It was early in the morning, he rode into town with a big iron on his hip, but he made one fatal slip...

"Big Iron", 1/1 digital 3D collage, dimensions: 1080 x 1080, duration: 0:29.

This piece is part on the ongoing series "DeepCuts", 3D collages with depth inspired by songs, and includes additional files and certification on the blockchain through Verisart.

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Big Iron

Rebecca Rose is an award winning collage artist pushing boundaries with the medium through collaged sculpts and holograms across multiple NFT chains. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, & Bloomberg Philanthropic.

Rebecca Rose

Right rudder, steer three-zero degrees, take her down deep and catch her at eighty fathoms. Dive, dive…
Be warned to not disturb sentinels of the deep, lest your craft witness unfortunate fates among this liquid graveyard. Clear the bridge, secure hatches and vents! Unsteady as she goes, probing depths in this silent habitat seldom seen by man. Underwater tourism for those who wish to own the world by diving beneath it.

“The Engines Hum For Nobody”, 1/1 digital 3D collage in three aspect ratios: 16:9 dimensions: 1920 x 1080 at 222mb (2 versions: with sound and silent), 1:1 dimensions 1080 x 1080 at 129mb (2 versions: with sound and silent), 9:16 dimensions 1080 x 1920 at 223mb (2 versions: with sound and silent), duration: 0:45. Includes 6 files of 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs using the 7160 contract. The original soundtrack was composed with AI assistance with sound mixing by the artist. This piece is the first chapter in "Tragic Kingdom" -animated stories from a fictional theme park's underbelly, and part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs. 

Rebecca Rose is an award winning collage artist exploring spatially collaged sculpts and animations. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic. She was an artist in residence at The Joan Mitchell Center, Ox-Bow/SAIC, Selkie Rio Art Residency, and AOTM AiR Cohort 1.

The Engines Hum For Nobody

Join us high on the icy slopes, where you can buy culture in the form of souvenir chotchkes, clog up basecamp with plastic tents, pillage natural resources from the towering peak, and trash the land for a chance at a slippery summit selfie. Tread carefully for folkloric yetis get cranky when mountaineers interrupt playtime and you might not survive with heavy crystals in tow. It’s probably safer to remain seated, please. Permanecer sentados, por favor.

“Cuckoo Clamber”, 1/1 digital 3D collage in three aspect ratios: 16:9 dimensions: 1920 x 1080 at 245mb (2 versions: with sound and silent), 1:1 dimensions 1080 x 1080 at 141mb (2 versions: with sound and silent), 9:16 dimensions 1080 x 1920 at 245mb (2 versions: with sound and silent), duration: 0:49. Includes 6 files of 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs using the 7160 contract. The original soundtrack for this specific version was composed by Porter Productions under license #618477 - PJWLWBTNHX7MWYWJ, with sound mixing by the artist. This piece is the second chapter in “Tragic Kingdom” -animated stories from a fictional theme park’s underbelly, and part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs. 

Rebecca Rose is an award winning collage artist exploring spatially collaged sculpts and animations. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic. She was an artist in residence at The Joan Mitchell Center, Ox-Bow/SAIC, Selkie Rio Art Residency, and AOTM AiR Cohort 1.

Cuckoo Clamber

Ingest the park’s treats and be magically whisked away through the looking glass to a land of your favorite reimagined CC0 characters. They were learning to draw, and they drew all manner of things. But longhairs have no right to draw here.. So go ahead and feed your head where logic and proportion falls sloppy dead. Invade the land and scream expletives at the top of your lungs, for these treats will make you plain crazy.

“What The Dormouse Said”, 1/1 digital 3D collage in three aspect ratios: 16:9 dimensions: 1920 x 1080 at 218mb (2 versions: with sound and silent), 1:1 dimensions 1080 x 1080 at 125mb (2 versions: with sound and silent), 9:16 dimensions 1080 x 1920 at 217mb (2 versions: with sound and silent), duration: 0:44. Includes 6 files of 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs using the 7160 contract. The original soundtrack was composed with AI assistance with sound mixing by the artist. This piece is the third chapter in “Tragic Kingdom” -animated stories from a fictional theme park’s underbelly, and part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs. 

