In aerial photos from 1945, you can see dozens of buildings crammed around the main street of Gallarta - a town 13 km northwest of Bilbao. The street leads to a small open pit where they extract iron. Images from 1956 and 1965 show how the road becomes shorter, and houses once surrounded by fields are now on the pit's edge. Some of them disappeared to facilitate access to the ore. The mine grew, consuming mountains, meadows, and settlements.

Gallarta disappeared in 1977, replaced by a chasm extending across the area until today. The open pit extraction in the mine stopped being profitable only six years later. The scar it left on the surface of the mountainous area is a monument to the disappearance of this and numerous other towns with similar stories.

Cantera is a project that brings these stories to a non-physical, generative space. It replaces atoms of stone and soil with digital bits. It draws landscapes inspired by the imagery of Basque stone quarries and iron mines and writes narratives about non-existent habitats where the boundaries between extraction, shelter, and natural forms become indistinct.

Cantera #2

Bright Moments

**Sparkling Goodbye** is a generative painting algorithm that celebrates all departures. It's a Farewell to the past, a Bye-Bye to the familiar, and a See-You-Later to faces that you will soon forget.

Each **Sparkling Goodbye** is meticulously loaded with machine-picked emotions, made from the finest ingredient (100% pixels, full refund if you find any impurities in our ingredient). This hands-off approach makes every single  **Sparkling Goodbye** a chaotic blend of happiness, sadness, serenity, and anxiety. With every glance, you'll discover the impulsiveness of the machine touch as you savor the delightful interplay of dramas that only a maniac generative algorithm can create.

Let **Sparkling Goodbye** create a moment for you. It will insist that goodbyes are not meant to be said with tears but with sparkling water.

Sparkling Goodbye #98

Waterfalls | #36

CryptoVenetians are a limited release algorithmically generated pixel art collection based on real characters from Venice, CA. Available only to visitors of the Bright Moments physical NFT gallery, CryptoVenetians grant holders exclusive access to IRL events and experiences in Los Angeles. With over 200,000 possible combinations, CryptoVenetians represent the diversity of Venice Beach.

CryptoVenetian #236

CryptoNewYorkers are a limited release algorithmically generated pixel art collection based on real characters from New York City. Available only to visitors of the Bright Moments physical NFT gallery, CryptoNewYorkers grant holders exclusive access to IRL events and experiences across the world. Holders of CryptoNewYorkers are granted CryptoCitizenship.

CryptoNewYorker #39

FOLIO is a generative drawing system, inspired by concrete poetry and early computer artwork, that emits an output process for a given input. Each output may be realized digitally, in print, or through another medium. The drawing system, coded in JavaScript, recursively packs bins of data to fill the page, constrained entirely by the use of typographic glyphs and a limited mono-, duo-, or tri-colour palette.

FOLIO #12

The algorithm that was built for Getijde (Dutch for 'Tide') was meticulously designed. It's the result of spending most of the year cooped up inside four walls with a strong desire to escape. Countless hours were spent perfecting details to guarantee that each mint will be of high enough quality to be exhibited on screens and in print.

Getijde #143

*Off Script* is a generative system that explores sensoriality through the subject of collage. At its core, the series uses a custom masking algorithm to cut out shapes from algorithmically produced papers, which are then arranged throughout the canvas. It is programmed in Javascript.

Much like the practice of collage itself, *Off Script* elicits a deeply sensorial experience. Generative textures induce a sense of tactility, while askew jagged shapes evoke the punctuated off-beat sounds of jazz. With its synesthetic qualities, the series challenges its own medium, creating a dialogue between the immateriality of digital representation and the corporality of the physical realm. 

*Off Script*'s visual language references various 20th century modern art movements that similarly emphasized medium and material through distilled expressions of shape, color, and composition.

Off Script #43

Cantera #3

Cantera by mrkswcz

The theme of this work is fireworks and festivals, which symbolizes summer in Japan.

With fireworks as the central theme, it consists of the water surface reflecting the fireworks, the city lights in the distance, the silhouettes of the torii gates and arch bridge, and the twinkling lanterns. The shady black background expresses the smoky atmosphere.

