Tezos

BIG FISH CAPITAL GALLERY NEPO BABY SELF FUNDED BOOTH

Creator

tz1Y8Pzjd6QuwwS9qREaKr1hvW4KMG2mtHNd

Description

Salawaki Biennale by Salawaki uses six identical, art-fair-like spaces to explore how artists are presented and perceived, reflecting on systems of visibility and how artistic labor is framed and valued. Salawaki Biennale by Salawaki is built around six repeated exhibition spaces, each modeled after an art-fair booth. By multiplying this familiar structure, the project shows how the art market fragments artists into isolated, competing narratives, much like posts in a social media feed that are constantly compared and ranked. It exposes the systems that shape artistic visibility and turn creative identities into display. The work consists of six GLBs, each functioning as a small room with identical proportions and display logic. Together, they form a network of tightly framed spaces where artists are positioned, measured, and presented within pre-set boundaries. Some GLBs reference the 1904 St. Louis World’s Fair, where Filipinos were exhibited as curiosities, creating a deliberate link between past and present modes of public presentation. Each booth follows the standardized layout of an art-fair space, using familiar materials and spatial divisions to reconstruct mechanisms of evaluation and containment. By incorporating visual echoes of world’s-fair design, the installation overlays historical and contemporary display strategies, allowing viewers to see how these structures operate and persist. Salawaki Biennale underscores a persistent urge to transform bodies, cultures, and creative work into objects of attention. It invites viewers to recognize these patterns, reflect on their roles within them, and reconsider how we look at, represent, and value artistic labor.

Traits

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objktlabs

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