Rebecca Rose is an award winning collage artist exploring spatially collaged sculpts and animations. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic. She was an artist in residence at The Joan Mitchell Center, Ox-Bow/SAIC, Selkie Rio Art Residency, and AOTM AiR Cohort 1.

What The Dormouse Said

Il tuo bambino è al sicuro tra le nostre braccia, lascialo libero e gioca. Il tempo sembra cupo ma cosa potrebbe andare storto? Questi temporali si verificano ogni giorno intorno alle 15, ora della parata. Le nostre corse rispettano le normative e vengono controllate quotidianamente, lo promettiamo.

“Giostra al Galappa”, 1/1 digital 3D collage in three aspect ratios: 16:9 dimensions: 1920 x 1080 at 245mb (2 versions: with sound and silent), 1:1 dimensions 1080 x 1080 at 141mb (2 versions: with sound and silent), 9:16 dimensions 1080 x 1920 at 245mb (2 versions: with sound and silent), duration: 0:49. Includes 6 files of 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs using the 7160 contract. The original soundtrack was composed with AI assistance with sound mixing by the artist. This piece is the fourth chapter in “Tragic Kingdom” -animated stories from a fictional theme park’s underbelly, and part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs. 

Rebecca Rose is an award winning collage artist exploring spatially collaged sculpts and animations. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic. She was an artist in residence at The Joan Mitchell Center, Ox-Bow/SAIC, Selkie Rio Art Residency, and AOTM AiR Cohort 1.

Giostra al Galappa

When generations collide, it's a tale as old as time. Take one bite now with this here fork and knife, and come back for more when the next generation arrives.

“Succession”, 1/1 digital 3D collage in three aspect ratios: 1:1 dimensions 1080 x 1080 at 149.2mb, 16:9 dimensions: 1920 x 1080 at 259.6mb, 9:16 dimensions 1080 x 1920 at 259.5mb, duration: 0:52. Includes 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs using the 7160 contract. 

This piece is part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs. Rebecca Rose is an award winning collage artist exploring spatially collaged sculpts and animations. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Succession

They're building a gallows outside my cell, I've got 25 minutes to go…  

“The Whole Town Is Waiting” is a comment on mob mentality and how people are alike everywhere, in any era. Are you a bloodthirsty townsperson casting the first tomato? A compassionate child ashamed of the events? An innocent animal wailing at the injustice? Or are you feeling the noose tighten as the one condemned?  

And if so, how does condemnation sit with you and does it challenge your own complicity when condemning others? Is this the new world we've built for ourselves or an old one we perpetuate throughout the ages?  

The music is a newly arranged soundtrack of Dvorak's New World Symphony Mov iii. This excerpt was chosen because the original symphony musically describes life in early colonial America. The artist arranged, transposed, performed, and recorded this 15 part harmony on the cello.  

This is the second work in the DeepCuts series with 3 different on-chain aspect ratios to accommodate digital displays, made possible through Transient Labs using the Doppelgänger contract. 6 total options, 3 with sound and 3 silent, are included to also allow for display without sound.  

“The Whole Town Is Waiting”, 1/1, duration: 0:32, digital 3D collage.  
The display options within the array:  
1:1 square, dimensions 1080 x 1080 at 60.9mb (with sound), option 0.  
16:9 horizontal, dimensions 1920 x 1080 at 61.1mb (with sound), option 1.  
9:16 vertical, dimensions: 1080 x 1920 at 61.1mb (with sound), option 2.  
1:1 square, dimensions 1080 x 1080 at 93mb (silent), option 3.  
16:9 horizontal, dimensions 1920 x 1080 at 161.7mb (silent), option 4.  
9:16 vertical, dimensions: 1080 x 1920 at 161.4mb (silent), option 5.  

