Tezos

West LA, 1966

Creator

tz2NXS3HLfeFLJKvQyUq46ko6QUJNqRWH8wk

Description

West LA 1966 Sora, Udio, 4K In high school, I asked Google what the first punk song was, and I was told that it was 96 Tears by ? and the Mysterians. I didn't question it. I just listened, liked, and moved on. But, something about the question and the search stuck with me. In my early 20s, I started asking more questions: What came before Joy Division? The Ramones? -- I didn't have a Beatles phase growing up, even though my house was full of their music. This made me highly aware of how much The Beatles meant to my parents' generation. Just like my original question about the first punk song - I didn't question it. After a decade of taking everything at face-value, I found myself deep in the search. What were the songs that helped shape the songs and bands that I love? I became deeply attached to the Back From The Grave compilations, Nuggets and Pebbles and every other sediment in-between. Like most genres under the rock umbrella, including punk, garage music didn't happen in a vacuum. Every region had its own characteristics. Texas garage didn't sound like the embellished glitz of West LA, which didn't sound like the gritty sounds of Detroit, which didn't sound like the LSD-soaked sounds of Manchester. But - there is one connection to all of these sounds: There was a shift that happened on February 9, 1964 when The Beatles played Ed Sullivan. That night cracked something open for every teen in the world. Suddenly, kids everywhere realized that they could do it too. This collection is an attempt to document that spark. It's about small bands, forgotten scenes, and the way the British Invasion rippled through small clubs across the world, VFW halls, and local radio stations across the world. Each piece is rooted in real bands, real places, real clothes, real instruments, and real songs. It's built from six years of obsessive research, crate digging, and chasing ghosts of forgotten zip codes. With AI as my copilot, I tried to give form to the stuff history books skipped, because those local stories matter just as much as the day-to-day diary of The Beatles. Made with love for my parents: My dad, who introduced me to the music even when I didn't want to hear it. For my mom, who always sang along when I did.

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