Tezos

resemblance détourné

Creator

tz1Ws6ueRTDTJFmqbyVBpBdDzMdv4gHP9Ui7

Description

The concept of "resemblance détourné" is a fascinating idea that can be explored in the context of philosophy, art and culture. Through The Distortion of Resemblance I determine that the term "détourné" implies a distortion or alteration of resemblance. This can be seen as a way of subverting expectations and conventions related to resemblance, creating a new form of representation that is both familiar and foreign. It is a subversion of identity because "resemblance détourné" can be seen as a way of subverting identity and the categories that define us. By distorting resemblance, we can create new identities and categories that challenge existing norms and conventions. It is a creation of new meaning, indeed "resemblance détourné" can also be seen as a way of creating new meaning and significance. By distorting the resemblance, new associations and interpretations can be created that expand our understanding of the world. Through the relationship between the original and the copy, the "diverted resemblance" can also be seen as a way of questioning the relationship between the original and the copy. By distorting the resemblance, a new form of copy can be created that is both faithful and unfaithful to the original. With reference to Baudrillard's simulacrum This leads us to reflect on the notion of copy and original, and how the copy can be considered as an entity in its own right, with its own characteristics and meanings. The notion of "détournement" is also used in the context of critical theory and philosophy to designate a strategy of subversion and resistance towards dominant powers. The "diverted resemblance" can be seen as a way of diverting resemblance and representation to create new forms of resistance and subversion. The "resemblance détourné" is also present in Duchamp's works that use the technique of "détournement", such as "L.H.O.O.Q." (1919), a photograph of Leonardo da Vinci's Mona Lisa with a small drawing of a moustache. This work is an example of "resemblance détourné" because it takes a familiar image and transforms it into something new and different, challenging the notions of art and representation. In short, Marcel Duchamp's work is a perfect example of "resemblance détourné", because it takes familiar objects and images and transforms them into something new and different, challenging the notions of art, representation and reality. It is a rich and complex idea that can be explored in many contexts. It can be seen as a way of subverting expectations and conventions of resemblance, creating new identities and categories, creating new meaning and significance, and questioning the relationship between original and copy. 2632 x 2160 px / 4k mp4 / 1 min / 53,4 Mo / 6 frames 1/1 collection 22/50 #simulacra a subrealist reread based on the masterpiece by : The Beloved Child - Jean-Honoré Fragonard -1780 - 1785 Original works On view at : Harvard Art Museums- Cambridge, États-Unis