This piece is part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs- and includes additional files and certification on the blockchain through Verisart.  

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

The Whole Town Is Waiting

"Flight 28: Osaka - Seattle" by artist Rebecca Rose. Now boarding a departure from Osaka in 2008 with an arrival to Seattle in 2015. Dimensions: 1491 × 2119.  

Flight 28: Osaka - Seattle

Now boarding fantasy flights based on actual travels. Each digital collage is comprised of photos taken during my international jaunts through time. Come jetset with me. Each NFT is accompanied by a Verisart COA.


"Flight 26: Chicago - Boulder" by artist Rebecca Rose. Now boarding a departure from Chicago in 2017 with an arrival to Boulder in 2021. Dimensions: 1476 × 1921.  

Flight 26: Chicago - Boulder

TRANSATLANTIC

"Persistence of Vision"  - Rebecca Rose - Digital Collage NFT Hologram - 1/1 - XXXI - 2022. Dimensions: 3840 x 2160. 

“Persistence of Vision” is like chutes and ladders, trying to climb up life's ladders against random rolls of the dice only to find the ladder never ends and we're climbing in circles. Although going down the slide puts us further behind, isn't it more fun and free? At what point point do we reach the definition of success we envision, the top of our ladders we reach for? Are we working towards invisible horizons never finding satisfaction while forgetting we can occasionally take time to relax? 

My works are digital collages influenced by vintage and GAN generated elements. Breathing new life and thrusting them with retroactive effect and force into our present day. A lingering taste of what once was, and what could still be while challenging concepts of our shared human experience.

This png piece is compatible and optimized for a PORTL Hologram unit as well as traditional digital displays. The work is accompanied by additional certification on the ethereum blockchain through Verisart.

American Artist Rebecca Rose is an award winning sculptor, painter, and hologram creator whose body of work has been awarded multiple artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Joan Mitchell Foundation, and Bloomberg Philanthropic.

Persistence of Vision

"Magic to Make the Sanest Man Go Mad" - Rebecca Rose - Digital Collage NFT - Single Plane Hologram - 1/1 - 2021 - XXXI. Dimensions: 3840 x 2160. What's down is up. What's unusual is usual.  Perception is everything yet nothing. A time loop exists but on what plane? Is the past returning while we build the future? Are paradigms from long ago seeping into the new world we're building? My works are digital collages influenced by vintage and GAN generated elements. Breathing new life and thrusting them with retroactive effect and force into our present day. A lingering taste of what once was, and what could still be while challenging concepts of our shared human experience. This piece is compatible and optimized for a PORTO Hologram unit as well as traditional digital displays. The work is accompanied by additional certification on the ethereum blockchain through Verisart. American Artist Rebecca Rose is an award winning sculptor, painter, and hologram creator whose body of work has been awarded multiple artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Joan Mitchell Foundation, and Bloomberg Philanthropic.

Magic to Make the Sanest Man Go Mad

SuperRare

Rebecca Rose
Digital Collage
2160 x 3840
Edition of 33

The ongoing aspirations of succeeding through overworking oneself results in an endless
trap of office furniture. They’re all saving their pennies for someday, but what if someday
never comes?
The anonymity of the figures symbolize they are all of us, and we are all of them if we chose
to follow in their footsteps.

You Oughta Know By Now #31/33

Rebecca Rose
Animated Digital Collage
Duration: 0:10
1080 x 1920
Edition of 33

We can pay off our taxes with overtime, but is that what living is all about? Trading the
outdoors for cubicles and cages of our own making while living through computer screens is
a heavy price to pay.
Single collaged layers are glitched within the animation to represent the unnatural state of
office work for great periods of time.

It Seems Such A Waste Of Time #7/33

33 Curated Drop Featuring Rebecca Rose

I enjoy stealin' it's just as simple as that.  

