9.00 12th July

The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #5325

The Ceremony

Renders the Chromie Squiggle in the form of a Decal
Fully interactive as per the original Chromie Squiggle

Infinitely Dynamic; A new Chromie Decal every day FOREVER

WISHING YOU THE FUCKING BEST KIND OF JOY IN YOUR LIVES ❤🧡💛💚💙💜

Chromie Decal

TRISTITIA (sadness; melancholy) is my next generative experiment that explores the concept of loss. This is an experiment into the generation of void structures from 2D geometries. Alternating hard and soft edges create strange illusions of depth in the structure. 

TRISTITIA invites the audience to gaze deep into the abyss within and come up with your own interpretation of what it all means.

LICENSE: The code is released under CC-BY-SA 3.0, and acknowledges XORshift code from wikipedia (CC-BY-SA 3.0) and poisson disc sampling code by thecodingtrain (MIT)

TRISTITIA #57

Just leave me alone.
With a cat,
and a book
and a hot cup of tea.

Social Anxiety Secret Society

The King of the Jungle keeps watch over his realm

The King of the Jungle

Monumental Harry

Video render of initial test mint from the Dying Lights generative algorithm

Sound effects obtained from https://www.zapsplat.com

#001

"The Memes 03/Jan/2009 Chancellor brings bitcoin backing to banks" will now be forever etched on-chain. The copy was generated using GPT3 prompted on the headlines and edited to fit the space. 

Anyone can make their own FAKERAREHEADLINES, and the audience is invited to imagine what the news would look like in this parallel universe, and write their headlines on-chain either by signing a message or else by etching their message on this NFT using ETCH by Deca x Matt Kane.

LICENSE: CC0

FAKERAREHEADLINES - The Memes 03/Jan/2009 Chancellor brings bitcoin backing to banks #1/69

FAKERAREHEADLINES

Output of the Dying Lights generative algorithm during the live mint event held at MetaJam Asia.

*Original hashes were lost so this is a substitute.

Sound effects obtained from https://www.zapsplat.com

#004

#003

Dying Lights - Genesis

FAKERAREHEADLINES - The Memes 03/Jan/2009 Chancellor brings bitcoin backing to banks #2/69

"The Times 03/Jan/2009 Chancellor on brink of second bailout for banks" - these words were forever engraved into the genesis block on the bitcoin network, paving the way for a new digital era built on the blockchain.

The original print article from "The Times" is now an authentic collectible. But what if things had been different? FAKERAREHEADLINES is a satirical take on fake news and takes the audience on a journey to a parallel universe where bitcoin had been adopted at its genesis. 

"The Memes 03/Jan/2009 Chancellor brings bitcoin backing to banks" will now be forever etched on-chain. The copy was generated using GPT3 prompted on the headlines and edited to fit the space. 

Anyone can make their own FAKERAREHEADLINES, and the audience is invited to imagine what the news would look like in this parallel universe, and write their headlines on-chain either by signing a message or else by etching their message on this NFT using ETCH by Deca x Matt Kane.

LICENSE: CC0

Adventure is Out There

This was a piece created during the pandemic to remind us to continue to love each other even though we are physically separated.

Love Thy Neighbour

Soliloquies

A calm exploration of generative koi ponds.
Infinitely procedurally animated.

Nishikigoi recreates the meditative experience of watching swimming koi. You may click to feed your koi fish, but only once every 30 minutes.

I hope you enjoy this little experience.

Nishikigoi #123

Nishikigoi #78

Nishikigoi

TRISTITIA #21

TRISTITIA #30

TRISTITIA

As #fxhashturnsone, it seemed apt to release one of my old WIPs, Journeys, to showcase my own journey in the creative coding space. The piece tries to recreate subway maps in a generative fashion, and is meant to reflect the journeys of people as they move and interact with each other. Some journey alongside each other before branching off, while others only meet at the end of their journeys. Even more will never meet at all.   

SAs #fxhashturnsone, it seemed apt to release one of my old WIPs, Journeys, to showcase my own journey in the creative coding space. The piece tries to recreate subway maps in a generative fashion, and is meant to reflect the journeys of people as they move and interact with each other. Some journey alongside each other before branching off, while others only meet at the end of their journeys. Even more will never meet at all.   

Several flow fields randomly determine the flow of each line, while attractors cause lines to be naturally drawn to certain places on the map. The code checks to ensure that lines do not overlap (but they can intersect!) and ensures a minimum distance between adjacent lines. Several code chunks are referenced in the comments which calculate intersections between points / lines.

THIS CODE IS VERY MUCH RAW AND UNFINISHED! It reflects my own growth in the space, where I started out, and where I'm heading towards. Happy birthday fxHash! I hope everyone finds their own Journey out there.

LICENSE: CC-BY-SA 3.0

THIS CODE IS VERY MUCH RAW AND UNFINISHED! It reflects my own growth in the space, where I started out, and where I'm heading towards. Happy birthday fxHash! I hope everyone finds their own Journey out there.

LICENSE: CC-BY-SA 3.0

Journeys #33

Journeys #8

Journeys

An ancient civilization had conquered the stars, building huge monoliths to harness their energy. These mega structures now lie in decay, as their lights begin to dim. What happened to these civilizations? We may never know. We can only bear witness to their ends.

