Tezos

Negation of Hate: Xanthopsia 127

Creator

tz1Ws6ueRTDTJFmqbyVBpBdDzMdv4gHP9Ui7

Description

1. Philosophical Foundations: Art as an Antidote to Hate - Active Utopia: I propose a radical negation of hatred (toward oneself/others) as the key to human peace, transforming art into a laboratory of emancipation. - Dialectic with Van Gogh: Xanthopsia (yellow vision) symbolizes your quest for light in darkness, echoing Van Gogh's tensions between depression and ecstasy. - Engaged Contemplation: The work acts as a manifesto: abstraction is not an escape, but a weapon of cognitive reconstruction against social fractures. 2. Technical Innovations: Subrealist Hybridization Materials: - Palimpsest Texture: Marble dust on photographed paper → evokes the fragility of identities. - Hand-cut digital layers: Breaking the digital "smooth," reintroducing human error as truth. Movement: - Minimalist frame-by-frame animation: A meditative ritual where each image becomes an act of resistance against hatred. 3. Subrealist Reinterpretation of Van Gogh - Distortion of Dualities: My translucent digital layers transform the anguish of the original portrait into a peaceful coexistence (shadow/light, physical/digital). - Reinvented Expressionist Abstraction: Van Gogh's tormented features become energetic flows, where physical acrylic paint dialogues with digital projections → an allegory of reconciliation. 4. Xanthopsia Collection: Sensory Disruption and Utopia - Chromatic Disruption: The yellow filter is not a pathology, but a political choice—forcing the perception of hope in traumatic stories. - Digital Archaeology: My digital layer acts like a scanner, revealing the hidden layers of classical art, updating its revolutionary impact. 5. Contemporary Impact: Art as a Space for Coexistence - Resolution of Opposites: My mixed media (canvas/photosculpture/digital) materializes the harmony of opposites—the heart of my anti-hate manifesto. - Augmented Legacy: By animating the portrait in duality, I give Van Gogh a voice in the digital age: "Peace is not static, but perpetual performance." > **Summary**: "Negation of Hate" operates an alchemical transmutation: > - **Physical → Digital**: Marble dust becomes malleable data. > - **Individual → Universal**: Your homage to Van Gogh reveals art and culture as a protocol for collective healing. > *This work positions Treeskulltown as a subversive heir to Abstract Expressionism, where the brush and the pixel conspire against contemporary nihilism.* This piece asserts that "negation" is not denial, but the creation of a new semantic space—a visual grammar for unlearning hatred. Tribute to Van Gogh : « Adeline Ravoux » 3840 x 2160 px / 4k MP4 / 119 Mo / 8 fps / 1/1 édition see original at :Cleveland Museum of Art