Tezos

kenosis

Creator

tz1Ws6ueRTDTJFmqbyVBpBdDzMdv4gHP9Ui7

Description

The Supper at Emmaus, painted by Filippo Tarchiani in 1625, is a reinterpretation of Caravaggio's famous work, The Supper at Emmaus (1601-1602). The postures and representation of the figures in Tarchiani's painting suggest a reflection on the nature of reality and truth. In this context, the philosophical ideas of Jean Baudrillard, especially the concept of "simulacra," take on their full meaning. Simulacra, according to Baudrillard, are copies or representations of reality that lack an underlying truth or substance. The Supper at Emmaus can be seen as a representation of a representation, a representation of a biblical story that is already a representation of a divine event. This is where the Greek concept of "kenosis" (κένωσις) becomes relevant. Kenosis refers to the act of emptying oneself or self-denial. Jesus’ actions in The Supper at Emmaus can be seen as a form of kenosis, as he empties himself of his divine glory to take on a humble form and reveal himself to the disciples. But kenosis is also linked to the concept of simulacra. Indeed, kenosis involves a form of simulation, where Jesus presents himself in a form that is not his original divine form. It is a representation of himself, a copy that lacks the underlying substance of his divinity. Thus, The Supper at Emmaus can be seen as an exploration of the relationship between reality and representation, between truth and simulation. The painting invites the viewer to reflect on the nature of reality and truth, and how we perceive and represent the world around us. 2898 x 2158 px / mp4 / 45 s / 39,4 Mo / 6 frames 1/1 collection 16/50 #simulacra a subrealist reread based on the masterpiece by : The Supper at Emmaus Filippo Tarchiani - 1625 Original works On view at : Los Angeles County Museum of Art, États-Unis

Traits

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treeskulltown

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