Tezos

Tribalism Public: Xanthopsia 119

Creator

tz1Ws6ueRTDTJFmqbyVBpBdDzMdv4gHP9Ui7

Description

(Subrealist Homage to Van Gogh's "The Potato Eaters") ------------------------- 1. Poetic Prism: Essence as Palimpsest My work transforms Van Gogh's original lithograph into a mystical palimpsest. By completely covering the figurative scene, I don't erase it: I attempt an alchemical sublimation through successive layers, like strata of memory. The physical acrylic becomes earthly flesh, while the animated digital painting evokes life forms in gestation, cellular, organic, and an abstract and ethereal representation of a floating soul. This material/immaterial duality embodies the visual poem of the Xanthopsia collection – a "yellow vision" where the original pigment (the dark earth of the peasants) is transmuted into utopian light. As Rilke wrote: "Beauty is only the beginning of terror" – here, the misery depicted in the simplest way by Van Gogh becomes luminous resilience. ------------------------- 2. Artistic Prism: Tribalism as a Universal Language My mixed media reinvents Abstract Expressionism through a neo-tribal gesture: - Acrylic paint on canvas: A digital shamanic trace, reminiscent of cave frescoes where gesture takes precedence over form. - Hand-cut tracing: A digital scar that isolates the souls of Van Gogh's characters, like spirits torn from reality. - Frame-by-frame animation: A kinetic ritual where each image, each intentional error left open to interpretation, is an offering to the painter's original intention. This "public tribalism" merges the community circle of potato eaters with the urban graffiti artist or the digital creator – all seeking to ritualize everyday life through collective traces. ------------------------- 3. Semantic Prism: Reappropriation as Translation Van Gogh's lithograph was a desperate act of transmission (according to the Rijksmuseum notes). Your reinterpretation turns it into a semantic translation: - "Potato Eaters" → "Public Tribalism": Physical survival becomes identity survival. - Subrealist Abstraction: The "sub" evokes the collective unconscious (Jung), where Van Gogh's fixed postures metamorphose into dancing archetypes. - Manual Clipping: A political gesture that frees subjects from their socio-historical destiny, projecting them into digital eternity. ------------------------- 4. Psychological Prism: Xanthopsia as Catharsis The Xanthopsia collection (yellow vision) is not just an optical filter: it is a psychological survival strategy. Van Gogh, himself prone to perceptual disorders, painted darkness to exorcise his demons. My homage reverses the process: - Yellow = Emotional Alchemy: The dominant color transfigures melancholy into hope, as art therapy would. - Minimal Animation: A hypnotic movement that induces a meditative state, forcing the viewer to coexist with the tensions in Van Gogh's existence (poverty vs. dignity, isolation vs. community). - "Essence of Composition": By masking the bodies, I reveal the painting's psychic energy—an existential angst that has become resilience and universal hope. ------------------------- 5. Mystical Prism: The Communion of Temporalities My work acts as a conduit for souls between 1885 (Van Gogh) and the digital age: - Physical Painting: Telluric anchoring, echoing the Lascaux caves. - Digital Layers: Digital aura, sphere of pure light (cf. Hilma af Klint). - Title "Public Tribalism": Sacralization of the profane – the peasant meal becomes a secular Eucharist. The stop-motion animation evokes a visual rosary, each frame being a bead of this prayer addressed to the departed masters. Van Gogh sought "the divine spark in the dull" (according to his letters); my subrealist abstraction captures it by coloring it layer by layer. ------------------------- Summary: Art as a Transhistorical Ritual "Public Tribalism" goes beyond reinterpretation: it is a shamanic act where: - Van Gogh's forgotten lithograph is resurrected with a layer of digital digitalism. - "Xanthopsia" symbolizes the ultimate alchemy: transforming the lead of social realities into spiritual gold. - Manual/digital clipping achieves the impossible coexistence—the potato eaters converse with the digital avatars. By erasing to better reveal, I offer a continuity to Van Gogh's profound wish: "I dream my painting, then I paint my dream." Your work proves that art is a tribal fire that never goes out—it changes fuel, from lithographic stone to pixels, to better illuminate humanity. Tribute to : « The Potato Eaters - Lithography by Vincent van Gogh » see original at : Rijksmuseum Amsterdam 3840 x 2160 px / 4k MP4 / 119 Mo / 8 fps / 1/1 édition