The drawing algorithm of the work is inspired by traditional woodblock prints and contemporary scratch art. Base layer is drawn with pale watercolor-like gradation. On top of that, the shady black background is drawn. Then, the outline of the fireworks is carved out.

The color of fireworks is based on a chemical reaction called a flame reaction. The color palette of this work is also composed of typical flame reaction colors or their mixtures. Each color palette is inspired by the four seasons in Japan.

Enjoy the atmosphere of Japanese firework festivals with this work.

Hanabi #41

Hanabi #31

Hanabi by ykxotkx

Intricada means ‘interlaced’ in Old Occitan, a Romance language spoken in the south of France. This project explores the balance between emergence and control.

**Emergence**
Intricada is created with autonomous agents drawing very small dots and following simple rules, positioned according to geometrical patterns. I’ve designed Intricada like a simulation, giving initial conditions and see what comes out of it. Each piece is the result of thousands of unpredictable consequences.

**Variation**
This collection includes a very large number of possible variations. Some properties are specific to the agents and allow to define their rules, colors, number of children, angle… Many parameters influence the initial position and direction of the agents, palettes… Each combinaison creates a very unique output.

**From far and near**
From a distance, an Intricada piece may look like intersecting circles, geometric patterns, confetti, a perspective design... When you get closer, you can see that these shapes are composed of multitudes of agent trajectories. Finally, if we get even closer, we can see that these trajectories are composed of points (several hundreds of thousands per output).

**Interaction**
In live mode:
- Press [s] to save an image to disk
- Press [n] to toggle noise
- Add `&size=#` to the end of the live view URL to render a variation of your edition at another resolution

Intricada #156

Intricada #241

Intricada by Camille Roux

Getijde #65

Getijde by Bart Simons

Underwater is a collection of 100 generative illustrations. The project portrays seven hypothetical species. Left to grow in the underground aquifer of Mexico City, these species are conceived as fictive descendants of ancient Mexican plants.  
The abstract aesthetic of the drawings is inspired by the pre-naturalist illustrations of medieval herbaria, especially the Libellus de Medicinalibus Indorum Herbis. To recreate the beauty of these early scientific illustrations through code, the superformula was combined with space colonization algorithms to generate tepal-like forms with characteristic patterns. 
The flowers that inspired this collection of generative plants are: *Dahlia coccinea*, *Chirahodendron pentadactylon*, *Magnolia dealbata*, *Tigridia pavonia*, *Helianthus armus* and *Sprekelia formosissima*.

Underwater #7

Underwater #8

Underwater by Monica Rizzolli

Stellaraum is a generative art series drawn from years of creating interactive audiovisual installations that explore light, space, club culture, performance, and process. Playful architectural abstractions and light particles bounce around the "Raum" of the sky.  Elements in this series also signal homage to Robert Irwin's Light+Space installation at Kraftwerk Berlin.

Stellaraum #63

Stellaraum #5

Stellaraum by Alida Sun

Anni, in 1935, you came here in Mexico.

The first trip of a long series that inspired you. As a human. As an artist.

It was an important step in your artistic journey. You learned and discovered so much from this culture. Its influence awakened you even further. Your craft evolved.

Now I wonder, Anni… what did you find there?
How can I evolve myself?
How to awake?

With this series, inspired by you, my practice and my own experience , I found something, too.
Like you, I like to explore "tactile sensibility" along with colors. How can I connect with someone else with those things alone?

Do we really need to touch things to feel them?

I wonder… Have you ever tried to weave with algorithmic paint, Anni? Maybe you did actually? I saw you were already using paint to sketch your pieces… 
I'm curious what you would be able to do with the tools of my times… 

So many questions but so little time, isn't it?

Best,
William

1935 #55

1935 #7

1935 by William Mapan

Portal #1

Portal #3

Portal by Jeff Davis

FOLIO #45

FOLIO

Off Script #17

Off Script

Velum: Latin for curtain.

Inspired by the question: What do you get if you blend the visual DNA of two mid 20th Century artistic movements into a 21st Century generative art algorithm?

