66 1/1 CVRD cars - Los Angeles, Bangkok

-MEIOS-

BY: @mrLakon

MEIOS are a collection of 122 demons & deities hand-drawn and animated by mrLakon. Holding a will provide lasting utility.

MEIOS

MEIOS

1/1

FACTIONS:

Deimos

The Royals of Hell, Corrupters of the Earth

B-Rank 50 Variations

De1-B4EL

De2-PH3NEX

De3-O5E

De4-BER1TH

De5-OR0BAS

UnderTheGAN collection

Albert · Alexander Mordvintsev · Alexander Reben · Alex Green · Alex Shell · Anna Ridler · Artnome · Artonymousartifakt · Atay Ilgun · Bård Ionson · Berk Özdemir · Bernat Cuni · Bitcoin · Botto · Brandi Kyle · Claire Silver · David Young · Damjanski · DeepBlack · Elman Mansimov · Entangled Others · Fabin Rasheed · Gene Kogan · Guillaume Verdon · Hans Brouwer · Helena Sarin · illa2020 · Jörn Bielewski · Katie Charm · Kevin Abosch · Kevin Romond · Liam Ellul · Looks Rare · Lukas Opekar · Mario Klingemann · Max Osiris · Memo Akten · Metageist · Mike Almond · Mike Tyka · Norman Harman · Orkhan Mammadov · Pindar Van Arman · Refik Anadol · Ricardo Tejada · Robbie Barrat · Robness · Roope Rainisto · Shyam Sreevalsan · Sofia Crespo · Sven Eberwein · Yuma Kishi · Yura Miron · 0xm

In 2022, we stepped into what I like to call the 'everything-AI' era. This transformative wave may not be immediately apparent to many, but it has already fundamentally changed how we create and consume content, art included. AI revolution, powered by easy-to-use tools like Midjourney and Stable Diffusion, and further accelerated by meme culture, has led to a massive increase in digital creativity. The quality of this new AI creations are reaching levels that increasingly blur the lines between human-made/captured and machine-generated. Today, it's almost impossible to tell them apart, showing that we've crossed a point of no return.

This significant event ignited my curiosity. What were the beginnings of AI art and AI content creation? What was the path to this significant change that now affects billions of people? Who were the first to experiment with machine-generated creativity, and who were the pioneers of this shift?

The earliest steps with AI and computer-generated art can be traced back to the mid-20th century, but a major leap forward happened about a decade ago. The invention of Generative Adversarial Networks (GANs) in 2014 and the DeepDream algorithm in 2015 were like the first brushstrokes on a nearly blank canvas. The 'UnderTheGAN' collection aims to highlight these foundational moments, giving viewers a chance to understand the journey to the AI world we live in today and the pioneers behind it.

Early Pioneers of AI Art

侘寂

檜

嵐山

白黒

wabi-sabi

Hinoki

Arashiyama

Shirokuro

Yazid

LOST TWINS

ODE TO RANDOM

DEVELOPER TRAY - on Known Origin

Developer Tray is composed of a series of portrait photographs of Marlene, a young teenager I met occasionally to capture some photographs the way she wanted to see herself.

The series of 9 videographs encourages the viewer to slow down and cultivate a meditative practice of close looking to the passing of time, to the subtle energy that flows all around the developer tray – remembering the simplicity of form and motion.

Buy on Known Origin Watch on Oncyber

Scrap Papers

SpeechLess

SpeechLess

Marketplace Link:

Foundation

Although the night of despair grows darker, hope on the horizon shan't be lost. Keep on going, such as a streaming river that smashes through rocks and keeps moving. Hope is never sane, and it never makes any sense, something must be done, anything. It is owed to the mother, it is owed to the child.

CAMILLE ROUX

Intricada means ‘interlaced’ in Old Occitan, a Romance language spoken in the south of France. This project explores the balance between emergence and control.

A computer engineer in the south of France, Roux has been an entrepreneur in the business of helping developer teams transition into a new tech stack. He creates aesthetically pleasing art with mathematical or physical concepts.

@camillerouxart

Bright Moments

Studio Yorktown

Kwame Bruce Busia, a multidisciplinary artist, better known as Studio Yorktown.

Perpendicular Inhabitation

'Perpendicular Inhabitation' is a generative collection exploring the relationship between the urban landscape and the human experience, particularly feelings of nostalgia and more specifically 'anemoia' : the feeling of nostalgia for a time or place that we may not have actually experienced first hand.