This piece is inspired by the geological processes related to sedimentary dissolution. Dissolution is a form of weathering which contributes to the creation of new rocks. In this piece, various algorithms take on the role of dissolution, producing visual recombinations of the original "sedimentary rock".

Instructions ::

p : save a hi-res image
e : toggle erosion on and off
s : toggle structure on and off
a : toggle all effects on and off

If offset, rgb dissolution or cross-bedding is true you can toggle it on and off.
If these features are false pressing the key will have no effect.

o : toggle offset on and off
r : toggle rgb dissolution on and off
c : toggle cross-bedding on and off

There are 20 versions you can explore, all using the same features.
Use the left and right arrow to change the random seed. 
Pressing space will re-instantiate the original random seed.

Sedimentary Dissolution #75

Sedimentary Dissolution #74

In this piece, special attention is paid to negative space, which is emphasized by simple / bold color palettes.

6 different styles
- Network
- Parachutes
- Flow
- Limbs
- Arcs
- Florals

9 different color palettes
- dark
- light
- yellow
- blue
- red
- green
- blue and yellow
- red and blue
- multi

Press any key to download a hi-res png.

p5.js script with a custom shader. Depending on the settings, it take some time to fully render / draw.

Negative Space #318

This project attempts to emulate the rich textures of textiles.


High quality export :

Due to the fact that the rendering process is quite CPU/GPU intensive, higher resolution images are divided into tiles. To select the resolution use the following key commands

1 : 1024 x 1024 (1 tile)
2 : 2048 x 2048 (4 tiles)
4 : 4096 x 4096 (16 tiles)
8 : 8192 x 8192 (64 tiles)

To export a tile, press p. Selecting a resolution will restart the tile position to 0. Tiles are ordered column-major order.

Textiles #21

p5.js script

large 50%
medium 45%
small 5%

Abrupt #1

p5.js script

speed : 90% fast, 10% slow
density : 60% 400, 30% 200, 20% 600
resolution : 70% 1/128, 30% 1/256
color : 70% fall, 25% yellow, 5% black and white
mixedSize : 60% true, 40% false

Archaea #1

A generative sketch that involves recursion and polygon clipping.

Press s to save as a plot-able svg.

Divide, Push, Clip #25

With colors and shapes reminiscent of childhood LEGO explorations, 'ylb-mess-A' explores the assembly process in reverse, using recursive subdivision to create detailed structures instead of progressively building a complex structure brick by brick. Although the tools I use to explore and create have changed over the years, this piece reminds me of the natural creative curiosity that was instilled in me at an early age, for which I am incredibly grateful.

gAAAAABi8WX2fxGEw0vwYJYuWe6LiUl8irYfBw72Gjjfv3kTX0C4R-7rpRjpHpeColYNI3b5THvvhplktkOWeCokfFwnfyvUdurhEMHBL9PI3juEAvnwhY8=

In live mode, add ?size=<YOUR_PIXEL_SIZE> to change the pixel size of the image for export (Right click to save). For example, ?size=4000 will set the width of the image to be 4000 pixels.

ylb-mess-A #92

Negative Space #371

Negative Space

Textiles #35

Textiles

Abrupt #4

Abrupt

Archaea #4

Archaea

Divide, Push, Clip #192

Divide, Push, Clip

ylb-mess-A #63

ylb-mess-A

p5.js script

background : default 27%, black 25%, blue 20%, red 15%, purple 10%, yellow 3%
density : medium 50%, low 35%, high 15%
size : medium 50%, large 35%, small 15%

Anamnesis #4

Anamnesis #1

Anamnesis

This project is part of a larger experiment that explores and celebrates the process of making generative art by progressively releasing iterations, working towards a final release on my main account (tz1RkYY3jr1ocuPdQqrRefr5FqoawKQsmBmD). The iterations will be titled ____ 0.1, ____ 0.2, etc. At this point, the number of iterations has not been determined, but more information will be provided as this experiment unfolds.

The final release will only be made available to those who have collected each iteration (using an allowlist), and will be released for free.