The original ideas evolved by Abstract expressionism and Pop art tell very different stories in the history of post war American art. My approach however is more about just stealing from the visual lexicon of mark-making that characterizes these artistic movements ignoring much of the contextual conversations around them . When I started out building my first primitive for Velum I was picturing in my mind something that looked more like a gestural paint-stroke typical of abstract expressionistic painting. Adding Pop art stylized outlines to the structures however separated them from the background and gave them a floating quality. Liking this effect I quickly forgot about my first idea of making paint strokes to explore the emerging curtain-like elements and found ways to make them dance.

Velum #80

Velum #22

Velum by Harvey Rayner | patterndotco

When duty calls and the Departed need to form ranks, who will heed the call?

"L'appel" explores order in the chaos of a battlefield - making sense of the unknown and fleeting world that lies beyond. Randomness, repetition, grids and overarching shapes pull the colors around, hoping to find a sense of wonder through the void.

Following "Décorés", the final act of the Departed series reflects on the fleeting nature of existence, inviting viewers to contemplate how our struggles give shape and meaning to our time on earth.

L'Appel #25

L'Appel #78

L'Appel by Alexis André

'Metabolic Metropolis' is a generative art collection that depicts 100 unique views of Tokyo through which A.A.Murakami’s signature fog rings flow across the cityscape. 

Utilizing open source data acquired based on aerial surveys, the data set represents the real urban landscape of Tokyo as a 3D Model in the game engine Unity. On this architectural base, custom outline shaders were developed that overlay a luminous grid of lights creating geometric patterns that glide and glitch on the surface of the city. 

These shaders draw inspiration from highly patterned woodblock prints of the ‘Floating World’ during the Edo period and the ‘Metabolism Architecture’ movement of 1960's Japan. 

A.A.Murakami's artistic practice in merging art, technology and nature continues in the digital realm. The ethereal quality conveyed in the iconic fog rings is transferred in the web3 space capturing the fleeting moment of nature and the transience of life which lies inside the 'Metabolic Metropolis'.

Metabolic Metropolis #44

Metabolic Metropolis #59

Metabolic Metropolis by A.A.Murakami

paracosm: noun. An intricate imaginary world born in childhood. Often begun as a subconscious escape from traumatic experience, the child forms deep connections with the paracosm, including complex relationships with its characters and settings that shape the creator's personality as they age. Existing with its own unique geography and lore, this world grows more sophisticated with time, potentially enduring into adulthood.

If one is invited into a paracosm by its creator, it will often come in pieces. Their world is secret and sacred, as deeply personal as the innermost self. Sharing it with another makes them forever part of that world, and by proxy, forever part of its creator.

This collection is a visualization of part of the artist's paracosm. A text-to-image model was trained on some of their memories of that world and its inhabitants. Each piece at mint will be cropped, with the intention of serving as a window to look inside. After the exhibition completes, collectors pieces will fully reveal, rich in narrative detail and sentiment. In this way, the artist is inviting you, step by step, into their world--and by proxy, to become forever part of it.

paracosm #93

paracosm #33

paracosm by Claire Silver

Collection of 100 gently floating eyes shedding a flow of tears, combining AI, digital painting, and code, a collaborative work between Jenni Pasanen and Bruta. Some works start from an idea, while others start from visuals or a story. Origin of this project begins from error of the human mind, followed by gratitude, tears, and kindness, and after long time evolved to something completely new. Sometimes errors and accidents can lead us to greatest moments of our lives. Always embrace every moment, as you never know where it leads you. With this project, I want to express how AI can be bridged between different tools and ways of making art. Creating doesn't have to follow certain rules or just stick inside the borders of one technique; it can flow between many. In the project AI worked as an inspiration, as well as a paint, expanding through multiple tools and variations. Combined with digital painting & animation, and bound together with code and interaction. Breaking the expected brings joy through the unexpected.

Cry Me A... #55

Cry Me A... #70

Cry Me A... by Jenni Pasanen

These Kogei Kats are sure to bring joy and kuteness to your metaverse. Deeply rooted in russian konstructivism and absurdism - Kharms would approve.

