StashWIP

Collection: GAN / GEN. ART

...

...

QQWW W = W W QQWWWOG3lliWi=====+|::::::,...... ... .. ░░ ░▓ ░░░░░░░ ,░░░ ░░░ ░ ░░░░░░ ░░░░░░ ░▒▒░░░░░░░░░░░░░ ░░░░░ ░░░░ ░ █ █ ░░ ░░░ ░ ░ ███░░███░ ░░░░░ ░▒▒ ░░░░▒░ ░░░░░▒░░░░░░░▒▒▒▒▒▒ ░░░█ ░░ ░░ ░░░▓▓▓▓▓████ █ ██▒░. . .░░▓:,.░ ░:::,, ░ , l G O W Q 0QQW W i W Q QQQWWOG33llWii==i=+▓||||:▒,,::,,░░ .░░.░. .░░ .░▒▒▒▒░▒░▒▒░░▒▒░░░░░▒▒▒▒▒░▒▒░▒░▒░▒░▓▒▒▒▒▒▒▒▒▒▒▒▒░░░░ ▒░▒▒░░▒ ░ ░ ░░░ ░░ ░ ██░█ ░ ██ ░ ░ ░░░ ░░░░ ░░░░░▒░▓░▒ ░░░░▒▒▒▒▒▓▒▒▒▒▒▒ ░░░░░░░ ░░ ░░░░░░░░░░░░▒▒▒██ ░░ ░ ░░░░░░░░ ░░░▓▒ ..░ : .. . . . 00. Q l 0 0 0 00QQWGGG303llllii=**++|||▓|::::▒:,.░░.░.... ░░ ░░░░ ▒▒:▒▒▓░▒▒▒▒▒▒░▒░░░▒▓▒▒▒▒▒▒░▒░▒▒▒░▓▒▒▒▒▒▒▒▒▒▒▒▒░▒░░░▒ ▒ ▒░▒░░ ░░ ░░█▒▒ █░ ░░░ █ ░░ █ ░░ ░ ░▒ ░░░ ░▒▒░▓▒▒ ░ ░░▒▒▒▒▒▒▓▒▒▒▒▒ ░░░░░░░ ░░ ░░░░░░░░░▒░░▒▒▒▒█ ░░ ░ ░ ░ ░░ .░░ ░.░░+: . ░ ░░.. ▒ ... . . . 00 0 l 0 0 000QWOGG303llllli ++++||▓:▓|::░░░▒,,░ ░░░░ ░░ ░░░ ░▒ ▒▒▒▒▒▓▓▒▒▒▒▒▒▓▒▒▒▒▓▓▒▒▒▓▒▓▒▓▒▓▒▓▓▓▓▓▓▓▓▓▒▒░▒░█░▒ ▒ ▒ ░░ ░░ ░░█ ░ ░ ░░░░ ▒ ░ █ ██ ░█░░░ ░ ▒ ░░░░▒▒▒▒▓▓▒█▓ ░░░░░░░ ░░ ░░░░░░░▒▒▒▒▒▒▒▒▒▒ ░░ ░░░ ░░░ ░░░ ░░ ▒░ ░░ ░░ . ░ .. ..░ . . . . . . . ... ... 00QOOO G3333l... **++█++|▓▓|||:,▒,▒,▒.░░ ░...░░░░ ░░ ░ :▓▓▒▒▓▓▒▒▒▒▒▒▓▓▒▒▒▓▓▒▓▒▓▒▓▒▓▓▓▒▓▓▓▓▓▓▓▓▓▒▒░▒░▓░▓░▒█▓░ ░░░ . ░░ █░░ ░█... █ ░░ ░█░ ░░░░░░░░░ ░ ░ ░░░░▒▒▒▓▓▓▓█ ░░░░░░░ ░░ ░░░░░░░▒▒▒▒▒▒▒▒▒▒ ░░ ░ ░░ ░░░ ░░ ░▒ ░░░ ░░░ ░ ░ .░ .. ░ ░ , ░ . . . .. .... .... 0QWOO.. 33333.. ****++█||▓▓||:,▒░▒:▒.░░░ ░ .░░░ ░░░░ ░▒ ▓▒▒▓▓▒▒▒▒▒▓▓▓▓▓▒▓▓▒▓▒▓▒▓▒█▓▓▓▓▓▓▓▓▓▓▓▓▒▒░▒░▓░▓░ ▓░░░ ░ ░░█░ ░░░.