Tezos

Last Supper: Restored

Creator

tz1cdYognc8ijJHSyvKemon5MWA9Vuyiz2Yx

Description

Over the years, after many times of “restored”, most of the visible part of Da Vinci’s “Last Supper” no longer comes from Da Vinci’s hands. Instead, the replication by his apprentices has become the main standard for restoration of the work. The restoration process of "Last Supper”, is like the iteration that based itself as input. Constantly use itself as input to restore the lost parts, while keeping eliminating the origin work. Completed from “Iteration”, again and again. Nevertheless, "Last Supper" is destined to deviate from its original appearance and gradually become an extremely delicate fake work. My series,"Last Supper", captures nine consecutive parts from the original. After edit and alter them and using them as prompt images for generating software to complete this version. In short, this creative project with Pixray is not built by picture from scratch, not to faithfully reproduce the object; on the contrary, the goal is to deviate from the original since beginning, with the intention of creating a beautiful fake – “Last Supper: Restored”. **Only transfer to collectors who hold all pieces of "Last Supper" before 2022.02.03.** 8% of the proceeds from the sale will be used to support the operation of the Pixray. https://pixray.gob.io/genesis/ ----------------------------------------------------------- 達文西的《Last Supper》長久以來歷經多次「修復」，以至於現在看得見的部分，大多已非原作者手筆。其中達文西徒弟繪製的摹本，反過來成為修復作品的主要根據。《Last Supper》的修復作業，看來就像將自身為提示圖像的生成演算。不斷丟失原作的同時，亦不斷的以自身為提示去填補丟失的部分，透過一次次「迭代」使其完整。儘管如此，《Last Supper》卻註定偏離原作，朝著無限完美的相似物而去。《Last Supper》系列作品，我從原作中擷取九個連續片段，經過編輯、變造，分別作為機器演算的提示圖像，用以再製我的《Last Supper》。簡言之，這次藉Pixray進行之繪畫行動，已不再是從零開始建構畫面，亦不忠實再現對象物；反之，打從一開始便以偏離原作為目標，意圖打造一幅高完成度的相似之物──《Last Supper: Restored》。 **2022年2月3日前，持有所有《Last Supper》的收藏家額外獲得此件作品。** 作品銷售收益的8% 將用以支持Pixray網站運作。 https://pixray.gob.io/genesis/

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ChangMingYao