____ - Iteration 1 #233

____ - Iteration 1 #382

____ - Iteration 1

This project is part of a larger experiment that explores and celebrates the process of making generative art by progressively releasing iterations, working towards a final release on my main account (tz1RkYY3jr1ocuPdQqrRefr5FqoawKQsmBmD). The iterations will be titled ____ - Iteration 1, ____ - Iteration 2, etc. At this point, the number of iterations has not been determined, but more information will be provided as this experiment unfolds.

The final release will only be made available to those who have collected each iteration (using an allowlist), and will be released for free.

In live mode, add &size=<YOUR_PIXEL_SIZE> to change the pixel size of the image for export (Right click to save). For example, &size=4000 will set the width of the image to be 4000 pixels.

____ - Iteration 2 #433

____ - Iteration 2 #160

____ - Iteration 2

____ - Iteration 3 #378

____ - Iteration 3 #321

____ - Iteration 3

This is the culmination of a series of iterations

____ - Iteration 1
____ - Iteration 2
____ - Iteration 3

The iterations were released under the pseudonym Extracurricular Activities.

The algorithmic theme of the iterations was extensive usage of boolean operations (intersection and difference) on polygons to derive interesting composite shapes.

In live mode, add &size=<YOUR_PIXEL_SIZE> to change the pixel size of the image for export (Right click to save). For example, &size=4000 will set the width of the image to be 4000 pixels.

Different Intersections - Iteration 4 #213

Different Intersections - Iteration 4 #1

Different Intersections - Iteration 4

This project is being released in celebration of the 1 year aniversary of Achromat, my first release on fxhash. In addition to being inspired by Achromat, aspects of other previous projects have been incorporated. My deepest gratitude to all who have collected my work over the past year.

In live mode, add &size=<YOUR_PIXEL_SIZE> to change the pixel size of the image for export (Right click to save). For example, &size=4000 will set the width of the image to be 4000 pixels.

50% of primary sales go to Savepakistan.

Annum #2689

Annum #1673

Annum

p5.js script

size : small 25%, large 25%, medium 50%
style : uniform 35%, divergent 65%
wave-ness : 0.005 50%, 0.01 50%
segmented : false 40%, true 60%

Absolute Error #4

Absolute Error #1

Absolute Error

This project is borne out of my longstanding fascination with brushwork, and the intricate textures that can be created with a brush, some paint and a canvas. Brush strokes are simulated using many overlapping lines and given texture and depth using a custom shader. Another important aspect of this work, is the composite forms that are created by the brush strokes, which are my attempt to emulate the emphatic energy of many abstract painters that have come before me. Color palettes are named after common paint colors, based on the background color used for the palette.

Those who collect during the first tier of the Dutch Auction can claim a signed print. They will be printed on A3 Hahnemuhle Photo Rag, and shipped to the collector free of charge. More details on how to claim a print and specify the necessary shipping information will be provided via the artists twitter (@landlinesart1).

In live mode, add &size=<YOUR_PIXEL_SIZE> to change the pixel size of the image for export (Right click to save). For example, &size=4000 will set the width of the image to be 4000 pixels.

Faux #323

Faux #57

Faux

A generative sketch based on the concept of décollage, an artistic process that involves cutting or tearing pieces of an original image. The resulting outputs bear a resemblance to artworks produced using the lacerated poster technique, where posters are layered and torn to reveal parts of the posters underneath.

In live mode, add &size=<YOUR_PIXEL_SIZE> to change the pixel size of the image for export (Right click to save). For example, &size=4000 will set the width of the image to be 4000 pixels. Note that this will not work with sizes beyond 5000 pixels.

(Allowlist is based on quantity of previous works owned).

Décollage #192

Décollage #226

Décollage

Reissue of project #61 that fixes an external dependency issue.

achromat [reissue] #79

achromat [reissue] #125

achromat [reissue]

"Laminated" is part of the fxhash live minting experience at Proof of People, ZeroSpace NYC, 2023.

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Concentric layers inspired by the lamination process, applied to digital substrate.

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Warning: This piece is GPU intensive, it may not render on lower end devices.

