Tezos

Multi Layered Landscape // 複層地景

Creator

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Description

In perceptual psychology, psychologists distinguish observation levels into temporal, spatial, and semantic perception. In phenomenology, philosophers use "part and whole" and "identity and multiplicity" as methods for cognition and analysis in observing and analyzing things. However, in virtual 3D space, the observer's level of reality perception is no longer limited to real relationships; materials, shapes, and even emotional meanings can be re-projected through one's own imagery. Similar to the disordered relationship between texture and geometry in 3D software, it is a new metaphysical order. In "Multi-layered Landscape," the artist uses AI and image processing software to transform Taiwan's landscape videos, taken along the high-speed rail, into various layered images: accelerated and abstracted, normal vector stereoscopic, and artistic stylization. These textures are recombined in virtual space to create new landscape images. The high-speed rail line is like a longitudinal section line that traverses Taiwan, providing a glimpse of the different faces of each city. The virtual device, on the other hand, is constructed with a multi-layered spatial structure and moves relatively in a non-linear manner. Through complex acceleration, displacement, and other animation calculations, the original 2D video is reconstructed in 3D, presenting a phenomenon landscape beyond its appearance and metaphysical. In the reorganized video, the artist quotes the poem "Dianzaitou" by the local poet Wu Sheng and makes an implicit interpretation of Taiwan's landscape using 3D devices and video. 在感知心理學裡，心理學家將觀察事物的層次區分為時間、空間與意義知覺；而在現象學裡，哲學家們將觀察與分析事物的方式以「部分與整體」、「同一與多重」作為認知與分析的方法。然而在虛擬的3d空間裡，觀者對現實的感知層次不再受限於真實關係:材質形狀以至於意義情感，都可經由自身意象，將知覺重新再投射:一如3d軟體中的貼圖與幾何的失序關係-是一種全新的形而上秩序。在”複層地景”中，藝術家將由高鐵沿線所拍攝的台灣地景影片，透過AI與影像處理軟體，轉化出各種不同層次影像：加速並抽像化”、法向立體化、藝術風格化等等，並在3d空間裡重新以虛擬的空間裝置組合這些貼圖，以創造出新的地景影像。高鐵沿線就如同一條縱貫台灣的剖面線，藉此一覽各城市的不同面貌；而虛擬裝置則以複層空間組構，並透過非線性的方式進行相對運動。經由裝置複雜的加速、偏移以及其他動畫運算，將原先的2d影片重新以3d方式組構，呈現出表象之外、形而上的現象地景。而在重組的影片中,藝術家引用了鄉土詩人吳晟的詩「店仔頭」，並以3d裝置與影片，隱晦的對台灣地貌作出他的詮釋。

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