GenJPEG / Gallery

Gallery

@GenJPEG

Works: 122
Views: 124
Likes: 22
Updated: Mar 26, 2026

Sabotage (Kim Asendorf, 2022)

PXL DEX (Kim Asendorf, 2025)

monogrid (Kim Asendorf, 2021)

Grifters (XCOPY, 2021)

More from XCOPY

COPE SALADA, 2024

MAX PAIN, 2022

SAINT_LESS (Control), 2021

Afterburn, 2021

Guzzler, 2021

Chromie Squiggle (Snowfro, 2021)

die with the most likes

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deposit your adoration two, 2021

extinguish your friend's suffering with digital vanity. water them down with empty adoration outside of an abandoned vitamin shoppe in your hometown.

consume your adoration nine, 2021

feast from the same rotten corpse. eat the turned worship. let it drip down your chin and onto the hot asphalt. joining your forgotten legacy.

Leander Herzog

neurocolor

Some Generative Art

Some Collectibles

The sun has risen

to be continued...

consume your adoration twelve, 2021

chain smoke the empty adoration from obligated friends and family. let is consume your lungs. blow it into the air. outside of kohl's. while your dad shops for khakis and considers leaving you.

deposit your adoration six, 2021

approach the poorly built coffin of someone you didn't know. and mourn their insignificant existence. with forced sadness through obligation. though you can't feel anymore. you need to appear you do. maybe the appearance will ignite something one day. though it will likely pile up on varying bodies before they're lowered into the dirt along with your expectations of ever leaving.

sieze the meats of production (2023)

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BeastMode, 2021

gristle buddeez worldwide, 2025

nameless dread, 2024

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Post-Photography

the subducted line (Frank Manzano, 2025)

"Lately, my work has turned toward the tension between memory and fabrication. I’ve been using machine hallucinations to reconstruct what’s missing, lost realities, unrealized thoughts, and emotional debris. Rather than seeking clarity, I’m interested in how AI misremembers, how it speculates. I’ve leaned into that failure, letting the system act less as a tool and more as a flawed collaborator, one that simulates recollection but never lands on truth. This recent body of work isn’t concerned with clean representation; it’s about dislocation, synthetic memory, and the emotional charge of things that feel remembered, even when they never were." -Frank Manzano

"Dreams. Memories. Cities. This project is an attempt to represent time as it is lived, not as it is measured. The Flow seeks to give form to the stream of consciousness across a full day, where past and future remain constantly intertwined. Artificial intelligence acts as a catalyst, enabling the fusion of images from multiple places and temporalities. To make this inner experience of time visible, The Flow unfolds through two complementary approaches: chronotopes — sequences that crystallize the memory embedded in a place — and open montages that follow the mental rhythm of a drifting consciousness." -Benjamin Bardou

The Flow / Au Café de l'Univers (Benjamin Bardou, 2025)

Vacation / 'The Riddler' (Roope Rainisto, 2024)

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i will die in this chair, 2021

i will die in this chair. consuming celebrity gossip. and buying shit from barely relevant ads. i will be consumed by the blue light.

a memorable descent, 2022

we inhaled materials purchased from a hardware store in bags that once contained expired deli meat and road our favorite ride once a year to commemorate the time we spent buying things we couldn’t afford

or trying to understand why we always quit

or why falling was more satisfying than climbing and why our veins craved failure the same way they craved a heated spoon or burning foil

and we hoped to dissolve into the piss soaked waters of tourists as insufferable as us transforming into immovable growths like the aerosol in our capillaries

and reality disintegrating in unison with our credit scores and marriages organs

we cherished the fall for its inevitability and resented the climb for its deviation of normalcy

The Rapture / 'Normal' (Wubbushi, 2024)

Vacation / 'Falcon 9 Heavy Launch Tourist' (Roope Rainisto, 2024)

Knight Night (Doopiidoo, 2025)

Night shift in a medieval madhouse. A knight in armor prowls strange rooftops, jumps on beds, wrecks everything like a storm, tames a lab-grown giant rabbit, and rides a shark. Steel clangs, brain hums. Final flourish , grandma by the hand, candle to the altar. AI-generated music by Doopiidoo

Life In West America / 'El Dorado' (Roope Rainisto, 2023)

SAINT_LESS (Fire), 2021

SAINT_LESS (Waves), 2021

dying in your digital gallery, 2021

die without realizing your dead. bury yourself with the corpse of someone else’s creations. let the images pulverize your dead corneas. unable to breach the mind that once treasured them. collect enough to achieve pointless immortality and pray for salvation in an afterlife that doesn’t exist.