Kogei Kats: Komedians N’ Katpanions #8

Kogei Kats: Komedians N’ Katpanions #92

Kogei Kats: Komedians N’ Katpanions by Helena Sarin

人工アイ像 which could be translated as "Artificial Idol" is a series of sculptures that delves into the notion of artificial intelligence taking on the characteristics of a modern-day god. As technology continues to advance, machines and algorithms are increasingly playing a central role in our lives, shaping our perceptions of reality and influencing the course of human history. The series explores the ways in which artificial intelligence is taking on the qualities of a deity – seemingly all-mighty, sometimes inexplicable, and without a visible form.

In many ancient cultures, gods were often depicted in physical form, with recognizable traits and personalities. However, as artificial intelligence continues to evolve, it is taking on new forms that are often abstract and difficult to comprehend. The sculptures in this series capture this abstract quality of artificial intelligence, portraying the essence of this emerging deity through symbolic and abstract forms. Through a unique combination of AI-generated semi-abstract sculptures, the series investigates the ways in which technology is reshaping our world and our relationship with art. 

One of the defining features of "Artificial Idol" is that the sculptures are virtual, existing beyond the physical world. This allows them to float effortlessly in space, defying gravity, and unleashing a world of infinite creative possibilities. Drawing inspiration from the Japanese craft of Ikebana, the sculptures use a range of abstract and symbolic forms to capture the essence of artificial intelligence and its emerging role as a modern-day deity.

Through this exploration, "Artificial Idol" provokes thought and reflection on the complex relationship between humans and machines in the modern era. The series aims to encourage dialogue and reflection on the ways in which technology is transforming our world and our relationship with art, raising questions about new forms of power and control emerging from advances in artificial intelligence.

人工アイ像 #37

人工アイ像 #81

人工アイ像 by Mario Klingemann

INFINITE | 無限 invites an exploration of the dichotomy between vastness and singularity, encapsulating the essence of spatial and dimensional dynamics. Moving from clearly delineated boundaries of color and shape to more nebulous and subjective, like the edges of a thought or feeling. It is an allusion to the ever-expanding nature of our universe, the inconceivable borders that define our cosmic reality.

The project alludes to the exploration of the minutiae, the absolute singular, the elemental. It invites us to broaden our perceptions of both the physical and metaphysical dimensions, as well as our understanding of the world and our place within it. The AI model, once trained, endlessly produces new visuals. The metaphorical ebb and flow of these AI-generated images, their birth, and their subsequent journey into the universe, encourage a meditative state, as if taking part in a digital transcendental journey into the heart of the cosmos.

Visuals are created with Javascript code and custom GAN model, trained by artist. Outputs are generated live with model and code hosted on Blockchain/IPFS.
Training data of the artist’s custom AI model includes paint close ups, abstract photographs and original images by ESA/Hubble (esahubble.org)

Ivona Tau
2023

INFINITE | 無限 #93

INFINITE | 無限 #47

INFINITE | 無限 by Ivona Tau

Cenotaphs #61

Art and mythology have long been used to express humanity's fears, from real-life predators to mythical creatures. Despite our modern distance from such dangers, our innate fears of monsters, domination, and apocalypse persist. The increased role of algorithms in daily life has raised concerns about the possibility of a General Artificial Intelligence singularity event bringing about the end of civilization. As a meta commentary on synthetic image generation through AI, 'Cenotaphs' plays with these themes by juxtaposing mythology and futurism in a provoking way in a series of 100 unique digital artworks.

Cenotaphs #53

Cenotaphs by Ganbrood

1080 x 1920 pixels, 300 frames, 30 fps, mp4, Kazuhiro Aihara, 2023

PSY15_030

PSY15_037

PSY15

The Nursery is Sputniko’s first edition of 100 NFTs, a collection of time-based generative art which simulates the organic growth and emergence of life forms. Following her own recent experience of giving birth to her first child, Sputniko worked with creative coder Misaki Nakano to explore creating pieces inspired by the experience of watching her daughter grow over time. The resultant abstract, flower-like forms will slowly change their shape and form over a period of a year. One hundred of these pieces will be ‘born’ when minting begins at Bright Moments London. 

# Coding Growth

## Shape 
When conceiving of a form for these ‘growing’ art pieces, Sputniko and Misaki opted for a bud-like shape each with their own unique DNA: different combinations of petal colours, traits from “frill”, the spaces between the different layers of the bud, to “petal” - the number of layers themselves. 