░ ░ ░░▒ ░░░ ░░░░░░░░ ░░ ░ ░░ ░░░░░░▒▒▒▓▓▓▓▓ ░░░░░░░ ░░ ░░░░░░░▒▒▒▒▒▒▒▒▒▒ ░░ ░ ░░░░░░░░ ░░ ░░ ░░░ ░░░ ░ ░ ░░░ ... . ░ . ░ . . . ... ... ,.. 0QWOO. G3333.... *****+||||||▓,▒▒::▒░░.░░░ ░░.░░ ░ ░░░ ░▓ ▓▓▓▒▓▒▒▒▓█▓▓▓▓▓▓▒▓▒▓▓▓▒█▓▓▓▓▓▓▓▓▓▓▓▓▒▓░▒░▓░▓░ ░▓ ░░ ░█░ ░░ ░ ░░ ░░░░ .▒ ░░░░ ░░░ ░░ ░░░ ░░░░░░░░▒▒▓▓▓▓▓ ░░░░░░░ ░░ ░░░░░░░▒▒▒▒▒▒▒▒▒▓ ░░ ░ ░░ ░░░░ ░░░ ░░ ░░ ░░░ ░░░░ ░░ ░░░. . ░ ░ . , , .░ . .. .... .... .... QWWO... 33G ,.. *****+▓|||||▓::▒::▒░░.░░░░░░░. ░ ░░░░ ░ ▓▓▓▒▓▒▓▓▓█▓▓▓▓▓▓▒▓▒▓▓▓▓█▓█▓▓▓▓▓▓▓▓▓▓▒▓░▓░▓▒▓░░░ ░░░░ ░░░░░░░.░ ░░░.▒ . ░░ ░ ░ ░░ ░░░ ░░░░░░░░▒▒▒▓▓▓▓ ░░░░░░░ ░░ ░░░░░░░▒▒▒▒▒▒▒▓▒▒ ░░ ░ ░░ ░░░ ░░░ ░░ ░░ ░░░ ░░░░░░░░░░░.░░. . ░ . ░ , , .. ... ,.. ,.. QWWO.. GG ,.... ****++||▓+▓▓▒:,:▒:░.░.░.░░░ ░ ░░░░░░░░ ░▓ ▓▒▓▒▓▓▓█▓▓▓▓▓▓▓▓▒█▓▓▓█▓█▓▓▓█▓▓█▓▓▓▒▓░▓░▓▒▓░ ░░ ░ ░░░ ░▒░ ░░░░░ ░ ▒░░ ░░ ░█ ▒ ░░ ░ ░░░░░░░░░▒▒▓▓▓▓ ░░░░░░░ ░░ ░░░░░░░▒▒▒▒▒▒▓▒▓▓ ░░ ░░░░░░░░ ░░░ ░░ ░░ ░░░ ░░░░░░.░░░░.░.░░ . ░ ░ ░ , , .░ ... .... .... .... WWW....G .. ,.░ *****█+++++|::▒▓▓▒░░░░░░░ ░░ ░░░ ░░░░ ░░░ ░▓ ▓▒▓▓▓█▓▓▓▓█▓▓▓▓█▓█▓█▓█▓███▓▓████▒▓▒▓░▓▒ ░░ ░░ ░░░░ ▒▒░░ ░ ░▒░ █ ░░░ ░ █ ░ ░░░░░░░░▒▒▒▓▓▓ ░░░░░░░ ░░ ░░░░░░░▒▒▒▒▒▒▒▓▓▓ ░░ ░░░░ ░░░░░ ░ ░░ ░░ ░░░ ░░░░░░░░░░░░░░░░ . ░ .░░ ▒ .░, .. . ,.. ,.. ,.. QWW,... ,.... █▓░▓░░░░ .▒░▒░▓░▓░▓░▒ ▒░▒ ▒▒░░░░ ░░░ ░░░░░█░░░ ▒░░░░░ ░░░░░ █░▓ ▓ █░░░░ ▒░▒░▒░▒░▒░▒░▓ ░.░░░ ░ ░█.. . . ░. ░░ ▒ ░░:▒ ░░░░ ░░░░░░░▒▒▒▒▒▒▒▓▓▓ ░░ ░ ░░ ░░░░░ ░░ ░ ░░░ ░░░░░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓ ░░░ ░░▓░ ░░ ░ , : : |::,,,.. ,.. ,.. :,..,,,. . .