“It's Mine, Mine All Mine”, 1/1 digital 3D collage in three aspect ratios: 1:1 dimensions 1080 x 1080 at 89mb, 9:16 dimensions 1920 x 1080 at 155mb, 16:9 dimensions: 1080 x 1920 at 155mb, duration: 0:31.  

This is the first work in the DeepCuts series with 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs using the Doppelgänger contract.  

“It's Mine, Mine All Mine” is a comment on how it's the perfect market climate to steal grails. We've seen famous works enter new hands for those bold enough to grab them with everyone watching the action as it happens, and is a reminder that if you see something you want, you'd better get it while you can. This piece is part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs- and includes additional files and certification on the blockchain through Verisart. A short segment of this work is in SuperRare's Top 100 Collector badge for July 2023.  

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

It's Mine, Mine All Mine

They only get what they deserve.

This one is for the outcasts, the misfits, the alienated. For those that dream of a different reality and bold enough to rewrite tit. 

"Charades of Youth", 1/1 digital 3D collage, dimensions: 1080 x 1080, duration: 0:31.

This is the first work in the DeepCuts series with story inscriptions enabled on-chain to document exhibition history, made possible through Transient Labs using the CORE721 contract. This piece is part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs- and includes additional files and certification on the blockchain through Verisart.

Rebecca Rose is an award winning collage artist exploring sculpted collage and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Charades of Youth

They only get what they deserve.

This one is for the outcasts, the misfits, the alienated. For those that dream of a different reality and bold enough to rewrite it. 

"Charades of Youth", 1/1 digital 3D collage, dimensions: 1080 x 1080, duration: 0:31.

This is the first work in the DeepCuts series with story inscriptions enabled on-chain to document exhibition history, made possible through the Transient Labs contract. This piece is part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs- and includes additional files and certification on the blockchain through Verisart.

Rebecca Rose is an award winning collage artist exploring sculpted collage and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

What You Leave Behind
Digital Collage
Dimensions: 2160 x 3840
Edition of 10

"What You Leave Behind" is about the memories of past relationships we carry with us throughout our lives. Childhood friends, romantic lovers. Those who supported us and those who did not. The love we pushed away and the friendships we held even dearer. 

Faded memories we force ourselves to forget yet always float in when least expected, living in our minds and hearts with memories we cherish and pray to remember. 

What You Leave Behind

Don't touch the art please, it might touch you back.  

“Hushed Museums”, 1/1 digital 3D collage in three aspect ratios: 1:1 dimensions 1080 x 1080 at 107mb, 16:9 dimensions: 1920 x 1080 at 187mb, 9:16 dimensions 1080 x 1920 at 188mb, duration: 0:38.  

Includes 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs using the Doppelgänger contract.  

This piece is part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs- and includes additional files and certification on the blockchain through Verisart.  

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Hushed Museums

No finer place for sure, everything's waiting for you.

"No Finer Place", 1/1 digital 3D collage by Rebecca Rose. Dimensions: 1080 x 1080, duration: 0:21, size: 58mb.

This piece was created for Coindesk's 2023 Most Influential List, inspired by Jesse Pollak, the worldbuilder behind Base. "No Finer Place" is part of the ongoing series "DeepCuts" -3D collages with depth inspired by songs- and includes additional files and certification on the blockchain through Verisart. 

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Ford Foundation, and Bloomberg Philanthropic.

No Finer Place

It's a mighty short walk from the cradle to the tomb. 
And the people we meet in our day to day life play bigger roles than we give them credit for. 

“A Mighty Short Walk”, 1/1 digital 3D collage, dimensions 1080 x 1080 at 85 mb, duration: 0:42.

This piece is part of the ongoing series “DeepCuts” -3D collages with depth inspired by songs- and includes additional file formats to accommodate digital displays via certification on the blockchain through Verisart.

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

A Mighty Short Walk

Our love is a story I've already written.