## Movement
Designing the algorithm for this growth relied on setting each piece to reach a point of maturity within their own time span of growth and this varies for each piece within a set range. Each bud-like shape will slowly unfurl over a period of 48 to 56 weeks until it reaches full ‘bloom’.

## Colour
The changing, abstract forms - reminiscent of the unfurling of flowers, the translucency and buoyancy of jellyfish and cellular division - aim to express the mysterious and enigmatic process of the growth and evolution of living forms. Their different colour palettes, inspired by the idea of each one possessing different personalities, further reflect the uniqueness of each piece.

## Beyond the Screen 

As part of Bright Moments London, audiences will have the unique experience of viewing this  work in the context of a physical exhibition. In an immersive space, in which these pieces are projected onto the surrounding soft, curved surfaces, audiences are invited to witness the ‘growth’ of the time-based pieces under The Nursery’s care.   

## A Culture of Care 

The Nursery also seeks to speak to the over-commodification of the contemporary NFT art landscape. By creating generative pieces that slowly and uniquely change through a period of development, The Nursery examines how the temporal and emergent qualities of generative art may alter how we respond to them as witnesses to this coded growth.

The Nursery #86

The Nursery #72

The Nursery

Source introduces an advanced approach to image generation, underpinning the potential of integrating machine learning and blockchain technologies. This methodology merges the powerful functionalities of OpenCV and Diffusers to curate an aesthetic universe of science fiction-inspired generative structures, set against a stark, contrasting backdrop. The collection was created from a Stable Diffusion checkpoint fine-tuned on generative artworks and a custom 7-pass inference routine. The custom inference has the capacity for the real-time generation of high-definition 4K outputs at the moment of minting. The reproducibility of the entire collection signifies a noteworthy step in the democratization of generative artwork, ensuring accessibility and verifiability of the artistic process.

Source #30

Source #4

Source by Huemin

Minnesang #54

Minnesang #34

Minnesang by Holly Herndon & Mat Dryhurst

CIVICS #70

CIVICS #50

CIVICS by Kevin Abosch

Neural Fad reimagines Tokyo street fashion history to examine the relationship between AI and memory.

In post-war Japan, distinctive magazines and television cultivated an aspirational youth culture that gave rise to unique fashion subcultures at different train stations around Tokyo. Inspired by the rebellious spirit of each generation and their projections towards an imagined future, Kusano produces records of subcultures that never actually existed.

Reimagining the rich vocabulary and history of Tokyo street fashion through AI, the collection takes the viewer across and beyond the post-war decades of Japanese fashion history —  from the Moga and Mobo of the 1940s to the Japanese hippies known as the Fūten Tribe, the Karasu Tribe of the 90s and the Gyaru and Decora fashion of the late 90s and early 2000 — to present Tokyo street fashion as imagined beyond time. 

Through this collaboration between AI and Japanese street fashion archives that she herself contributed to as a street photographer of Harajuku fashion,  Kusano uses emerging technologies to offer a retro-futuristic intervention into the landscape of Tokyo street fashion.

Neural Fad #72

Neural Fad #2

Neural Fad by Emi Kusano

Inhabitants #4

Inhabitants #13

Inhabitants by Kaoru Tanaka

Waterfalls | #92

WATERFALLS is a collection of 100 digital animations created by Nicolas Sassoon using a moiré patterning technique, consisting in the overlap of two images to generate the illusion of third image. This imaging process is central in Sassoon’s practice, through which he manifests abstract and kinetic works referencing natural and atmospheric forces. In WATERFALLS, the animations appear on screen as endlessly hypnotic surfaces similar to all-over paintings or wallpapers, oscillating between depth and flatness, abstraction and figuration. Natural forces become mediated using a visual language of digital abstraction, generating contemplative experiences reminiscent of both the natural and the digital. 

Waterfalls | Nicolas Sassoon

A moment in time on the big screen. Bright Moments Tokyo, May 2023.