░ ░... .. *██▓░▓░░░░ ░▒░▓ ▓░▓░▓░▒ ▒░▒░▒ ░░▒░░▒ ░░░ ░ ░█░░░░▒░░░░░░░ ░ ░░█░▓░▓░█ ░ ░░▒ ▒░▒░▒ ▒░▒░▓░░ ░░░░ ░ ░ ... . .░ ░░░░.░ ░░░ ▓░ ░▒░░░ ░░░░░▒▒▒▒▒▒▒▓▓▓ ░░ ░░░ ░░░░░ ░░ ░░ ░ ░░ ░░░ ░░░░░░░░▒▒▓▓▓▓▓▓▓▓▓▓▓▓▓░░ ░░▓░░ ░ : : : |:::,,.... .... .... ,,,,:, . . .░. .░.░ * *+░▓░░ ░░░ ▒▓░▓ ▓░▓▒▒░▓ ▒ ▒ ▒░▒░ ▒░░░░░░░░ ▒░░░▒░░░░░░░ ▒░░ █░█░▓ █░░ ░ ▓░▒░▒ ▒ ▒░▒░▓░▒ ░░▒░░░ .░░.░ ░ ░░., ░ .. ▓ ░ ░░▒.░░ ░░░▒▒▒▒▒▒▒▓▓▓ ░░ ░ ░░ ░░░░░ ░░░░░ ░░░ ░░░ ░░░░░░░░░▒▓▓▓▓▓▓▓▓▓▓▓▓▓▓░░ ░ ░ ░ ░░ : : : ||::,,,.. ,.. ,.. ,,,::,. . .░.░ .. .░░ ██░▓░▒░░.░░▒ ░█░▓░▓▒▓░▓ ▒ ▒░▒ ░░▒ ░ ░░░ ░ ▒░▒░▒░░░░░ ░░▒░▒ ░█░█ █ ▒ ░░▓░▒░▒░▒░▓░▒░▓░▒░░.▒░ ░ ░ ░. ░. . ░░ ░ .░ ░ ░. ░░░ ░▒ ░ ░▒▒▒▒▒▒▒▓▓▓ ░░ ░░░ ░░░░░ ░░░░░░░░ ░ ░ ░ ░░░░░░░░▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓░░ ░ ░ ░░░░ : : : ||:::,,.... .... .... ,,::: . .., ░ ░.. ...░ ░█,▒.▒░░░▒ ░█░▓░▓▒▓ ▓ ▒ ▒░ ░░ ░▒░░░░░▒ ░ ▒ ▒░▒░░░▒▒░▒ ▒░▒░░░ ░█ █ ▒░▒ ▓░▒░▒░▓░▓░▓░▓.▒░▒░▒ ░, ░ ░░... . ░ .░░ ░█░░ ░ ░░ .░ ░ ░ ▒▒▒▒▒▒▒▓▓▓ ░░ ░ ░░ ░░░░░ ░░░░░ ░░░ ░ ░░░░░░▒░░▓▓▓▓▓▓██▓▓█▓▓█▓░░ ░ ░░ ░░░ : : | |||::,,,.. ,.. ,.. ,,::: . .. . . ░ ░..░.░ ░ ,▒░▒░, ▒░░ ░▓░+▒▓ ▓ ▒░ ░ ░▒░░ ░ ▒░▒ ▒░▒ ▒▒▒░▒▒░▒░▒░▒░░░░ █ █ ▒░▒░▓░▒░▒░▓░▓,▓░▓░▒░▒░ , ░░░.░ . .░ .. .░░. ░... ░░. ░░ ░ ░░ ▒▒▒▒▒▓▓▓ ░░ ░░░ ░░░░░ ░░░░░ ░░░░ ░ ░░ ░ ░░▒░░▒▒▒▓▓▓▓▓███▓▓█▓▓█▓░░ ░░ ░ ░░ ░░░░ ░░░░ : | | +||:::,,.... .... .... ,:: ░.. . ░░ ..