Description
• where do I sheets from •
it all started...
2011 - 2015 at the graphic workshop of the academy where I studied.
printed graphics require a lot of paper and ink, and the endless variety of printing options leaves an invaluable treasure... if a print fails, you can still find a beautiful piece. although I never saw "bad prints", everything was preserved. cropped. formalized. sold. left to himself.
when we copied the work of famous graphic artists ... I had 100 options and not a single "copy". on the round, I was rated "good", but it was not very good - because it was not up to the task ...
I was surprised by the variety of options - it is impossible to evaluate or overestimate.
when you type, everything matters!
process ~•~ magic
what is obtained - caresses the eye and heart - I love every print. I love, appreciate and respect any sheet of paper on which the paint has left its mark. different types of paper, chosen with love - they can only be transformed, recycled, nothing can be thrown away! there's just nowhere to throw it away....
2014, once a famous artist came to the studio to print, he left several prints in a trash can - I stared at this bucket for a long time, and then I rummaged around with great interest and pulled everything out. I designed one of them and presented it to a connoisseur of fish.
looked at the others and could not believe that you could just throw away your prints like that - it's
• paper
• printing ink
• impression
• it's a treasure
• unpredictable printing magic
• touching the machine
• ... smell of turpentine 🪲
sublimating this experience, I saved every fragment where there is paint, and everything that is present on paper, a line, a spot, any mark made me happy.
I appreciate every touch of ink on paper. I feel that the world is huge and in any fragment it manifests itself.
I'm not trying to convey this love to everyone. I am transforming my “ecological, spiritual, material footprint.”
where do i get it from? I'm just, and I don't throw anything away... out of mine) Maria Mitrofanova taught me how to pour paper.
I created a lot of voluminous, textured, colored sheets with plant inlay - I sewed these sheets together. pasted the found objects on them, transformed and transformed in every possible way, gave, gave, gave ...
when I was studying, there were a lot of prints even before graduation. this passion ~•~ to draw in a passe-partout and crop, crop, crop ... and now I use it in my work.
the theme of my diploma sounded like "one day in the life ..."
4 graphic sheets made in monotype technique.
on defense they told me that I was no painter, but the schedule would turn out!
Graphic arts! Graphic arts! this word sounded in my head from the first to the last year of study. and now it sounds more • photography • but a lot of paper has accumulated. maybe soon I will master manual printing and it will come in handy for me.
"one day of my life..." what is it? what is he? what is its value? what he carries in himself, what he gave.
I am obsessed with fixing this very day “every day”, if there is a diary collage, then this is it!)
because there is a diary photo, oh my God!!!!
I tell in these collages and otherwise only about myself, there are more other meanings and thoughts than
"life" and "live" I do not know.
I can also talk about my love for materials, personal notes, quotes. to everything that passes through the day and me. everything that fills me and falls into my field of vision becomes the hero of my diary).
#miraclegraphicarts
it's all so personal and inexpressible... I don't know. Maybe all of this matters to me. maybe inside I'm trying to structure the outer chaos. or, on the contrary, in external activity I harmonize internal strife.
maybe I need not an art dealer or a curator, but a psychologist...
~ I thank you! very strong!✨
sorry to bombard you with this torrent of collages, but you are the only open person in the art world with psychic powers that I know)
I think I'm starting to understand something, I can say ☺️
could be the concept of my human life?
which turns into visual poetry.
expresses itself with inkblots and scratches. observes the drama in the relationship between reality and illusion.
working on images, he conducts an intuitive study of the environment and the inner world, builds and consolidates this connection, reveals its unity. and believes that graphic tools reveal the secret of transforming visual experience into a spiritual one.
✨
Yuliia Shybirkina, 1984.
"artist's sketches" #shibirkina_collage
2018
author's miniature works, printed graphics, excerpts, stickers, business cards pasted on plywood.
50 x 70 cm.
the work needs a frame.
Odesa.
UAH 8000 USD 200