The code for "Dying of the Lights" explores the effect of heredity on structure and color. The base data structure is a quadtree in which child nodes inherit properties from its parent. The evolution of each node depends on the structure of the paren, and not all nodes will survive. The structure is then exploded into their final resting place as they slowly orbit the star.

The piece can be animated by hitting "Space" to slowly watch the Dying of the Light. Performance of the animation depends on the complexity of each piece, and the technical specifications of the device.

The viewer can also control the frame depth and color of the final display, as well as show / hide several additional easter eggs in the details.

Controls:
[UP / DOWN] - Adjust frame depth
[LEFT / RIGHT] - Adjust frame color
[D] - Show / hide details
[SPACE] - Animate

*Higher resolution images can be generated by adding &x=[width]&y=[height] behind the url. Larger images may not be rendered well on devices with less memory.

Common sizes at 300dpi: 
A4 = 2490 x 3510
Letter = 2550 x 3300

LICENSE: 
This code is licensed under CC-BY-SA-NC 3.0 

NOTICE:
This code makes use of the XORSHIFT prng algorithm (https://en.wikipedia.org/wiki/Xorshift)
It also uses the Roboto Slab font from Google fonts (Apache 2.0: https://www.apache.org/licenses/LICENSE-2.0)
Also, much thanks to thecodingtrain for their quadtree tutorial


Dying of the Lights #33

Dying of the Lights #104

Dying of the Lights

Sundials is the mint pass to my first season of art.
Holders will be whitelisted for future mints in season 1
Thank you for believing and supporting my art.

I'm going back to the basics for season 1 and exploring geometric aesthetics.
Sundials represent the beginning of my journey. 

It was made in p5js, and I failed to code it up in 10 minutes (as part of #Genuary2) 
But to be fair, planning and coding up the fxhash components were the bottleneck.

LICENSE: CC0

Sundials #5

Sundials #24

Sundials

The term "Degen" here refers to the degeneracy of energy states in the canonical quantum particle-in-a-box (https://en.wikipedia.org/wiki/Degenerate_energy_levels). The patterns inscribed in the walls of a particular box is governed by the quantum numbers nx, ny, nz chosen randomly during the mint. 

These inscribed patterns carve holes in the box, allowing energetic charged particles to flow out. In some rare cases, the state remains fully quantized and all the energy is confined to the inside of the box.

[Controls]
Left click to rotate, right click to pan

Degen Boxes #10

Degen Boxes #5

Degen Boxes

These happy little fields are always looking to make new friends around them.
I hope they can be your friends too!

"Fwenly Fields" will be minted in 2 phases. The first part will be minted on fxHash for a week. After 1 week, remaining unminted tokens will be burnt and the remaining tokens will be minted on Prohibition.art.

The code makes use of p5js and gorhill's voronoi library. 
Many thanks to tutorials from gorillasun and palettes from studioyorktown and tylerhobbs

LICENSE: CC0

Fwenly Fields #6

Fwenly Fields #8

Fwenly Fields

MERRY CHRISTMAS HIBERT__SPACE!

YOU DESERVE THE FUCKING BEST KIND OF JOY IN YOUR LIFE AND SHOULD BE SENTENCED TO IT FOR THE NEXT THOUSAND FUCKING EONS!

MERRY CHRISTMAS!

Sun’s out! The Doods have come out to play a game of hide and seek! Some of them are funny, some of them just think they are funny, but we assure you they mean no harm, they only want to have some fun! Unfortunately, they have gotten lost in a maze of flow fields and need your help to find each other.

Agrimony and The Hidden Walls have collaborated to bring you 247 unique mazes filled with Doods waiting to be found. In this project, we have blurred the boundaries between generative art and digital collectibles in an interactive storytelling game. Find the characters hidden in each mint and click / tap on them to reveal a card and their story! There are 80 Doods in total to collect, and every mint contains one special rare Dood!

This collection features 100 digital assets lovingly drawn by The Hidden Walls and brought to life by Agrimony. With a colourful cast of character backstories to explore, we hope that you will find each Dood and enjoy exploring the Doodverse!

We can’t wait for you to explore the Doodverse!

Hide'n Walls

These happy little fields are always looking to make new friends around them.
I hope they can be your friends too!

"Fwenly Fields" will be minted in 2 phases. 

The first part will be minted on fxHash for a week. After 1 week, remaining unminted tokens will be burnt and the remaining tokens will be minted on Prohibition.art.

What is more important - The visual output, or the code which generated it? This is an attempt to use code to recreate Grant Yun's "Polar Bear in a Snowstorm" (https://twitter.com/GrantYun2/status/1511776576035250182).

The code generates an icy landscape with a polar bear. A snowstorm is then generated by drawing thousands of white circles on top of the landscape to hide the bear. Unlike traditional art forms, we do not need to trust the artist that there was, in fact, a Polar Bear originally drawn on the canvas. The work makes use of p5svg to output the final image as an SVG, meaning that the digital polar bear is literally rendered on the display (albeit obscured by the snowstorm)

Visually, the viewer can only see the snowstorm, while the metadata lets them know how close the bear is.

I hope you enjoy this little exploration of code as art, even if the outputs may not be visually interesting!

agrimony

agrimony

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