░░ , ▒:░▒░▒░:░░░. ,█▒▓ ▓░ ░░░ ░░░ ▒ ░ ▒░▒░▒░▒░▓▒▒▒▒▒░▒░▒░▒░░░░ █ █░▒ ▒░▓░▓░▒░▓░▓▒▓▒+░:░▒░ ░░ ▒ ░▒. ░ . ░ ... ░░░ .░..░░ . ░ ░░░ ░▒▒▒▒▓▓▓ ░░ ░ ░░ ░░░░░ ░░░░░ ░░░░ ░░░ ░ ░░░▒▒▒▒▒▒▓▓▓▓████▓▓██▓██░ ░░░ ░░░░ ░░░ ░░░ | | | +|||::,,,.. ,.. ,.. ::| .. .░ ░.. ░.░ ░░..░ ,░▒:░▒░▒░▒░░.░ ▒█▒▓░ ░░ ░░ ░░░░░ ▒ ▒░▒░▒░▒░▓▒▒▒▒▒░▒░▒░▒ ░▒░ █░ ▒░▒ ▓░▓▒▓░▓░▓▒▓▒█░▒░ ,░░░ ░▒░▒,░ .█░ ░ ░░ . ...░ ░░ . ░░ ░ ░ ░░▒▒▒▓▓▓ ░░ ░░░ ░░░░░ ░░░░░ ░░░░░░░ ░ ░ ░░▒▒▒▒▒▒▒▓▓▓████████████ ░░ ░░░░ ░ ░░ ░░░ | | | ++||:::,,.... .... .... ||... .. .░░. .,.. ░, ▒▒,▒░▒░:░░ ░░, ▒ ░░░ ░░░░ ░ ░ ▒░▒ ▒ ▒░▒░▓▒▒▒▒▒░▒░▒░▒░░▒░░█ ░░ ░▒ ▓░▓▒▓░▓░▓▒▓▒█▒▒░ ▒ ░░░. ▒ ░░ . . . ░█░░.░ ░ . ░ . ░░░▒▒▓▓▓ ░ ░ ░░ ░░░░░ ░░░░░ ░░░░▒ ░ ░ ░░░░▒▒▒▒▒▒▒▒▓▓████████████ ░░ ░░░░░░░░░░.░░ | | | ++|||::,,,.. ,.. ,.. ||... ... .. ...░. ,,░ ░▒ ░▒▒:░:░▒░░░▒ ░ ░░░░░ . ░░░ ░▒░▒░▓ ▒░▓▒▒▒▒▒░▒░▓▒▒░░▒░ █░░░░ ▒░█ ▓▒▓░|░▓▒▓▒█▒▓░ ▒ ░░░ ▒ ░░ ░ ░ . ,.. .. ░ ░ ░ ░░ ▓▓▓ ░ ░░░ ░░░░░ ░░░░░ ░░░░░ ░ ░░░░░░░▒▒▒▒▒▒▒▒▓████████████ ░░ ░ ░░░░░░░░░░░▒ ░ | | + +++||:::,,.... .... .... |... .. . .... ,,, .░.▒ ,:▒:░▓░,░▒ ░░ ░░░░░ ░ ░░░░░ ░▒ ▓░▓░▓▒▒▒▒▒░▒░▓▒▓░░ ░░ ░░░░▒░█░▓ ▓▒▓▒█▒▓▒█▒ ▒ ▒░░░░░ ░░ ░░,░ . . ,.. .░ ░ . ░ ▓▓▓ ░░░░ ░ ░ ░░░░░ ░░░░░ ░░░░░ ░░░░░░░░░░▒▒▒▒▒▒▒▒████████████ ░░ ░░░░░░░░░░░░ ░ | + + *++|||::,,,.. ,.. ,.. |.. ░... ░.... ▒▒ ...▒ , ▒:,▓░▒░ ░.░ ░░░░ ░░ ░ ░ ░ ░▒░▓ ▓░▓▒▒▒▓▓▒▓░▓▒▓ ▒░░░░ ░░ ▓░█░▓ ▓▒█▒█▒█▒█▒ ▒░▒ ░░. ░░░░ ░..▒░ .░ . ░░ .░ █.. ░█░.. ░ ░ ░▓▓ ░░░░░ ░░░░░░ ░░░░░ ░░░░░░ ░░░░░░░░░▒▒▒▒▒▓▒▒██████ ██ ░░ ░ ░░░░░░░░▒░░░░ ░