“Boom Bang Pow", 2024, by Rebecca Rose. 1/1 digital 3D collage, dimensions 1080 x 1080 at 133.2mb, duration: 0:47. 

This piece is in the Valentine's Day Massacre collection, part of the ongoing series “DeepCuts”, 3D collages with depth inspired by songs.

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Boom Bang Pow

To be loved, to be adored. You, who hurt. And you, who kills. 

“Que Hieras y Que Matas”, 2024, by Rebecca Rose. 1/1 digital 3D collage, dimensions 1080 x 1080 at 117.9mb, duration: 0:41. 

This piece is in the Valentine's Day Massacre collection, part of the ongoing series “DeepCuts”, 3D collages with depth inspired by songs.

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Que Hieras y Que Matas

Valentine's Day Massacre

The jury is now in session.  
You're summoned to take part in a high profile, highly publicized trial fit for public appeal and widespread news consumption. Another trial of the century. Everything reeks of bribery, theatre, fanfare, and all evidence points toward guilt. But the defendant lined pockets of silver tongued lawyers who influence and manipulate the jury at hand. The courtroom chaos is blinding like a shiny lure and the jury takes the bait, a caricature of a corrupt judicial system where the guilty is acquitted as the verdict comes through. The prosecution never stood a chance against her deep pockets and connections.

"Trial of the Century", 2024, by Rebecca Rose. 1/1 digital 3d collage, dimensions: 1080 x 1080 at 177.4mb, duration: 1:02.

This is the first piece in a triptych commemorating AOTM Gallery's inaugural Artist in Residence program, AOTM AiR Cohort I, and is part of the ongoing series "DeepCuts" - 3d collages with depth inspired by songs.

Rebecca Rose (b. 1980) is an award winning collage artist exploring spatially collaged sculpts. Her 20+ year body of analog, sculptural, holographic, and digital collage has received major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Trial of the Century

As jurors you are not to be swayed by sympathy. But does law and humanity ever clash? You are witness to the quiet, understated everyday trials that are a dime a dozen and never get publicized. Cases where odds are stacked against the indicted and their public defenders, even though facts point toward innocence. A man's future lies in your hands, a realistic yet tense moment where the accused sees no public help or widespread appeal. An innocent man convicted as the verdict comes through. Sometimes society gets it wrong.

"An Innocent Man", 2024, by Rebecca Rose. 1/1 digital 3d collage, dimensions: 1080 x 1080 at 176.5mb, duration: 1:02. 

This is the second piece in a triptych commemorating AOTM Gallery's inaugural Artist in Residence program, AOTM AiR Cohort I, and is part of the ongoing series "DeepCuts" - 3d collages with depth inspired by songs. 

Rebecca Rose (b. 1980) is an award winning collage artist exploring spatially collaged sculpts. Her 20+ year body of analog, sculptural, holographic, and digital collage has received major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

An Innocent Man

A slice of residency life from Villa Alexandrino, the enchanted house in Rio where artists meet.

"A Casa Encantada", 2024, by Rebecca Rose. Limited edition of 10, digital 3d collage, dimensions: 1920 x 1080 at 299.5 mb, duration: 1:00.  This piece was created as a personal thank you gift for sponsors, patrons, and founders of the Selkie Rio Art Residency at Villa Alexandrino in Rio de Janeiro, Brazil in June 2024. 

Over 300 photos were capture by Rebecca Rose on location of the artists, objects, and architecture to recreate the house and its environment. Featuring resident artists with their consent: Madam Selkie, Efdot, Mumbot, James Bristow, David Moriarty, Carlos Aquino, Jenifer Pepen Aquino, Foodmasku, Luciana Guerra, Rachel St. Wood, Daniel Tucci, Ottis Ots, Luko Zapata, Jason Sanders, Cameron Smith, Mateu Velasco, Andre Dahmer, Sarkis Delimelkon, Alimo, and Rebecca Rose. This piece is part of Rebecca's ongoing series "DeepCuts" - 3D spatial collages with depth inspired by songs. 

