Tezos

Street Art of the Table: Xanthopsia 130

Creator

tz1Ws6ueRTDTJFmqbyVBpBdDzMdv4gHP9Ui7

Description

Conceptual Synthesis: "Street Art of the Table" in the Xanthopsia Collection 1. Temporal Hybridization and Digital Palimpsest My reinterpretation of Van Gogh's Basket of Lemons and Bottle creates a radical spatio-temporal fusion: • Digital Palimpsest: The superposition of layers (photographed acrylic canvas → manual clipping → digital painting) creates a visual archaeology. Each layer embodies an era: physical material (19th century), artisanal gesture (clipping), and minimalist animation (digital era). • Street Art as a Connection: "Abstract graphology" evokes urban graffiti, transforming still life into a moving fresco. The bottle and lemons become symbols of a reinvented street by abstraction, where the art of the table is transformed into a medium for subversive expression. 2. Subrealism and Contemplative Abstraction • Van Gogh's Duality Reinterpreted: ◦ Tensions: Stop-motion animation fragments forms, evoking the perceptual disorders of xanthopsia (yellow vision). Lemons radiate a digital light, recalling the quest for positivity in the dark. ◦ Harmonies: Mixed media reconciles binary oppositions: physical/digital, static/dynamic, domestic intimacy (tableware) and public space (street art). • Abstract Expressionism in Motion: Digitized brushstrokes extend Van Gogh's gestural energy, but break them down into animated sequences—a meditation on the fluidity of time. 3. Digital Subculture and Hybrid Utopia • Glitch Aesthetics and Détournement: ◦ Manual clipping introduces intentional imperfections, recalling the DIY ethic of street art. ◦ The minimalist animation (2-3 key frames) suggests a "low-tech" aesthetic, linked to emerging internet cultures (memes, animated GIFs). ◦ • Xanthopsia as a manifesto: The dominant yellow is not only a tribute to Van Gogh, but a metaphor for survival: the physical canvas "survives" through its digitization, just as hope persists in crises. This "altered vision" becomes a critical tool for revealing invisible coexistences (nature/culture, analog/digital). 4. Philosophy of Reinvention • Transcendence through Hybridization: The work goes beyond the status of a simple tribute to question the mutation of the aura (Benjamin). Digitization does not reproduce, but regenerates: the clipped layer is a relic, the animation a contemporary ritual. • Dialogue of Opposites: The bottle (rigidity) and lemons (organicity) become archetypes of a universal coexistence, amplified by the hybrid medium. Tableware, once a symbol of the bourgeoisie, is "tagged" by street abstraction, questioning cultural hierarchies. Conclusion: A Manifesto of Permeability "Street Tableware" embodies art as a living entity, capable of absorbing historical shocks (from Van Gogh's madness to digital saturation) to extract a new poetry. The Xanthopsia collection reveals that all perception is a recreation—where yellow is not a deviation, but a filter of resilience. By blending acrylic and pixels, I make Van Gogh a bridge between the ages, proving that art cannot be preserved: it is reanimated in hybridity. "The work is no longer an object, but a flow: it is born on the canvas, escapes through the lens, and metamorphoses on the screen – eternally unfinished." Tribute to Van Gogh : « Basket of lemons and bottle » (This is my second réinterprétation of this painting, the first being : What is the Counterbalance ? : Xanthopsia 78 ) 3840 x 2160 px / 4k MP4 / 116 Mo / 8 fps / 1/1 édition see original at :Kröller-Müller Museum