Ivona Tau x Ana Maria Caballero

Melissa Wiederrecht

MacTuitui

iRyanBell

Sofia Crespo

Leander Herzog

ertdfgcvb

Lars Wander

Erik Swahn

TOXI

Marcelo Soriario

Sarah Ridgley

MCHX

WBLUT

M V

ABOSCH

William Mapan

Iskra Velitchkova

Lisa Orth

ippsketch

Studio Yorktown

Piter Pasma

Antigoon

Zach Lieberman x Iskra Velitchkova

Florian Zumburnn

Pixlpa

The Shadow Flora are a collection of 250 unique living works of generative image feedback art created by Andrew Benson. Each begins as a color seed that grows from the shadows into a luminous composition that seeks an active equilibrium state.

ELTONO

'Hybrid Ecosystems' is an ongoing series of explorations into creating an unveiling of our entangled world. The digital and physical world seems at first glance separate, occupying different layers of reality that seem to reluctantly interact, this is further reinforced through the manner in which digital interfaces are designed. The reality of our mundane life is that these two layers of reality are in fact tightly interwoven, constantly influencing, interacting, shaping & reshaping, consuming and acting. Our inherited bias toward seeing the human-made, or artificial, as different from the natural world further obscures this reality where digital agents (software & hardware) behave and interact as an ecosystem, also with the natural world.

"By prompting neural models trained on the vast mundane visuality of our world, i.e. with standardised datasets that are considered a benchmark for the status quo of our day-to-day lives we attempt an exercise of reimagining. Starting well within the familiar, this exploration of neural-speculative visions of reality attempts to manipulate and distort our mundanity into speculative representations of the digital & physical entanglement: exploring how we can stretch our imagination so as to see a world of harmoniously interacting artificial and natural life as one single, sustainable ecosystem." - Feileacan McCormick and Sofia Crespo.

constellations of marine threads stick, glue and merge together, their silhouettes intricately, indeterminately botanical & fleeting.

“Shapes on a Plane” explores imaginary structures and worlds through simple shapes.

Stefano Contiero

Jess Hewitt

In the city with blunt edges, life comes forth— against the crafted rock of sidewalks our feet forget black dirt.

Water, light, concrete, and time— elements that we compress and compact. Cranes of metal cut the sky, then, a solitary pigeon flies by.

I am here to sing, I state, but the day swings back, and I fall hard. I grieve amongst the infrastructure— columns and footers underpin my call.

You were here, once, in this built metropolis, with us. You loved to swim, your body bronzed by my sun.

Do I cry for you? Or do I cry for every father— for mine?

For all my high-heeled asphalt walking I remain a daughter: a fruit who at its core is summed up as seed.

In the funeral mass, I hold the thin wafer—memory of a father— on my tongue before I swallow.

Bread breaks within me, becomes me, but I remain hungry.

After the ceremony, bodies form a single row— we wait for a moment to embrace the bereaved.

A faint breeze blows, stirs frail leaves, while beneath the red-tiled ground soft dirt sustains my feet.

World of tree, world of cut stone. Place of passing through, land of soundless bone.

I take one step forward within the breath-held line. It is always almost my turn to mourn.

~

in loving memory of C.C.

City Life

Ivona Tau

How do we negotiate the appearance of similarity, yet fundamental difference in function and context? With our frame of experience being decidedly terrestrial, it’s too easy to project into other contexts, such as the aquatic, qualities based upon their appearance, in turn creating a new ecosystem of projected references and associations. This artificial veil on our perception is a never-ending surface that we can strive to make porous and permeable to our senses, but only if we can at first learn to see these constructions that decorate it.

Kim Asendorf

Michael Perusse