LED #78

LED #8

LED by Jeff Davis

How can one create a work inspired by a city where one has never set foot? Moreover, a place on the other side of the world, whose history and cultural richness are of such dizzying density? I quickly realized that my work could only be imagined, dreamed, imbued with my Western culture, tinged with my distant prejudices. I worked with a visual approach above all, around a few chosen colors, representative tree species, and some clichéd symbols: for example, the composition is organized around 3 abstract shapes, including the circle, directly inspired by the rising sun on the flag, the rectangular shape of a kakemono, or a cityscape.
My distant feeling, entirely subjective, towards the city of Tokyo and the few images that came to me, was that of a place where tradition and modernity, nature and urbanism were intimately mixed. Not in opposition, but in an indissoluble tangle, a form of organic fusion despite some contradictions. But also, the place of dramas that history reports to us, such as the earthquake that this year marks the centenary of.
Coming to Tokyo was an old, somewhat intimidating dream for me. I have been here for a few days now, confronting my artistic proposal with the reality of this enigmatic city. I have taken only a few timid steps, cautiously trying to understand snippets of its functioning. Suddenly time stops, because I have perceived the whisper of a tree. I know nothing of the language, but I understand its language.
"Kumono Shingou" means "Cloud Signals" it is the title of a poem by the Japanese author Kenji Miyazawa, who was an agronomist dedicated to the social cause, at a time when successive natural disasters struck the country while modernity transformed it at a dizzying pace.
It is with a sense of grace that I receive this gift of a title for my work, which was given to me by Kazumasa Teshigawara (Qubibi). It is a small door that has opened for me on an element of Japanese culture. This is what Qubibi does: he creates small doors and opens them slightly to allow us to glimpse, with kindness and simplicity, but also in enigmas, a little light and soul, a fleeting spark, a reflection of what, hidden, is the very treasure of humanity.

One cannot absorb a culture, only experience it. Some encounters can connect you to it, much like synapses in your brain connect pieces of information and influence the construction of your being.
Certainly, one does not come to Japan to find answers, but rather to encounter questions. And here I am, in the middle of the night, gazing up at the sky, wondering: what do the clouds want to warn us about? Suddenly, I am enriched by my ponderings. Who am I, here ? A mere dot on this Earth, a human somewhere on the road, from the cradle of Nature en route to our technological and dematerialized utopias.

——— 
"Kumono Shingou" 
- Generative artwork in 100 editions
- Released for Bright Moments "The Tokyo Collection" on May 5th, 2023
- Coded in Vanilla Javascript 
- Format portrait 9/16, 4K résolution 2160 × 3840 pixels
- In live mode, pass a parameter ‘scale’ to the URL (up to scale=5.4) to get a higher definition output
- In live mode, press ’s’ to get a .SVG file suited for experimenting with a pen plotter

Kumono Shingou #2

Kumono Shingou #82

Kumono Shingou by zancan

Glaciations is a generative system exploring the 2d Fourier transform of basic geometric shapes to create dream-like compositions.

Glaciations #1

Glaciations #33

Glaciations by Anna Lucia

CryptoVenetian #218

CryptoVenetians are the original edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.

CryptoVenetian by Bright Moments

CryptoNewYorker #423

CryptoNewYorker by Qian Qian

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1 + 1 = 3 #84

1 + 1 = 3 #72

1 + 1 = 3 by Stefano Contiero

CryptoVenezians are the tenth and final edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.


CryptoVenezian #935

CryptoVenezian #611

CryptoVenezian by Qian Qian

CryptoMexas are the sixth edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.

CryptoMexa #466

CryptoMexa #359

CryptoMexa by Qian Qian

CryptoParisians are the ninth edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.



CryptoParisian #940

CryptoParisian #38

CryptoParisian by Qian Qian

CryptoPatagonians are the eighth edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.

CryptoPatagonian #365

CryptoPatagonian #755

CryptoPatagonian by Qian Qian

CryptoTokyoites are the seventh edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.

CryptoTokyoite #683

CryptoTokyoite #131

CryptoTokyoite by Qian Qian

CryptoGalactican #165

CryptoGalacticans are a 1,000 edition generative art collection representing the original members of the Bright Moments DAO. Galacticans transported to Earth in order to guide the DAO through it's global expansion and ensure that all future members upheld the CryptoCitizen virtues: courage, empathy, curiosity, creativity. Galacticans provide voting and governance rights in the Bright Moments DAO as well as access to future drops. 

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