Tezos

Time-slip glitch in art history : Xanthopsia 116

Creator

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Description

Conceptual Synthesis: (Tribute to Van Gogh – "Avenue in Arles with Houses") I. Poetics of Glitch: Rupture and Continuity - Time Slippage: The inverted "copy and paste" symbolizes a chronological fracture. Like a digital palimpsest, it superimposes eras (19th century / digital) to reveal art as an eternal flux, where Van Gogh engages in dialogue with the algorithmic age. - Animated Texture: The frame-by-frame reproduction of the physical gesture (acrylic brush transformed into pixels) creates a visual breath. Each of the eight digital paintings, created and animated by hand, is a blink of an eye between real and virtual, evoking the persistence of vision so dear to the Impressionists. II. Mystique of Xanthopsia: Alchemy of Perceptions - Yellow Vision: Filtering the world into golden tones is not a pathology, but a utopian quest. Van Gogh, who saw the world in chromatic storms, here becomes a guide to light in the darkness. The once tree-lined avenues are transmuted into a meditative space where the sun is a promise. - Harmonic Duality: Van Gogh's tensions (life/death, chaos/order) are reinterpreted through the superposition of acrylic and digital. The "glitch" is not an error, but a mystical flaw: a portal where existential angst and hope coexist. III. Semantics of Subrealist Abstraction - Subrealism: Beyond surrealism, I explore the technical unconscious. The layer, cut out by hand and then digitized, embodies the human hand struggling against digital perfection. These creative "scars" become modern runes. - Expressionism in Motion: Animation reinvents Van Gogh's tormented brushstroke. Each digital brushstroke pulses like a heart, reminding us that art lives through its reinterpretation. IV. Psychoanalysis of the Process: The Artist as Conveyor - Archetype of the Collector (Xanthopsia): Collecting yellow visions is archiving fragments of resilience. My work acts like a waking dream where the viewer projects their own darkness to find light within it. - Cannibalistic Homage: By cutting, pasting, and reversing the original work, I ritualize creative digestion. Van Gogh is not imitated, but projected like an echo into the realm of possibilities between analogy and digitalization. V. Philosophy of Reinvention: Transcending Time - Artistic Uchronia: The temporal glitch abolishes the linearity of art history. Van Gogh, Pollock (abstract expressionism), and digital technology coexist on the same plane, proving that art is an eternal present. - Technology as metalanguage: The mixed medium (acrylic/photography/digital) symbolizes the hybridization of consciousness. Digital technology does not erase the physical; it awakens its flavors and sensitivities. Conclusion: The Work as an Alchemical Ritual "Time-slip glitch in art history" is an act of contemplative resurrection. Through Xanthopsia, I transform Van Gogh's melancholy into philosophical gold: each yellow pixel is a particle of hope distilled into the digital ether. This reinterpretation does not comment on Van Gogh; it summons his soul to question our times. Art, like wheat, dies and is reborn—the field is eternally a laboratory where the harvests of the past nourish the seeds of the future. > *"The real glitch is not in the machine, but in our inability to see that art history is an infinite circle where each era is a new beginning that echoes the previous one."* Tribute to Van Gogh painting: « Avenue in Arles with houses » see original at : Pomeranian State Museum 2160 x 3840 px / 4k MP4 / 116 Mo / 8 fps / 1/1 édition