Laminated #245

Laminated #138

Laminated

Brushstrokes are synthesized using a large number of small lines of varying opacity, hue, and brightness. There are five styles : blocks, curves, lines, blur and partial blur; 9 color palettes, and several additional features controlling the composition of the piece.

p5.js script

Additive Synthesis #4

Additive Synthesis #1

Additive Synthesis

cool color palette - 60%
bright color palette - 35%
pastel color palette - 5%

aberration #4

aberration #1

aberration

This experimental project involves an on-chain cellular automaton. The features and cellular automaton rules are derived from the minter's address. Being the first (unto my knowledge) project on fxhash that generates the artwork completely on chain, it seemed fitting to draw inspiration from one of the first projects on fxhash, "RGB Elementary Cellular Automaton".

What is this?

An experimental generative token that integrates on-chain generation, and on-chain storage of the artwork. This is accomplished using a custom smart contract. The artwork is generated using the generate_on_chain entrypoint in KT1GRFujk5m6feK7gJcqCU7ijJkFgx5JigEt, and the generated image is subsequently stored on-chain as a byte-string of pixels (row-major order) in the tokens bigmap in KT1GRFujk5m6feK7gJcqCU7ijJkFgx5JigEt.

How does this work?

Smart contracts have a default entrypoint which is automatically called when XTZ is sent to the contract. By using a smart contract as the primary address, the default entrypoint will be called every time a token is minted. Of course, to prevent accounts from bypassing the fxhash contracts and sending XTZ directly to the smart contract, generating and storing the artwork on-chain, the smart contract checks that an fxhash contract is the account sending XTZ. In this smart contract, the default entrypoint immediately calls the generate_on_chain entrypoint for the sole purpose of making the generation process more apparent on indexers like tzkt.

In order to make this project compatible with fxhash, the artwork produced by the code submitted to fxhash must be identical to that which is produced by the generative algorithm within the smart contract. At the time of development, the minter's address is the only piece of information which is readily accessible via the fxhash snippet API and in the smart contract. As a result, each account can only generate a single unique artwork (this is enforced by the contract). In the future, this issue could be solved if the fxhash snippet API provided access to the iteration number, as the smart contract could also keep track of this information quite easily.

Consequently, collectors who wish to collect more than one iteration must create additional accounts to mint. The tokens can then be subsequently transferred as per usual.

Why is the variations preview disabled?

Because the minter's address is the source of randomness for the generated artwork, not the hash provided by fxhash, changing the hash in the variations preview will have no effect. To see different variations of the artwork you need to modify the fxminter URL parameter in live preview mode.

Why does the mint button not work on the fxhash frontend?

Currently, the fxhash frontend has a default storage limit for mint operations that is less than what is required to store the generated image on chain. As a result, the mint button will fail on the fxhash frontend. To get around this, you can mint this token on a mini-website I created (https://blockchain-automaton.netlify.app/), or on Better Call Dev, or by injecting the transaction directly onto the blockchain.

But Why?

Because experimentation is fun.

Blockchain Automaton #192

Blockchain Automaton #485

Blockchain Automaton

achromat #4

achromat #1

achromat

Sedimentary Dissolution #4

Sedimentary Dissolution #1

Sedimentary Dissolution

p5.js script

speed : 90% slow, 10% fast
color : 60% citrus, 30% black and white, 10% sunrise
background : 60% light grey, 35% yellow, 5% green
colors per curve : 85% 1, 15% 2
number of curves: 60% 40, 30% 20, 10% 80
wide: 80% false, 20% true

Abbreviated Curves #4

Abbreviated Curves #1

Abbreviated Curves

Press p to save a hi-res image.

Press any other key to toggle between two views. Please note that this change will not happen instantaneously, as it will take a number of seconds for the code to run.

Dots #116

Dots #60

Dots

A p5.js script.

Click to enable zoom mode, which enables zoom using mouseX position, and navigation using the arrow keys. Click again to exit zoom mode.

Press p to pause.
Press s to save a hi-res image.

