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The Voynich Panels - Brechtol Triptych (24)

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tz1cjLwdFdXCA8Sxi9SYqmq1mmsas7Zc4wEn

Description

The Voynich Panels - Brechtol Triptych (24) (26 Brechtol 'Triptychs' have survived. It is likely there were others that have been lost to time. The Brechtol Triptychs were discovered among the private possessions of Brechtol after the reentry of the Brechtol Campus in 1834.) *Note: The Brechtol 'Triptychs,' as they have been termed, comprise a loose second-series of Voynich Panels. It has been argued that Brechtol was perhaps planning to formalize the Triptychs into more polished and complete paintings, but this remains unproven. As it stands, the Brechtol Triptychs are the only surviving record of the months between the trouble at the Campus in Summer of 1833, and the discovery of the deserted campus in the spring of 1834. ++Production Notes: The 26 surviving Brechtol Triptychs are drawn on non-standard papers, stocks and sizes. It is believed Brechtol was harvesting unprinted pages from books in the Brechtol Study and Library during this time. Inks, paints, and other materials have yet to be identified. It is believed Brechtol had no contact with the city, or any visitors during the autumn months of 1833. The source of the materials Brechtol used in the composing of the Triptychs has not, as of this publication, been identified. Each Triptych is unique in size, composition, materials used, and condition. A few notable Triptychs appear to have been painted on the highest quality onion-paper, as the originals are nearly translucent. The publishers have taken great pains to standardize each Triptych to a uniform size and production quality. Where necessary for accurate reproduction of the original images, minor adjustments to aspect ratio or contrast have been made. In the interest of presenting an accurate reproduction of Brechtol's works, no other modifications have occurred in these reproductions. **Records indicate the Brechtol Triptychs were likely never anticipated to be shared, and were likely intended as ongoing studies for The Final Paintings. It is not known whether Brechtol would have wanted these works displayed, or intended to keep these studies private. ***Scholars' Note: The Brechtol Triptychs are undated. Scholarly studies traditionally place the creation of The Triptychs in the months between the troubles of late summer 1833, and the completion of the Final Paintings (date unknown, circa December 1833). If the approximations are accurate, the Triptychs were likely started in early summer of 1833 ,and completed just before Brechtol's demise. Voynich Transliteration Note: Each Triptych contains a single word from the Manuscript scrawled on the back, in what is presumed to be Brechtol's own hand. These notations are documented with each Triptych here, for the purposes of posterity. ************ No Journal entries accompany the Brechtol Triptychs. -B. Brechtol, approximately September-November(?), 1833 ************ VOYNICH TRANSLITERATION for this Date: cheopcheod ************ by TenFiveEleven 2022 and midjourney #ai from original paintings (1/10) Original Piece 2022 (PAINT, Digital, Collage, Digital Paint) Original Digital Paint / Canvas 2022 - (The Brechtol Triptychs) - 24) - 2022) HQ RENDER (80000\7000 x 5000\4000 4k!) (Gallery Size!)