folradura_1-4-W_center

A collection by palette of Folradura with a 1/4 w/ center Vertical Division feature.

Goldfish vs Seaside Sunset

Those are the purest outcomes, still with a subtle difference in modifiers. #42 Fluffy + Flow VS #344 Fluffy+Fluffy 42 reminds of an animal FUR, very foxy 344 is an abstract growth with few attractors as interruptors

One of my favorite palette, the light orange fits perfectly it's opposite cold azure. In #295 and #15 there is a mix of Angle and Flow so we can appreciate the linear movements mixing with the chaotic flow.

The extremes are sprouting in the Rainbow palette! The #437 Fluffy+Fluffy vs the #19 Angle+Angle-2 manifest the creative field of this algorithm. Notice the #437 wide margins (Medium margin feature)

Focus on Rainbow

Here two classics, you'll find many similar outcomes with the #102 Flow+Wave and the #96 Sine+Spiral. The flow activated in those fields creates so much cavities and it's really shadows intense.

Focus on Golfish

Focus on Salmon

This minimal palette really exalts the contrasting outcomes in #464 and #194 Just a small change in the modifiers tough! Angle+Flow and Flow+Flow But the intergrid (4-2 vs 1-1) is helping in creating more contrast in the former and (A LOT OF) smoothness in the latter.

Submarine Palette is rare, and this bad boy here it's simply showing how a Spiral Mod can be balanced in a rythm of shapes thorugh a Angle 2 Mod.

Focus on Submarine

Focus on Seaside Sunset pt 2

Now let's get to something cool about palettes - color intensity can vary a lot! In this part 2 of Seaside Sunset iterations, the light orange disappeared completely, leaving a cold twilight where the sun is completely gone.

But I'm not done yet! We already saw the smooth vs angle outcomes (here with #30 and #364, but the central artwork is truly a unicum! #93 is a firework of lines, in fact mod I and mod II are equally LINE, but the randomness gifted us with a Line Modifier Distribution too. Exceptional and really elegant.

The intricacy of Camille's algorithm is expressed in so many features I had to focus on just one thing. Let's explore those special Triticum! I like the balance in weight of the panels.

The specialz

folgeometricals

Those two outputs own a minimalistic appearence. A central attractor that generates linear flows.

#94 Sine Modifier II is responsible for the circular emission!

#53

#411

focus on fire

Unique outputs for this palette, very different in many ways. First of all the colors: palette apmlitude is minimal in 411 but very bright for 53. The margins for divisions are small in 53, while the large ones on 411 create a dramatic fashion. Modifiers on 411 are Flow + Flow - extra organic. You can imagine an other-wordly creature wearing that fur. Modifiers on 53 are Linear wasve + square, pretty unique... It gives that feeling of a wall where a murder just happened.

#91

It's the only output with this modifier layout, but bro what a stylish one! The Forest palette amplitude is pretty low with just 2 percieved colors. Our beloved Flow+Flow modifiers are working great in this bichrome Triticum

#405

#85

#178

A sequence of Division Margin (Small, Medium, Large). It changes everything.

#299

#105

focus deep forest

focus lavender

105 - can you see that face? only one? Not the first time happening when Sine + Linear Wave mix up, but of course most of the work is done by the distribution of the attractors! 299 - a mesmerizing reaction from Angle 2 + Angle, here you can spend a lot of times looking for some structure, I dare you!

#97

#373

#413

focus ice

413 - Angle + Flow generated this paleo artwork, open full screen and breeze! 97 - Angle 2 gives the cuts, Sine gives the waves, this rhythmical work works well as soon as symmetries are provided by the modifier layout? 373 - Sine + Spiral are a kind of Frankenstein, but the more you look at it, the more connection you can find, small division margins are helping each spiral tip to live it's own life.

#50

#22

#234

#234 low density grid, Angle 2 + Angle 2 should be very geometrical, but the flows keep rotating a bit creating what it feels like a writing on a wall!

#50 is a dense Angle 2 + Angle, repetition in each cell is woven in a bright grid of movement and density

#22 plays in a less rich grid, Spiral + Angle creates this 4 attractors spreading along the whole surface, with a lot of colors, yet not bright, but moderated

focus on retro

#296

#410

focus on summer

Sine + Spiral, pretty easy right? Randomness helped us on this one, placing spirals on top and circles on bottom, the symmetry is remakable

Angle 2 + Sine, if you look from far away you can see two circles at the bottom, looking at you, Angle 2 is giving a kind of decoration to this head, a skull?

176 it's a rude (sometimes brutalist) geometrical Angle + Angle-2. It gives that feeling of primitive artworks with some order in mind... maybe jail-art?

85 Linear wave + Angle-2 is balanced, yet chaotic.

405 reminds me of banana leaves, or figures from a magical world. Line + Angle modifiers generated this pattern, margin is keeping everything pretty darkish though

#238 Square Modifier II is responsible for the linear pattern

Focus on Seaside Sunset pt1