Aura #4

Aura #1

Aura

an imaginary aerial view of a mountain range. (Note : must have a good imagination)

Aerial

8BIDOU

Noisy Partitions is a generative artwork with 50 1/1 unique editions. When this OBJKT is burned, a unique 1/1 OBJKT (3000 x 3000 png) is generated using the wallet address and hash of the burn operation as a seed for the generation process. Once the new OBJKT has been generated, it is minted and transferred to the wallet who initiated the burn operation. The royalties on the generated OBJKT will be the same as this OBJKT (15 percent). This video provides lo-res (1000 x 1000) examples of what the generations look like (actual generated OBJKTS will look less grainy). Since generating a single OBJKT takes about 30 minutes, and all generation occurs in series, there will be a waiting period before the generated OBJKT is transferred in your wallet.

Noisy Partitions

3000 x 3000 png (generated using wallet address tz1Ym9Ued9v2N2wwsrtQ52HRGGn7qDmzuUZU, ophash onscLSoMLJEqgExi9CJbz2qfAribEQT4XZGrAYrULaS42t8iZCZ and 0 as a seed)

Noisy Partitions No. 45

Hic et Nunc

latent No. 1

indeterminate [2/50]

partial

This is a home for artworks that do not possess a third dimension.

n0i5y 4l0w 01

Lacking a Third Dimension

Variations in Density [3/4]

Liquefaction [2/2]

Extended Reality

This artwork was generated with algorithm 'A' (stored on chain in the contract KT18bTjQL13QdPGmRgVneGqTag4VCRxNBv4T), using ophash onkVQhYtYzhwxBYDpeYUC7RPAwaepkS33CjX9SDr1YN6VmDyUtV as a seed.

This artwork was generated with algorithm 'A' (stored on chain in the contract KT18bTjQL13QdPGmRgVneGqTag4VCRxNBv4T), using ophash oowY1qqNT9P9WiG541LbyaqWDQgaBBnV15jJUJcpbeCUAeuMPAF as a seed.

Distrukt

Situated in an alternate reality where the general principles of physics do not apply, adjacent neighbourhoods are connected via cables, producing a city in suspension. The isometric building-like structures are inspired by architectural drawings and exploded engineering diagrams.

A comprehensive overview of the various parameters has been published as an article (https://www.fxhash.xyz/article/suspension), which is highly recommended reading. Importantly, the random number generator is seeded exclusively by the seed parameter. Since the hash has no bearing on the outcome, what you see is what you get when minting.

In live mode, add &size=<YOUR_PIXEL_SIZE> to export higher resolution images (Right click to save). For example, &size=4000 will set the width of the image to be 4000 pixels.

Suspension #115

Suspension #32

Suspension

Visually ambiguous patterns are the primary texture that pervade each iteration. Subtle gradients imbued with grainy noise color each fracture. A deliberate balance is struck between negative space and dense pockets of visual chaos. A gradual process of refinement that almost masks an oscillation between two modes of being.

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In live mode, add &size=<YOUR_PIXEL_SIZE> to change the pixel size of the image for export (Right click to save). For example, &size=4000 will set the width of the image to be 4000 pixels.

Warning: This piece is CPU intensive, it may not render on lower end devices.

Bistable Perception #59

Bistable Perception #198

Bistable Perception

Sectional Curvature [Extruded] [Slow-Motion]

playing with glass

Dissected Shells No. 2

Lattice Flow No. 2

Versum

CryptoFlowerz is a generative collection of 2,500 unique Flowerz designed by artist Victoria Fard and minted on the Tezos Blockchain. The initial price of each CryptoFlower is 30 Tezos (XTZ).

The CryptoFlowerz artwork has been crafted with meticulous detail, unlocking a wash of vibrant colors and euphoric combinations. Each Flower can also be gifted with a personalized note written into the blockchain.

If you’ve received a CryptoFlower as a gift, login to https://cryptoflowerz.xyz/ and connect your Tezos wallet to see if you have an individual message.

CryptoFlowerz #35

The Mynt’s CryptoFlowerz is a limited edition seasonal collection of NFT flowerz created to shed light on the power of the community within the NFT space.

