Tezos

(A) DIGITAL PUNK inn 2023

Creator

tz1gMhB92K1Nh8ZxDT18TmjGhSkEjXDxENPj

Description

“If a punk show can be organized with zines, xerox fliers and inexpensive instruments in improvised settings and contexts (such as bedrooms, basements and bars) then how can we digitize or translate those approaches into freely accessible codebases, digital applications, programming languages, online networks or computer operating systems? How could a digital punk approach distribution systems, following similar paths to those that have been created and distributed under the punk ethics of intimacy, immediacy and improvisation? Can we open source New Media Art and Media Art Hystories? In this public presentation on his recent work and his approach to New Media Art theorypractices and education, jonCates will ask these questions and attempt to negotiate with what the phrase “digital punk” might mean.” - jonCates (2007) SEE ALSO: "r4WB1t5 microfest first hit the scene on May 25 at hipster dive hangout the Mutiny, and has since branched out... seeding their approach in a digital punk culture, they're making a commentary on the kind of cleanliness inherent to digital work. "That's another critique I hope we're mobilizing, that there can be a kind of rawness to the work," says Cates. And it's difficult to disagree." - Michael Workman (2005) && "a.reoccurring" loop (alone) like digital punk raw feed-{back|forward} system (crashed) solo is (cracked), Chicago, a screen, broken in, a connection not lost is found (to be) a.reoccurring network address." excerpt from: A Prospect Of The Dispersive Anatomies - jonCates (2007) Leonardo Electronic Almanac, Dispersive Anatomies special issue edited by Alan Sondheim, mez breeze and Sandy Baldwin, MIT Press (Boston, United States)

Traits

Tag

digitalpunk

Tag

punk