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Schema - The Voynich Panels -The Final Brechtol Panels - In The Atrium (FBP-AT) (12)

Creator

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Description

The Voynich Panels -The Final Brechtol Panels - In The Atrium (FBP-AT) (12) (The Schema) 17 'Final 'Brechtol' Panels were installed in the Campus Atrium. All known Final Brechtol Panels have survived. The Final Panels are believed to precede the Final Paintings. Some have argued that The Final Panels were necessary for the Paintings to be produced, although this is hotly debated. It is believed that the Final Brechtol Panels were intended to accompany the paintings in some fashion. The Final Brechtol Panels clearly show designs that have matured and are continually functional, although the source of their unique abilities has never been identified. ~The Schema: Among the 17 Final Brechtol Panels, the 12th panel is the largest complete Schema in the collection. Other Schema have been found among Brechtol's notes and journals, but the Schema Panel is generally recognized as the largest and most complete example among them. *Note: The Final Brechtol Panels are believed to directly precede the painting of The Final Paintings, and are the last series of Panels Brechtol created before the Final Paintings began. The Final 'Panels' are not all panels. Many were painted on board, or cloth--in some instances leather (of unknown origin) appears to have been used. ++Production Notes: The 17 Final Panels are drawn, painted, sculpted, assembled, and constructed. Multiple different techniques went into their making. As the paintings cannot (as of yet) be removed from their installed location, for fear of damage or interference, they are continually monitored for change in status. Some appear to 'breathe' or 'move,' although continued video surveillance since the late 1908s has proved decisively, and repetitively, that no motion has ever been captured on film. The reason for their installation in the Atrium, their location (seemingly carefully curated--and the odd lack of all additional supporting accompanying materials--make the Final Brechtol panels unique, in their composition, appearance, and location. **Biographical Note: It is believed the Final Panels were installed in October and November of 1833, just before The Time of The Painting (beginning in December of 1833). Scholars believe that Brechtol had moved to the Atrium in the final months, presumably for the better lighting and atmosphere in which to compose the Final Paintings. ***Scholars' Note: The Final Brechtol Panels are believed to have been installed in October-November of 1833. --Voynich Transliteration Note: There are marks on or near each Final Panel that could be mistaken (and have been argued to be many times) for a Voynich Transliteration, but none of the symbols, letters, apparent numerical notations, or 'words' have ever been translated or located in the Official Voynich Texts. The source and meaning of these markings is unknown. ************ No Journal entries accompany the Final Brechtol Panels. -B. Brechtol, approximately October-November(?), 1833 ************ No accompany VOYNICH TRANSLITERATION for The Final Panels have been verified. ************ by TenFiveEleven 2022 and midjourney #ai from original paintings (1/5) Original Piece 2022 (PAINT, Digital, Collage, Digital Paint) Original Digital Paint / Canvas 2022 - (The Voynich Panels -The Final Brechtol Panels - In The Atrium (12) Schema) - 2022) HQ RENDER (7000 x 5000 4k!) (Gallery Size!)