pixels, GIF

Morning Routine

I knew these mountains were a spiritual place but it took me totally by surprise to find this mysterious spot

The Encounter

✤ ✤ 2022 Retrospepective ✤ ✤

These artworks depicts some highlights events that happened throughout the 2022 NFT space and also refers to some dank memes out there.       This collaborative collection was created by Mannay & Anton Marrast.

Rekt in style

Ex Cyclopedia: Departure #8/10

Digitally hand drawn using Photoshop CS4 + Wacom Intuos 4. Colors derived from scanned and processed paper ephemera.

4891×6969 pixels, Jpeg

Cassie's Adventure

Commissions only.

A darkroom is used to process photographic film, to make prints and to carry out other associated tasks (—Wiki).
In my Darkroom I process prompts, ideas and images and carry out interpretations.

Darkroom

When her father was away for too long, she would sneak into his study and make herself comfortable on the floor, browsing through blueprints. 

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       Digital artwork, drawn by hand. The colours and textures were derived from processed paper ephemera.        Original size: 6000×6000 px, jpeg.

Arges and His Daughter Maira

The only way for them to have a depth perception was to stay together.

Ex Cyclopedia

I have nothing more to say. It's all in the Postcard.

Frame-by-frame animation, 113 frames, 1000×1000 pixels, GIF

Postcard

"I draw, therefore I am. According to this, I existed once in 2018 for ten days. And then I disappeared in the void. Again"Stills were listed for 1 month and now I'm animating and relist them one by one. The aim is to turn all 10 pieces into GIF loops.

Failed Again

These words will guide you to my vault.

░░░░░░

Digitally hand drawn using Wacom tablet and Photoshop.
3183×4500 pixels, JPEG

Last Words

One of the fields I want to explore is community related topics: events, happenings, drama, contests, everything I feel related to. Everything is here in the Inner Space

Inner Space

✤ ✤ 2022 Retrospepective ✤ ✤

All good things comes to an end. And yet it's only a start! Cheers to the Pepeminium!

Epepilogue

These artworks depicts some highlights events that happened throughout the 2022 NFT space and also refers to some dank memes out there.                       This collaborative collection was created by Mannay & Anton Marrast.

Retrospepective

The last lock was separating her from the abyss, the lock Mayra had never passed through before.
Only those who had the Windlass could do that, and her father's Windlass was with her.
The Wash was covered with a thick shroud of clouds.
It was getting dark.

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Hand drawn digital artwork. The colours and textures were derived from processed paper ephemera.  Original size: 6500×6500 px, jpeg.


Last Gate

As she stood on the platform waiting for her father to arrive on the train, she noticed him standing there on the road with his bicycle, staring. Next moment they both knew this was The Beginning for them.

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Hand drawn digital artwork. The colours and textures were derived from processed paper ephemera.        Original size: 6000×6000 px, jpeg.

At Briargrave

Digitally hand drawn using Adobe Photoshop + Wacom Cintiq. Colors derived from scanned and processed paper ephemera.

4600×6900 pixels, Jpeg

Thrive

Digitally hand drawn using Photoshop CS4 + Wacom Intuos 4. Colors derived from scanned and processed paper ephemera.

4326×6108 pixels, Jpeg

Day and Night

Darkroom - RHXGHDXxZt

An interpretation of the Decal by Mannay x A. Marrast. A symbol of permissionless creativity. Series Fifteen.

Decal by Mannay x A. Marrast #27

Decal by Mannay x A. Marrast #89

Decal by Mannay x A. Marrast

Up In Smoke is a dynamic & interactive NFT containing a total of 9 images. The image changes every time the token is transferred, up to 8 times. You can click on the joint to reveal all the unlocked images.

This collection is not just a static piece of digital art, but a living & breathing entity that will transform every day, creating a unique and dynamic experience for each collector.

Up In Smoke #34

This piece is the first Dank Pepe Dynamic & Interactive Pepe. From the start, Anton and me, we stated PLRL as an artistic playground, a project where we could have fun creating art that is different from what we usually create and pushing its boundaries. We've had the idea of creating a dynamic Pepe NFT for some time. The idea, as it always does, came from a silly convo we had by night: creating an interactive NFT that holders could pass with their frens to unlock some more art. Some Dank Pepe Friendship Bracelet if you will. Using Cheech as a reference was a no brainer. For those who aren't familiar with it, "Cheech and Chong" was a comedy duo that rose to fame in the 1970s and became emblematic of the counter-culture movement of that era. They were known for their irreverent humor & their portrayals of stoners & drug culture, which challenged traditional societal norms and values. They were seen as subversive and anti-establishment, which appealed to young people who were disillusioned with mainstream culture. In the same way, the NFT space can be seen as a counter-culture movement of sorts. It challenges traditional concepts of ownership and value by allowing for the creation and exchange of unique digital assets. We've decided to create some sort of comic strip containing 9 images. Each one would be unlocked each time the NFT is transferred/sold. Holders still have access to all the previous images as the NFT is interactive: when you click on it, it opens a gallery with all the pieces. To us, it's a milestone and a door that opens possibilities, pushing creation way further.

Up in Smoke #5/100

Up in Smoke

The ultimate guide by E.B.R.b.c.

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Hand drawn digital artwork. The colours and textures were derived from processed paper ephemera.  Original size: 3535 × 5000 pixels, jpeg.

This Is How We Build

Inner Space - 7YLC6zDd2T

A day without shadows, for the sun can’t get through. 
A day lost in low season.
A day when we didn’t sail away.

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Digital artwork, hand painted in Photoshop using Wacom tablet. 
Colors derived from scanned and processed paper ephemera.

High and Dry

If you look long enough,
You will see the sea. 

Seaview

Core/Relate

We're back to chart the uncharted and capture the dynamic pulse of 2023 in the web3 world. RETROSPEPECTIVE is a curated ensemble of moments - from the dank meme-infused to the monumental, each piece a snapshot that captures the wild, untamed spirit of the year in the crypto world.

This collaborative collection was created by Mannay & Anton Marrast.

Anton Marrast (antonmarrast)

Anton Marrast (antonmarrast)

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