eternal and unfulfilling orgasm, 2021

Eagerly gulp the the blue light with a tongue that can no longer feel. seeking arousal from something eternally limp. cherish its indifferent embrace. it’s involuntary action. the exchange is no more romantic or satisfying than an unreciprocated orgasm. through a glory hole. at rainforest cafe.

hospital sheets, 2022

he forgot everything that brought him joy before forgetting how to breathe I guess he would have preferred breathing be taken first as it was pointless without the memories that accompanied the inhales and exhales

a man in a white coat put his hand on my shoulder and I cried, feeling the guilt of relief and the departure of someone who no longer recognized me.

Traces, 2022

Chrome, 2023

DOM1, 2023

DOM3, 2025

Life In West America / 'Nowhere To Go' (Roope Rainisto, 2023)

Life In West America / 'All Eyes' (Roope Rainisto, 2023)

Vacation / 'Holiday Romance #6' (Roope Rainisto, 2024)

Vacation / 'Adults Only Club' (Roope Rainisto, 2024)

AI (Video) Art

ABO #109, #3, #20, #37, #110, #142, 2025

Chain #1, 2023

Gerhard #23, 2022

Richter #136, 2023

MaNIC

Certified, 2023

When you're certified: • you can't leave the hospital without your doctor's permission, and. • you can't refuse psychiatric treatment, including medication.

'animosity'

Grandiose delusions, 2022

Is a collection as a reflection of a time in my life when I lost touch with reality for 9 months and was mandated into a state mental hospital. Includes Dark art, Glitch styles and experimentations (MaNIC, 2022)

'an·guish'

'Demise'

Downward Spiral, 2023

'THE SHADOWS'

Mario Klingemann

SketchMaker

SketchMaker is the genesis of Klingemann’s journey – an early generative art project built in Adobe Flash around 2007 that marked his first foray into machine creativity. In this work, Klingemann asked a radical question: Can a computer autonomously create images that “look like art”?

His answer took the form of a procedural sketch generator driven by evolutionary logic. The system randomly assembled simple drawing and image-processing actions, “atomic” operations like drawing shapes, inverting colors, blurring, and rotating, into complex sequences, essentially coding a digital ape at a typewriter, blindly throwing paint onto a canvas. Each press of the spacebar yielded a new, unpredictable composition, a visual “DNA” strand of layered operations.

Glitch 133, 2006

Mutation Series 2 | Mutation 12, 2013

Mutation Series 6 | Mutation 11/14, 2014

'Mario Klingemann (b. 1970) is a pioneer of digital and AI-driven art, an artist who has spent over a decade pushing the boundaries of creative algorithms. His practice has been pivotal in defining the aesthetic of AI art, blending technical ingenuity with artistic intuition. Notably, this exhibition offers collectors a unique opportunity to acquire seminal works from a practice that continues to challenge and redefine what art can be' (fellowship.xyz)

Neural Abstractions

Neural Abstractions represents Klingemann’s breakthrough into true AI-assisted image generation, using early deep neural networks to summon surreal new visions. Created in 2016–17, these works grew out of experiments with Plug-and-Play Generative Networks (PPGN) – an innovative technique that predates GANs, allowing an AI to generate images by maximizing the outputs of a classifier rather than by direct synthesis.

Instead of training a network to draw per se, Klingemann ingeniously trained a suite of custom classifier models (on datasets he curated himself) and then set a generative process to “please” those models. In practice, he fed the network a target concept – not via text prompt, but via a classifier node such as “portrait” or “map” – and the system iteratively adjusted a noise image until the classifier was highly activated.

Neural Abstraction #9, 2016

Neural Abstraction #29, 2016

Neural Abstraction #36, 2016

Hospital (tinbrain, 2025)

Revolution #4 (Andrea Ciulu, 2025)

Beeple

"This artwork is a new piece in my Revolutions series, reflecting on the passing of time through buildings, seen as multi-generational beings. Revolution #4 introduces some new elements to the process, as it started by "sampling" and reimagining a real building in my hometown: a beach resort (lido). For us growing on the seaside, these are the places we spend our summers and they carry memories that feel timeless. And yet, those walls are exposed to erosion and, ultimately, to being swallowed by the sea. As sea levels rise, life on the coast becomes precarious, fleeting."

(Andrea Ciulu, fellowship.xyz)