Tezos

fugitive dance emanations

Creator

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Description

is a multidisciplinary exploration of the subconscious, where the boundaries between art forms blur and merge. The idea of fugitive dance implies a feeling of ephemerality, as if abstract dance itself were ephemeral and elusive. The poetic and philosophical nuances of this concept are also intriguing. The use of language and imagery could evoke a dreamlike atmosphere, where the rational and the irrational coexist. This could lead to a deeper exploration of the human experience, as the artist delves into the mysteries of the subconscious… the very concept of subrealism One possible interpretation of this concept is that it represents a form of embodied cognition, where the dancer's body becomes a vessel for the subconscious mind. The fugitive dance emanation could be seen as a manifestation of the unconscious, unbridled and unscripted, allowing the dancer to tap into his inner world. This idea echoes the philosophical concept of the “body without organs” (BWO) proposed by French philosophers Gilles Deleuze and Félix Guattari. BWO is a state of being in which the body is freed from its traditional functions and becomes a site of creative experimentation, allowing the emergence of new forms of expression and connection. In the context of fugitive dance emanations, BWO could be seen as a state of being into which the dancer enters, where their body becomes a fluid, dynamic entity, open to influences from the subconscious. This could lead to a blurring of the boundaries between oneself and the outside world, allowing a more immersive and intuitive connection with the author's creative environment... Another philosophical thread that could be woven into this concept is the idea of “becoming” as opposed to “being.” This concept, also drawn from the work of Deleuze and Guattari, suggests that identity is not fixed, but rather in a constant state of flux and transformation. Fugitive dance could be seen as a manifestation of this process of becoming, where the dancer's identity is constantly changing and evolving in response to subconscious influences. In this sense, fugitive dance emanations could be seen as a form of philosophical inquiry, in which the dancer explores the nature of the self and its identity through its movements. The synesthetic elements of sound and form could be seen as a means of externalizing this process, making it visible and audible to the audience. 2930 x 2140 px / mp4 / 1 min / 73,7 Mo / 24 frames 1/1 collection 09/10 #TP «Techne (τέχνη) Philia (φιλία)» a subrealist reread based on the masterpiece by : Dazing Woman - Gustave Courbet - 1852 Original works On view at: Tottori Prefectural Museum, Japon sounddesigned by @zenmateria