Rebecca Rose is an award winning collage artist exploring collaged sculpts and holograms. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic. Rebecca was an artist in residence at the Joan Mitchell Center, Ox-Box/SAIC, AOTM, and the Rio Art Residency.

A Casa Encantada

An interpretation of the Decal by Rebecca Rose. A symbol of permissionless creativity. Series Forty.

Decal by Rebecca Rose #3

Decal by Rebecca Rose #96

Decal by Rebecca Rose

Why don’t we ever see kids at fashion shows? 
Is it because they’re the ones making the clothes? 

Fast fashion sweatshops hidden in plain sight.
Flimsy paper doll clothes to feed the appetite.
Work till your heavy eyes dim, only the strong survives.
It’s not linen you’re wearing out, but human creatures’ lives.

Kids swatching and mislabeling. 
An industry watching and enabling.
But they’re putting on a show, some fun to conceal.
Cheap, fast clothing, for a catwalk that costs a meal. 

Work, work, work.
Stitch, stitch, stitch.
Seam, and gusset, and band.
Till the heart is sick, and the brain benumbed, as well as the weary hand.

Why don’t we ever see kids at fashion shows? 
Is it because they’re the ones making the clothes…

“Seam and Gusset and Band”, 1/1 digital 3D collage in three aspect ratios: 16:19 dimensions 1920 x 1080 at 241mb, 1:1 dimensions: 1080 x 1080 at 139mb, 9:16 dimensions 1080 x 1920 at 242mb, duration: 0:49. Includes 3 different on-chain formats to accommodate digital displays, on a Transient Labs 7160 contract. 

This piece is part of the ongoing series “DeepCuts”, 3D collages with depth inspired by songs and literature. Deepcut: “Song of the Shirt”, inspired by Thomas Hood’s poem.

“Seam and Gusset and Band” was made exclusively for Christie’s Auction House for their December 2024 New Wave Sale in conjunction with AOTM Gallery.

Rebecca Rose is an award winning collage artist exploring spatially collaged sculpts and animations. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.

Seam and Gusset and Band

Rebecca Rose at Christie's

Pleased to announce:

✧   T R A G I C    K I N G D O M   ✧
A New Curated Release exclusively on @SuperRare
 
An episodic collection of collaged cautionary tales from a fictional theme park’s underbelly.
Get packed for one helluva vacation.

➤ Chapters 1-5 dropping this Thursday, November 7
➤ 3 Aspect ratios each, on a TL 7160 contract
➤ 1.5 eth reserve auctions

"The Engines Hum For Nobody"
"Cuckoo Clamber"
"What The Dormouse Said"
"Giostra al Galappa"
"Two Dollars Worth"

T R A G I C    ✧    K I N G D O M

I enjoy stealin’ it’s just as simple as that.

“It’s Mine, Mine All Mine" 
1/1 digital 3D collage mp4
three aspect ratios in one token: 
1:1 dimensions 1080 x 1080 at 89mb, 
9:16 dimensions 1920 x 1080 at 155mb, 
16:9 dimensions: 1080 x 1920 at 155mb, 
MP4 duration: 0:31.

This is my first work with 3 different on-chain formats to accommodate digital displays, made possible through Transient Labs with the Doppelgänger contract. 

“It’s Mine, Mine All Mine” is a comment on how it's the perfect market climate to steal grails. We've seen famous works enter new hands for those bold enough to grab them with everyone watching the action as it happens. A reminder that if you see something you want, you'd better get it while you can. This piece is part of the ongoing series "DeepCuts" -3D collages with depth inspired by songs- and includes additional files and certification on the blockchain through Verisart. A short segment of this work is in SuperRare's Top 100 Collector badge for July 2023.

Edition of 15, $199
3D animated collage
Curated by Future Art
on Nifty Gateway

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