CryptoFlowerz is a generative collection of 2,500 unique Flowerz designed by artist Victoria Fard and minted on the Tezos Blockchain. The initial price of each CryptoFlower is 30 Tezos (XTZ).

The CryptoFlowerz artwork has been crafted with meticulous detail, unlocking a wash of vibrant colors and euphoric combinations. Each Flower can also be gifted with a personalized note written into the blockchain.

If you0x2019ve received a CryptoFlower as a gift, login to https://cryptoflowerz.xyz/ and connect your Tezos wallet to see if you have an individual message.

CryptoFlowerz #128

CryptoFlowerz

Art Cardz is a collection of 1,250 generative artworks on the Tezos blockchain, where minters control the generative algorithm by combining different cardz.

Art Cardz Artwork No. 291

Art Cardz is a collection of cards on the Tezos blockchain, which can be collected and used to mint unique 1/1 artworks. In contrast to most generative art projects where collectors have limited control over the artwork they mint, Art Cardz allows collectors to customize their own generative algorithm!

Art Cardz Artwork No. 154

Art Cardz

Planet: H&N:4 (nunc: U7C3l8)


“My creation transmits
waves that feel like home
My journey to touch the foam.”

Planet by Mactuitui (@MacTuitui)

HERE & NOW: 4 is the fourth installment of a six part interactive virtual art experience

Created by Beets (@wideawakebeets)
hereandnow.events
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H&N:4 (nunc: U7C3l8)

HERE & NOW: 4 is the fourth instalment of an interactive virtual art experience created be Beets. Each Planet is a 1/1 generative art piece designed by MacTuitui and gives full access to Edition 4

Planet: H&N:4 (nunc: T7B3D3)


“My creation transmits
waves that feel like home
My journey to touch the foam.”

Planet by Mactuitui (@MacTuitui)

HERE & NOW: 4 is the fourth installment of a six part interactive virtual art experience

Created by Beets (@wideawakebeets)
hereandnow.events
--------------

H&N:4 (nunc: T7B3D3)

HERE & NOW: 4

This OBJKT evolves as it is traded. With each trade valued at 1+ Tez, there is the possibility of unlocking one or more new images (hereby referred to as states). Once additional states have been unlocked, previously unlocked states can be viewed by simply clicking on the OBJKT. The probability of unlocking different states is shown in the table below.

  state  description    odds
-------  -------------  ------
   0001  1 cut          1/1
   0002  2 cuts         1/2
   0003  3 cuts         1/3
   0004  4 cuts         1/4
   0005  5 cuts         1/5
   0006  6 cuts         1/6
   0007  7 cuts         1/7
   0008  8 cuts         1/8
   0009  9 cuts         1/9
   0010  20 cuts        1/20
   0011  40 cuts        1/40
   0012  60 cuts        1/60
   0013  80 cuts        1/80
   0014  100 cuts       1/100
   0015  200 cuts       1/200
   0016  300 cuts       1/300
   0017  400 cuts       1/400
   0018  500 cuts       1/500
   0019  ???            1/1000

Technical details: The ophash for each valid trade (i.e. 1+ Tez) is deterministically converted to an integer x. For a state with odds 1/p to be unlocked one of the following conditions must be met: x % p == b for at least one valid trade; or p valid trades have occurred. One exception to this rule is that states must be unlocked in order.

NB: You can hide the metadata in the bottom left corner by clicking on the text.


Stratified (1 of 100)

The title is quite literally a visual description of the work, as anfractuous means: characterized by windings and turnings; sinuous; circuitous. With this project I aimed to strike a balance between easily recognizable smooth large scale forms and the small fragmented details that populate these forms.

Anfractuous #305

Anfractuous #278

Anfractuous

We are all influenced by our context, and this is an artistic interpretation of this concept. The phenomenon of localized influence is most apparent when the animation is enabled (see instructions below). Choose your influences wisely.

Press p to pause and unpause the animation. The animation requires significant computational resources and may not work on under-powered devices.

Press s to export a hi-res png.

landlinesart

landlinesart

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